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Report from Womex 2013 News

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…assers by to listen to the music we had recorded. We had a few instruments from our collection on display, and some even got played by some of our fellow Womexians as this photo from Louise shows: I gave an interview for Icelandic radio about the project. And around 150 people entered our competition to win an iPod shuffle – direct from one of our listening station. We’ll be making the draw soon. Cards in the Kalabash   We were pleased to host a f…

SWP Uganda 2013 – our proposed itinerary News

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…ebbe. It’s the perfect place to stay on our first night being just minutes from the airport (the BA flight from London arrives at 22.40). We have stayed at the Guesthouse before and Jan Willem, George and the rest of the Gorilla Tours team have always been excellent hosts. On our final day of the Uganda 2012 trip we had an very special afternoon in the garden recording the wonderful Watmon Group with our ‘Influences’ artist Akello. We are very gra…

A recording studio which fits into the back of an SUV Story

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…ing with us: 2 Apple MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matched Pair of AKG C414 XL Microphones 1 Matched Pair of Rode NT5 Microphones 2 Rode professional boom pole 1 K&M telescopic mic stand/boom 1 Canon EOS 7D 1 Canon EOS 60D 1 Canon EOS 5D 1 LED video camera lights 1 Flip HD video camera Thin…

The Key to Sustainable Aid in Africa? Perhaps we should follow the music. News

…er the village. In fact, some of the most beautiful music we’ve recorded – from the Batwa of Kisoro Uganda and to the Kel Kar Kwaro of Northern Uganda – was from extremely poor and disadvantage villages. But in both cases, the village structure was strong, the village elders were respected and the teenagers were actively involved in village life. Great music is a proxy for strong social cohesion, not necessarily affluence. One need not go farther…

A quick summary of the Singing Wells Project News

…hat is why the Singing Wells Project is important. Here’s the Field Report from that day in Uganda. 2. Singing Wells is actually all about Tiny Moses: We went to Kisoro Uganda to record the Batwa. The Batwa were one of the forest tribes that were displaced from their forests to protect the mountain gorilla. They are the sound track to unintended consequences – marginalised, abandoned, living on the worst land at the margins of Ugandan, Rawanda soc…

73,603 views on YouTube News

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…wonderful Batwa people. The music is performed by Kamuntu ‘Tiny’ Moses accompanied by our Influences artist Winyo.     And in first place with over 21,700 views is ’71 Hours to Monday’- a global track from Abubilla Music featuring musicians from Sao Paulo, Nairobi and London which was produced to support the launch of the Singing Wells project in 2011.     Keep watching!    …

A new type of city Story

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…hat the capital would be like; this image speaks a lot about the city. The number of ‘proper’ buildings were few and in only the small centre. It was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconvent…

The Boy with the Headphones Story

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…hen we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town.   At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we a…

The origins of Singing Wells Story

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…neer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of music, bringing these talented musicians to my Nairobi friends.’ In addition to our field visits, we have developed an online Music Map of East Africa that charts the tribes of the region, their music, their instruments and influences. The map also shows where we…

Day 9 (AM): Ketebul Studio – Influences session for Cheri Story

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….’ Stanley wants the song to be a classic love song and the his vocals are really beautiful and sincere. We then asked Nyerere Wa Konde to come in and work on the verses. We asked them to find their best love song that fits the beat and recorded them. Their musicality is amazing and the lead was able to introduce a whole new melody over Stanley’s song and deliver it as Bishop reported with pitch/timing perfect. By this time Nyerere Wa Konde wrote…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…anted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the Rift Valley, where the people are more pastoral, we really focused on their voices and I wanted some one to play the burkandit (a handmade guitar). In Nyanza, we focused on the Orutu, the Nyatiti and the Ohangla (drums). In Kisoro…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…ocal stores on big speakers). We listened to a few different tracks on his phone, and I narrowed my favourite Ugandan pop tracks down to ‘Apple’ by Bigtym and ‘Guns & Bomb’ by Bebecool.. Odika Constantine, son of Watmon, is in his 30s. He was abducted by the LRA from his home in Kitgum District when he was just 17. He was held as a soldier in the bush for 6 months until he managed to escape. He described the day it happened: the rebels arrived to…

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…ut generally perform music in the style of Acholi, as Watmon is originally from Kitikum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning mu…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…ou will be happy to know we’ve just passed Jinja and are roughly two hours from Kampala on a well paved two lane road. We have moved from sheer terror that we will be run off the road by Mac trucks to a growing lack of confidence that we will arrive in Kampala before the hotel kitchens closed. Given that we forgo lunch as a rule we find ourselves highly dependent upon night time eating. Just over the sounds of speeding trucks and crashing bikes on…

An Evening with Mserego Mwatela Group News

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…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa :   Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…