Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
…g the trumpeters Interviewing James in more detail about his life and work to restore the Bigwala trumpets. Part One: detail on the instruments The Bukakaire Bigwala Players are made up of three separate groups of musicians: the trumpets, the drums and the xylophone. Let’s look at each in turn: The Bigwala trumpets These trumpets are made of long gourds and a trumpet group is made up of at least five trumpets (or more), each of which plays a speci…
Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…3AM? Because the King loved our drums and chose the quietest moment in the day to have us play, so he could enjoy the beauty of our sound. I loved my life and felt so proud being a drummer. I remember one performance where the King loved our song so much that he gave a bull just to the drummers to enjoy in a big feast. And then he asked us to play the song again and again. And this beautiful life all ended in a single night. I was sleeping on May…
Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…time at the palace. In terms of the music, we recorded the following songs today: Ganga Alula Omusango gw’abalere Mubandusa Ekyuuma kya Bboola Veneneka Olugambo olubuulire Sekanyolya The Drummers In terms of the moment, let’s stress a few things: These drums are magnificent. They are actually 15 drums, 12 of which are tuned to the notes of a xylophone and thus we are hearing a full song – percussion, bass, rhythms and melodies across the six playe…
The Entenga Drums: Part 1 Story
…visit in November. We helped ‘mix’ as we listened to the drums formally performed for the first time in almost 50 years. So, over the course of several months, the team created the drums, the drummers and their music. And on November 30th, at Kyambogo University, they revealed the drums to the Singing Wells team and an audience that grew and grew as they played. Here are four things we learned about these drums on Day 1: There are 15 drums. 12 of…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…my village life. When we gathered for big celebrations, the entire village took to the road to walk for miles to a central location. We walked all night. And we sang all night. The old people walking with the children, all of us singing. And now we have a nice road that probably gets us to that site in 20 minutes by car. But what have we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We san…
The History Of Benga Music: A Report by Ketebul Music Story
…Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a steady stream until the 19th Century. Some live in neighbouring Uganda and Tanzania. Today, Benga music is played across a fair share of Kenya—from the lake shores in the west, across the vast floor of the Rift Valley to the slopes of the imposing 5,199 metre Mount Kenya and into the plains of eastern Kenya. From a genre that was previously…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…what worked with audiences and he evolved the song to something he loved. Today, artists go to the studio first – giving birth too early to a work of art. We recorded eight songs with him: Oyango Bwana Ogilo Osare Charles Komora Jaka Beka Okech Maskini Yuni Nyaimbo Jo Seme Wanganangu And Mukonya His full name is Walioshamiri-Mzee Wanganangu and he is a famous Kikuyu accordion player, who played in clubs like the Roasters in Nairobi in the 70’s. T…
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…ustace Njuki and Gitar Thura. Mware is about an uneducated woman who wants to be married to an educated man. This song challenges the woman to get an education in order to be at par with the prospective spouse. We then wrapped up and took lots of final pictures, including of three children, practically our only children from the trip! We packed for a final time and departed for Nairobi. We made pretty good time to Ketebul music, where we unloaded…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…lf. The boys are then led by 3-4 men, their ‘God Fathers’ who are assigned to look after them through the ritual. In Lewis’s case, he had one God Father, who played a supportive role throughout. In Steve’s case, there were three men, who took on a ‘good cop’ and ‘bad cop’ role – one always helping and reassuring the boys, and the other being very rough, getting them ‘toughen up’ for the circumcision. Throughout their time in the hut, they are isol…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…d musical styles. While this is being done, the video team picks the site (for best visual impact, performance area, quietness) and then audio and video set up as a single team. Song Recording The interview team then gives the gives ‘Mr Clapperboard’ the song list and introduce the group to the audio/video team. Mr Clapperboard then confirms each song with the group leader, writes down all group/song/take information, and kicks of song. In order,…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ls and that we hope will be useful to others setting up a similar project. Today we focus on roles/responsibilities of the core team. On arrival at the site, we divide into three teams: Interview Team This team is typically Tabu Osusa, who acts as the on-site Singing Wells representative, formally meeting the band and handling all their questions about the project and their role in it. Tabu is typically joined by our local music expert, in this ca…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…aring the vans for the trip. Let’s remind you of our team – we cheated and took photos from the trip that follows: Tabu Osusa STEVE KIVUTIA & PATRICK ONDIEK NICK ABONYO GREGG TWENDA LEWIS KOOME RALPH SIPALLA JONAH KEGAH KENNETH KIPSANG Message from Abubilla Music Foundation Team For this trip, we are Jimmy Allen (Video 2) and Andy Paterson (Audio 1). We spent our Saturday travelling from London to Nairobi. On arrival we were greeted warmly by Pris…
A Tanzanian Effort to Salvage the Music of the Past News
…to Rebecca Corey, who started the project in 2010 and still coordinates it today. “They started phasing out all foreign music from the local stations” in the 1960s, she told us. “So to fill up that airtime they would send out recording safaris to various rural villages to record these ngoma dances and drumming sessions.” This traditional village music was combined by state-funded bands with the Cuban-flavored rhumba coming in from the Congo. The r…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…hank them now for their patience with us. It is also important to say that today will be more unstructured. We have one formal new group, which we’ll describe below, but we have also invited artists from two of our trips to join us and create new music. For part of the session we were joined by Brad Gibbs from The Mara Group, who had sponsored part of this trip and wanted to see how things were going. Brad was joined by a colleague, Nicolas Farah,…
Kenya’s Amazing Musical Instruments News
…which is essentially two sticks laid on the ground and played by two more sticks. Of course there are so many more amazing instruments that we’ve recorded, and more still to find. To learn more about East Africa’s traditional musical instruments, have a look at our instruments page here….
Central Uganda: Day 6: Kampala to Entebbe Story
…teresting near collisions. Throughout our recording and driving in Kampala today we were surrounded by limping groups of marathoners in bright yellow shirts. The Recording Site We packed and drove east, just outside Kampala to the Kyambogo University, where James teaches. It was a beautiful gated campus, very quiet, big trees, lovely red dirt paths – it seemed to be a preserve for the lovely Ugandan greens and reds we’ve grown to love. Students wa…