Global Influences Project: Loop Library Page
…da. They play music in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Joginda Boys – 116BPM Joginda boys are from Aluny Village, East Alego, Kenya. This play wonderful Nyatiti music, with Organda J…
Global Influences Project: Artist Submissions Page
…d musical styles! We hope this will inspire many more musicians to go back to their roots and create something special! To find out more about L3GS, follow them on @l3gsmusic JAY P PRODUCTION X RUBANGA KINGDOM AWACH BOYS This upbeat bop has been submitted by Jay P Production for our latest installment of the Global Influences Project. We love how they used this beat to create something that got the whole team wanting to dance! When we asked about…
Day One: February 16, 2020 (Ngawala Hotel) Story
…e style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The singers come from the Wagindo people, who came from Malawi to Zanzibar, probably through the slave trade. When the British stopped the slave trade t…
Day Two: 8 March 2022 (Ilesi) Story
…the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long day, some of the Ketebul Music team decided to accompany our host, Jack Songwa, to unwind at a local pub, at the nearby Ilesi center. We returned to the Josephine Garden just in time for the last orders that evening. Profile: Obasie Palyang Band The Obasie Palnyang Band was founded by the…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well! We recorded three performances: Tamasha la kumi: a song about ten principal rules on how to live a meaningful and productive life within society. Mapambano: a song against FGM and early girl child marriage. Vibibi Viwili: a warning song on alcohol and drug abuse. Group Four: Hiari Ya Moyo: This group was formed in 1957 b…
Elgon Ngoma Troupe Group
…usuf (solo Adungu), Wamumdu Albashir (bass Adungu), Kyasowbayo Joseph (xylophone) and Dkining David (tube fiddle). The songs played were: “Isongja”: a pre-circumcision song and dance where boys are challenged to get ready for the ritual. “Kadodi Imbalu Dance”: this is about the circumcision ritual itself and involves the boy being reluctant and getting help from others to be brave. The song closes with a section about the boy having and surviving…
The Batwa of Kisoro Album
…ng the recordings in their village – featured on the album cover. Our trip to the UN refugee camp at Nyakabande was a happy one, as it was empty. The Togetherness group gave us a spirited performance and one of the tracks is on the album. The remainder of the field recordings were made at the Travellers Rest Hotel in Kisoro – battling through torrential rain, a storm of locusts and power cuts to be able to record. The Kabahenda, Gatera and Micying…
Imachina Group
…g bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo procession – this is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bri…
The Kalenjin of Kenya Album
…mbolet are both represented on the album. The final field day of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influ…
Day Three: 9 March 2022 (Kisumu) Story
…a for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journey. Our location for recording that day was Dunga Hill Ca…
FAQ’s Page
…preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and Abubilla Music. You can read about members of the team if you click here. Influences artists are professional musicians who collaborate with us on field and studio recordings. Click here to find out about these m…
The Luo of Kenya Album
…okeo (as noted above) and The Kochia Traditional Dancers. In March 2012, we invited the Otacho Young Stars to Nairobi to record in the Ketebul Music studios. The track ‘Mr Manager’ – an ode to the manager of a plantation, was first heard on the session at Dinky’s Resort Club, but the version included is that from the Nairobi Ketebul sessions….
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
We drove back to Stone Town and the DCMA to record our first group. After we finished there we drove to Mpendae, about 20 mins from Stone Town to record the second group. From there we drove for another half an hour to Maungani to record the third group: Tarajazz – This group was formed by the director, Suleiman Makame, who studied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about tw…
Support Singing Wells Page
…e below link will direct you to a Paypal donation page, with payments made to the Abubilla Music Foundation to fund the Singing Wells project: — CLICK HERE TO DONATE NOW — Sponsor a Song£25 Your Gift to Us Your money will be used to support the Singing Wells project to record the songs of traditional music groups, help us tell their stories and keep their music traditions alive. Your donation to the project will be spent in East Africa and will go…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried O…
Day Two: February 17, 2020 (Stonetown) Story
Our second day we drove into Stone Town. We recorded the first two groups at the Emerson Spice Hotel along the seaside. This hotel is an Arab style hotel, reminiscent of the rhiads in Marrakech with lots of small courtyards. In the Emerson Spice Hotel we filmed the first two groups in a courtyard usually used for meals in the hotel. While it became very hot as the sun hit the stage for the second group, the overall setting was beautiful –…