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Central Uganda: Day 5 – Jinja to Kampala Story

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…he only festival since 2005. Many people are performing around the country today due to those festivals. The group is very literate in music and we had a clear vision from 1990 of what we wanted to do. We are not doing badly and have a comfortable life from the performances. Some musicians who didn’t even have a bicycle not have houses. We are showing you can have a musical career. We are growing our knowledge and getting better at representing th…

Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News

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…referenced Peter many times in our field reports and blog posts: in our history of recording East African music summary, in our post about music archives across the world, when reflecting on the importance of archiving traditional music and, most recently, in our posts about our journey to discover and record the Royal Drums. It was James Isabirye, a lecturer at Kyambogo University and expert in traditional Ugandan music, who first introduced us t…

Central Uganda: Day 4 – Jinja Story

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…casional monkey. The staff has been warm and helpful and offered the hotel today as our recording studio. We have been able to set up the computers in the kitchen of one of our cottage rooms and have the groups either perform on our dining patio or our porch. We had three groups today and the drivers were sent out to round them up from the surrounding areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala,…

Before They Pass Away News

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…t to sustain the musical heritage of East Africa, we want to promote it in today’s world. With this in mind, we’ve been following the work of British photographer Jimmy Nelson with interest, who spent four years travelling to meet and photograph some of the world’s last surviving tribes. His book, Before They Pass Away, is a fascinating insight into these communities’ ways of life. Nelson’s breathtaking photographs capture how these last remaining…

Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story

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…k he is amazing. He has one of those older traditional voices that is hard to find. I know Robert felt we should invite him to Ugandan festivals. He’s the king in villages, playing at beer parties in villages, invited by the elders in traditional ‘rites of passage.’ Here is his music: The Journey to the Next Site We then packed up and said good bye to the Elgon Ngoma Troupe Centre. It was illustrative of their passion that they continue to perform…

Happy new year from Singing Wells News

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…nyan about the future of traditional music During our outings in Nairobi, we’ve gotten into the habit of chatting to young urban Nairobians about their opinion of traditional music. So, yes, we spend a lot of time speaking to complete strangers. We had a particularly compelling conversation with entrepreneur Edwin Maganjo. Here are his thoughts on the future of Kenya’s traditional music.  …

Central Uganda: Day 2 – Kampala to Budaka Story

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…arture we arrived before our groups were ready to perform so we had plenty of time to set up, interview the group leaders, the school head master, etc… The site was on two levels. Our ‘stage’ was on the lower level, with two small brick single story homes and a little kitchen cleaning area. On the second level to the right of the houses was a hill, with the school and a couple large trees, under which our two bands rested and changed clothes – eac…

Central Uganda: Day 1 – From Entebbe to Kidinda Story

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…trying to set up (and stay standing up). We were here to record two groups today. The Kidinda Cultural Group Our first group was the Kidinda Cultural Group, which were 8 men who collectively played the Amadinda, a 22 key wooden xylophone. There total group size is 15. The musical style is Kadinda. The group lead is Waswa Hood and he started playing when he was 17. There were two other original members: Kiwuwa Buruhan and Sulayiman Sserubiri. The g…

Central Uganda: Day 0 – Nairobi/London to Entebbe Story

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…one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engineer Andy Patterson and Vicki Denison, charity administrator and fundraiser. Our BA flight from London arrived on time at Entebbe at 22.30. We didn’t have the same delays at customs as the Ketebul team and we were at the…

Who’s looking at you? Story

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…This little fan joined us along Lake Victoria to record some of the best Nyatiti players in Kenya in November 2011….

Discussions on music and culture with a young Kenyan News

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…at how Nairobi is evolving; it’s all coffee shops and Nike trainers and rooftop bars. The Singing Wells Project ideologically makes sense to try and preserve our musical culture and traditions, but trying to make it relevant and interesting to young people is going to be a real challenge. It’s just not where the energy is. Well we’re not going to give up that easily, so what can we do to excite people? One of the challenges with building any kind…

Meeting Ketebul: an interview with Tabu News

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…ging out with the team and trying to absorb some of their street cred, was to chat to the main man: Mr Tabu Osusa. Sitting across from me in his office in his bright yellow patterned t-shirt and flat cap he looked laid back as he sipped his cool beverage. His easy smile broke every time I said something that amused him. Here’s our interview: Who are the most exciting modern artists you’re currently working with, and why? Some of the most exciting…

Our top 5 Singing Wells songs for March News

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…Nelly – Osare I’ll admit, a few weeks ago I knew very little about the history of Benga. But the more I’ve found out, the more meaningful this song is. Ochieng was one of the founders of Benga, a Kenyan music genre adapted by the Kikuyu musicians of the ’60s. We were privileged to have the chance to record him and preserve his music in March 2014. Sadly, Ochieng died soon after. Had we not recorded and documented these songs, they might have been…

From African Twist to Benga News

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…eling’ sound adapted by the Kikuyu musicians of the ’60s. We dedicated six days of studio time at Ketebul Music in Nairobi to record this set of legendary musical artistes, all of whom are now in their 60s and 70s and are critical to Kenyan music history. We are very proud of this unique album and hope you enjoy listening to the ‘old masters’. Our recordings are particularly poignant as Ochieng Nelly sadly passed away shortly after the making of t…

The lovely painted faces of the Marakwet tribes in the Rift Valley Story

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…This is one of the beautiful singers from the Sagat Traditional Dancers; we recorded them on March 7, 2012 during our trip through the Rift Valley, Kenya. Her white dots represent the soil and the harvest; their beads are traditionally given to them after female circumcision. These dancers had walked over 50 kms the night before to make sure they arrived in time for the recording….

Ten More Singing Wells Stories News

I had a chance to meet with a good friend yesterday to talk about Singing Wells. As usual, I just couldn’t help telling stories. And I told her the one sad fact of Singing Wells – we have at least 250 stories, one for every video of a performance, and yet we are miserable at getting these stories out to folks. But we will keep trying… Here’s a few of the 250 stories – pull up a chair: The Batwa: Providing a Soundtrack to the Costs of ‘Simple Solu…