Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ng the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekeeping’, ‘The Map Outline’, ‘Prepare Your Data’. I met with Rosie to talk about her experience using the map for the benefit of Singing Wells. How did you discover the mapping software? I am currently reading medicine at UCL, but during my gap year I spend time doing work experie…
Northern Uganda: Day 0 – London to Entebbe Story
…o locusts during our locust attack). They ran a lovely hotel and greeted us warmly with Nile Specials! We handed off a pile of Batwa DVD’s for them to take back to the Traveller’s Rest and hit the sack. Jimmy (Entebbe)…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…cused our recording time on Mr Manager, their quite sincere thank you song to a factory manager that came to their factory and actually did a good job. We always found this song amazing – the group is deadly serious in their thank you to the manager. But in many ways, we kept thinking it is sad that they find it so rare for someone to essentially do his job that they need to write a song. Johnnie, Bishop and Eddie all joined in to support them in…
Day 6: Recording the Tugen & back to Nairobi Story
…moved our departure time from the two hotels (Eldoret Club and Pine Tree) from 8am to about 9.30am. The tyre had a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it…
Day 5: Recording the Marakwet Story
…raditional Dancers. Kathy talked to the tribal elder about them. They come from Tot, about 50km from where we were recording. They had walked here the night before and had been practicing all night and morning before we arrived at noon. Most of their songs are about peace and unity between the Marakwet and Pokot tribes. They are also about important historical events and praising ceremonies such as weddings, births, circumcisions and funerals. The…
Day 4: the Pokot Tribes Story
…ech. Click here to go to Song Translations Everything Else Everything else from today can be divided into three key events. First, we survived the drive. There were a few scary moments, the first being driving to the village for the shoot – straight up a very steep hill. This was not a hill for most humans and certainly wasn’t a hill for cars and certainly not cars filled with Ketebul folks and all our equipment. We got up and down, but we imagine…
Day 3 continued – an interview with Steve Kivutia Story
…sted in first class audio equipment and can record using 8 mics directly into Pro Tools. But during the March Pilot programme, we realised that the visual experience was as important as the audio. So for our November trip we invested in two more digital cameras and worked out our new Camera 1-3 approach. Camera 1 is static group shot. Camera 2 focuses on instruments. Camera 3 is context. This worked extremely well but created a separate issue – lo…
Day 3: Kitale to Kapsokwony, Kenya Story
…Sigerer’. Kathy interviewed him about all his songs and this is a classic (to go to Kathy’s Blog on Songs from Day 1, click here). Sigerer tells the story of two bulls in Teriet’s family that we were stolen and taken to Uganda. The family dog was able to follow the scent and led a posse of 20 armed men 75kms to a butchers where sadly one bull had been killed. The surviving bull, Sigerer, was re-taken and brought back to Kitale. In celebration, the…
Singing Wells – Origins News
…t will soon die out, leaving videos and songs in the archives. We also had to work to make this music relevant and important to contemporary artists. A key part of a field visit, therefore, is to bring contemporary African musicians with us to perform with the tribal groups and to write new music influenced by these sessions. Winyo, a wonderful singer/songwriter with Ketebul Music, is one of our Influences artists and has been with us on three Sin…
Day 2: Nairobi to Kitale & an interview with Pato Story
…to interview Pato about his background and his work with Ketebul Music. Pato is from the Luo tribe, from the village of Bondo (450 Km from Nairobi) , although he and his father were both born and raised in Nairobi. He is one of 6 children – he has one older sister and two older brothers and a younger brother and sister. He lives with his three brothers in an apartment in the Umoja district of Nairobi. Pato graduated from Pumwani High School in 19…
Bill Odidi reporting on Singing Wells from London News
…www.businessdailyafrica.com/Where+the+world+got+real+flavour+of+Kenya+in+London/-/1248928/1480860/-/djb5mf/-/index.html Photos from Kenya House …
Day 1: In Nairobi, packing and talking to Tabu Story
…then onto Iten and Kapsowar to record the Marakwet and Keiyo. The last day to go to L Baringo to record the Tugen. Tabu is not sure what to expect of the tribal music in the villages we are visiting but he is always surprised by the quality of music we discover with Singing Wells. “I didn’t really know what to expect of the Batwa of Uganda, and was blown away by the musicianship. I expect to be surprised again!” The last time he was there was abou…
How to Map 3: Prepare Your Data News
…will become clear later). The only way to make absolutely sure of that is to go into ArcMap and look at the attribute table of the shapefile (that’s basically the data that makes the shapefile look how it does), and check the names of the counties. To do this open the map, which is saved at C:\How To Map\How to Map 1, or wherever you put it. Then right-click on GBR_adm2 and select Open Attribute Table. This will open a box with the attribute tabl…
Victoria’s reflections on the music of the Batwa Story
…tely stunned. Henry explains that this lady would need to make the journey to town 2 or 3 times a week, leaving her home one day, staying with another Batwa community overnight and returning the next. Extraordinary. Getting a lift in the van saved her half a day’s walk. The van pulls up on the track and Henry says we are there – or nearly there. The village is just up here he says, pointing to the top of the hill which looms high above us. We can…