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How music archives can help communities News

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…chive is Dr. Sylvia Antonia Nannyonga-Tamusuza who we will be meeting while we are in Uganda next week. Click here to link to the Klaus Wachsmann Music Archive.   References Ethnomusicology in East Africa: Perspectives from Uganda and Beyond Published in 2012 by Fountain Publishers, Kampala. Editors: Sylvia Nannyonga-Tamusuza and Thomas Solmon Available in print from African Books Collective: click here                        …

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…days before being sold. Every ninth person is selling nuts or grasshoppers from a bucket or woven basket. Every seventh person is selling fruit of some type from a woven basket,. Every fifth person is sitting next to a blanket that is laid out to display their wares. You get a lot of blankets with eggs, but sometimes sunglasses, nails, electic sockets, rusty tools, clay pots, cutting boards or meal grinding tools, etc… Behind the blankets are stac…

ATTA is following Singing Wells News

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…their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa…

Northern Uganda: Day 4 – night recording at Fort Murchison Story

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…cian in a band, not some studio session guy ‘mailing in his over-dub.’ Sometimes it works. Sometimes it doesn’t. https://youtu.be/IktMw1iNcq4 https://youtu.be/Hk5DlFHa8Lg And with that, brushed the bugs from our hair and clothes, pulled some beetles from the camera bags and had dinner. Tomorrow is a driving day as we head to our next location… Jimmy (Fort Murchison, near Pakwach)…

Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story

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…work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all about a stubborn girl who doesn’t want to marry early. Here they are, dancing in glory: The second song was magnificent, called Oramba, the name of a hunter, in the style ‘Aliku’. This style is traditionally performed around the fire, as…

Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story

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…y sang so softly and it was such a big crowd. But we gave her a lapel microphone and put a microphone directly on the Adungu and recorded. Afterwards, when we turned her up in the mix a magical voice and sound emerged – the ancient lady sitting on the blanket in the middle of this village, surrounded by 100’s had a beautiful, strong, pitch perfect voice. Incredible. She sang: Two Man Dong Lakee Cok Mon Alwak Munu Keya Here’s Two Man Dong: https://…

A day in the field with Singing Wells News

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…up in place. We have two mobile recording units, each capable of recording from four microphones plus other sources at a high resolution to Apple MacBook Pro laptops. The benefit of the systems we have chosen is that they can run off the battery power of the laptops if we are in the situation where we do not have a generator (or there is a power cut mid-session which happened to us when we recorded to the Batwa at the Travellers Rest Hotel in Kiso…

Northern Uganda: Day 2 – from Gulu to Acet Story

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…en. By the end, these two teams were joined by another group of 100 adults from the surrounding village. Our backdrop became not the cement buildings, but the faces and shirts of our three teams – we guess they were 350 strong at the peak. The Music Groups The main theme of the day was dance. All groups featured wonderful female dancers and two ladies in particular were stunning. The best our Singing Wells team have seen. In Acholi dance it’s all…

Northern Uganda: Day 1 – Entebbe to Gulu Story

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…to Gulu at around 2PM (yes, we tend to spend a lot of time getting mobile phone cards!) and headed out on a 360 km drive to the town of Gulu in Northern Uganda. Within minutes we were deeply immersed in the ‘classic’ East African road scene: big tall white bags of coal, with grass helmets, bricks in various stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near…

The Tribal and Musical Structure of East Africa – Worldmap Research News

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…field visit to Northern Uganda this month. As result of the tragic war in Northern Uganda, where the civilians faced terror from Joseph Kony’s Lord Resistance Army, the Acholi are emphasizing even more the importance of musical, dance and festival tradition, in an attempt to rediscover their cultural glory. Now 90% of the Acholi tribe have been moved to displacement camps. Their cultural heritage has become even more important now as their homela…

Background on the Music of Northern Uganda News

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…Alur, Acholi, Ateso, Langi, Lugbara, Karamojong and the Batwa (all tribes from the Northern Nilotic and Luo parts of Uganda), who all managed to travel south to their capital and perform traditional music together.   We will then fly back to Nairobi and visit Ketebul music, where we can work on our Influence Series. Read more about that here. Watch out for our Field Report of the trip and we will keep updating the Singing Wells website with news…

Lango Tribe Profile – Music of Northern Uganda News

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…ss a mix of different tribes, including the Lango peoples.       Location: Northern central region or the “Lango sub-region” as demonstrated on the map. Population: about 1.5 million people Language: They speak Leb-Lango, a language similar to those of the Acholi and the Alur. They are part of the Luo group or “Western Nilotic Group”, and so all of the languages in this area are fairly similar to understand. Origins: Their original homeland was no…

Day 8: Ketebul Studios with the Otacho Young Stars Story

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…irobi studio. That led to 10 Batwa musicians and 5 Batwa babies travelling from Kisoro to Kampala to Nairobi and recording some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remi…

Day 6: Recording the Tugen & back to Nairobi Story

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…moved our departure time from the two hotels (Eldoret Club and Pine Tree) from 8am to about 9.30am. The tyre had a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it…

Day 5: Recording the Marakwet Story

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…on the men’s arms represents the River Nile and where the tribe originated from. They came from Israel to Egypt along the Nile to the Sudan. This occurred in the 18th century. The women have white dots on their arms and faces representing the soil and harvest. The white paint comes from a special kind of soil and only one person in the tribe keeps this soil as the custodian. Their aprons are made out of goat or cow hide and signify prayers and ble…