Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…sic of the Alur tribe. We drove from Pakwach across the Albert Nile Bridge into the Nebbi district to the village of Widyanga. The Music Alur Kingdom Troupe We set up amongst the ‘five layered’ thatched roof huts, settled down around the cows, goats and a really music loving chicken and recorded one single band, The Alur Kingdom Troupe, with every instrument imaginable: The Flute (yep, a flute) The Ndara (the amazing Ugandan xylophone) The Rigi-Ri…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…Here’s a video of their ‘magic moment’: Their first song was Kica Watimon Nining, which is a song of forgiveness. Two men start the song fighting (and it is a pretty good tussle) before they are encouraged by the band and woman dancers to calm down, solve their differences and forgive. Given the recent wars in Uganda and given that we are in formally held Kony territory, this song is pretty important. https://youtu.be/_u4-hVbcVV0 In the same vein,…
A day in the field with Singing Wells News
…Rest Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully sel…
Northern Uganda: Day 2 – from Gulu to Acet Story
…ick up a generator, a bunch of electric cables and Big Jimmy our Acet Coordinator, below). It was a beautiful day with stunning blue skies and we drove for about 80 kilometers in glorious sunshine through village after village until we reached Acet, where we will meet Acholi musicians (hundreds, in fact). We landed in a field, pock marked with cement block buildings. Not the best site. But in the middle of the field was the most stunning tree that…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ar stopped to pick up Akello, a lovely Ugandan singer/songwriter, who is joining the group as our Influences artist. The Emmanuel car headed into Kampala to pick up our press badges. We then headed off to Gulu at around 2PM (yes, we tend to spend a lot of time getting mobile phone cards!) and headed out on a 360 km drive to the town of Gulu in Northern Uganda. Within minutes we were deeply immersed in the ‘classic’ East African road scene: big tal…
The Tribal and Musical Structure of East Africa – Worldmap Research News
To help us gain as much insight into the role of music in the areas we visit, we want to know as much as possible about the tribal and musical structure of East Africa. Over the last few months The Abubilla Music Foundation worked with Tati Kalveks and Rosie Balfour-Lynn to do this research. It was directed using WorldMap, an interesting way of visually displaying data. Here is a shot of the map below, the highlighted regions are the areas in whi…
Northern Uganda: Day 0 – London to Entebbe Story
…g (Vicki, Hannah, Andy and Jimmy) all met at Terminal 5 at 0930AM to check in to BA flight 63 to Entebbe. After quick breakfast, we did last minute shopping for essential supplies (alcohol, sunglasses, papers) and then took the train to C57, where we boarded our flight and left pretty much on time. Jimmy sat next to Andrew who lives in Kampala and married to a Uganda woman with whom he’s had a one year old son. He was passionate about West African…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remind you who they are – here are two clips: We focused our recording time on Mr Manager, their quite sincere thank you song to a factory manager that came to…
Day 6: Recording the Tugen & back to Nairobi Story
…at this recording business and have learned a lot. We have divided things into seven key roles, 3 on audio, 3 on video and one interviewer. All play secondary roles, the most important of which is our Influences artist who must be either a second assistant for audio or video. We have written a second blog on lessons – we felt it is important that if others want to launch a Singing Wells project of their own they benefit from our learning. The Sce…
Day 5: Recording the Marakwet Story
…1,000 Kenyan runners train here and the roads are filled with athletes training for London 2012. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters) is perfect – right at the peak of natural altitude where you can still t…
Day 4: the Pokot Tribes Story
…s. The songs were: Kinyakar, Kamatakar, Chepo Nandi, Kamitoi, Kaperwo, Chemining Tie, Chepo Chepkai, Kimnakiy Mitinge, Kisech. Click here to go to Song Translations Everything Else Everything else from today can be divided into three key events. First, we survived the drive. There were a few scary moments, the first being driving to the village for the shoot – straight up a very steep hill. This was not a hill for most humans and certainly wasn’t…
Day 3 continued – an interview with Steve Kivutia Story
…bu because of his legendary status within Kenyan music. Tabu invited Steve into a meeting where he brought some songs he had worked on. Steve was still a big Hip Hop fan and loved R Kelley. He also liked Salif Keita, an afro-pop singer/songwriter from Mali, his only ‘African music’ influence. Steve’s first job at Ketebul was as an intern working with Jesse and Gabriel on the Spotlight on Kenyan Music series. His feature artist was Makedem who ‘ble…
Day 3: Kitale to Kapsokwony, Kenya Story
…enjin style. Tabu describes this style as very traditional and the way of singing is very unique to the Sabaot clan of the Kalenjin. The guitar is called a burkandit, and is a homemade guitar somewhat resembling the Nyatiti of the Luo. He was joined by a percussionist who played the karachimek, which is essentially two sticks on the ground played by two sticks. Tabu first met Ben in 2007, when working on Spotlight on Kenya Music Vol.4. He sang a s…
Singing Wells – Origins News
…mals have had their fill the herdsmen climb from their wells and disappear into the bush. The songs tell stories of Samburu traditions and help the herdsmen keep a steady rhythm while they lower and raise their buckets. These ‘singing wells’ illustrate the importance of traditional songs in the life of the Samburu tribes people. We think that Singing Wells is a very good name for our project which aims to preserve, celebrate and share the unique m…
Day 2: Nairobi to Kitale & an interview with Pato Story
…sic and not good. I knew the second it started. I was so glad it started raining and we could get out of there.” [Editor note: we did not include this group in any Singing Wells materials.] So here is Pato’s favourite Singing Wells track – Jovah from the Mperwa Batwa community in Kisoro performing with Jesse on piano at the Ketebul Music studios This track is also on our album Best of Singing Wells 2011 Jovah – Ye Warararaye by singingwells We ask…
Bill Odidi reporting on Singing Wells from London News
…www.businessdailyafrica.com/Where+the+world+got+real+flavour+of+Kenya+in+London/-/1248928/1480860/-/djb5mf/-/index.html Photos from Kenya House …