Aynu Traditional Group Group
…ums) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly allianc…
FAQ’s Page
…e project? We made our first field recording on the Kenyan coast in March 2011. The Abubilla Music Foundation was granted charitable status in June 2011.We are currently preparing for our 10 year anniversary, and are doing a countdown of our Top 20 Singing Wells moments here. How do you discover the music groups? To find talented and inspirational musicians and groups we rely on local fixers and musicians who spend a great deal of time researching…
Albums Introduction Page
…Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the rec…
Recording Resources Page
With almost 10 years of experience in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trip…
The Revival of the Entongooli Page
…ears. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on tha…
Day Five: January 22, 2019 Mwanza Continued Story
…Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eat…
Global Influences Project: Artist Submissions Page
…can follow Mkostii Beats at @mkostiibeats and Collo Skyzan at @colloskyzan410 STEFANO SITE NNE X ALOKA OHANGLA We really enjoyed this submission from Kenyan artist, Stefano Sita Nne. This track is entitled Bunde. and uses a sample by Aloka Ohangla. “This features the drum solo by Aloka Ohangla Group. My initial thought when I heard the sample was for a hip hop beat. But after listening some more I decided to juxtapose the fast paced drums with a l…
Field Recording Report by Kahithe Kiiru Story
…ies in the Western Region of Kenya in the period from 17thto 25thFebruary 2018. DAY 1 – Saturday 17th February 2018 The first day of recording for “Rhythms of Western Kenya” took place in Busia County, in the Samia sub-county. This sub-county was named after the Samia sub-group of the Luhya ethnic community who make the majority of its’ population. In Nanguba village of Agen’ga location, we met EKHUNJWE YA ABASAMIA folk group. Led by Stephen Bwi…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
1. Introducing the Naizungwe drums Story
…our revival of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting about the project’s development, which has been under way for a month now. James gives some background about his inspiration for starting this project: “I led the reviv…
Day 3: Monday, 2017 February 20th Story
…was one of my heroes from as long as I can remember. He always played with 10-12 drums and I couldn’t believe the sound he created. I started to play this style of drumming in 1982, starting with plastic jugs and then I formed my first group. I then followed the beat tradition of Vanga that came from my tribe. We rehearse twice a week and play in wedding and other ceremonies. We are also training young kids in our style but we are very worried…
Day 2: Sunday, 2017 February 19th Story
…where all ages participated and you had a feeling that the young people still really enjoyed the traditional dances. Here, the women are discussing how best to perform their dance for Sophie: And that was day two. A short drive back to the hotel….
Day 1: Saturday, 2017 February 18th Story
…in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Artist, describing his experience listening to Mzee Morris’s music: “He wasn’t normal. He plays his drums like a guitar. You have to listen very carefully to realize not only is he keeping the beat, but he’s also carrying a melody. And he uses 10-12 drums, sometimes more. This is not normal. Every drum was a note for him. He picked the skins for the drums and…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…estoring the Royal Entenga Drummers, and is currently working on a project to restore the lost lyre, the Entongooli. You can read more about this project on our website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report…
Fundraiser for Matthew Watmon News
…FundMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so we greatly appreciate your support at this time. We are sending our prayers to Matthew and his family in this difficult time….
Our journey to the Royal Drums: in the words of James Isabirye Story
Thursday, December 03, 2015 On December 1, during the long ride to Jinja, Tabu and I had a chance to interview James Isabirye about how and why we found ourselves together. This is a summary of that conversation, roughly in James’ own words. I use the term roughly for two reasons: 1) These are African roads and James was highly distracted by his own driving during our interview, dodging vans, cows and potholes. 2) I was trying to take notes in a…