2. Naizungwe Drums – progress report 1 Story
…was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the tree, shaping the trunks, putting cow dung on frames, drying skins, making strings etc. For the 24 individual drums that we are making, the amount of work quickl…
1. Introducing the Naizungwe drums Story
…king. We hope the final performance will be a reflection of our musicality and what we hear in the recording.” We will be documenting the progress of these drums with pictures and videos here, and more details about the project and the instruments themselves are to follow soon so you can stay updated….
Day 4: Tuesday, February 21st, 2017 Story
…ree members were the same as yesterday: the brother/sister combo of Ndekwa and Ndahani and Ndahani’s daughter Grace. We then added Tabu and Estelle, two other sisters of Ndahani and Ndekwa. This was an album of two halves: we first recorded 5 songs just with them and then added musicians from last night’s session for a further five. Here’s the full group including Henry, Rajab, Tomato and Leo: Here’s Tabu: Here’s Ndahani: Here’s Grace: Part one: W…
Day 2: Sunday, 2017 February 19th Story
…invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But we have far less on the theme of ‘women for women’ songs of instruction, or the rites of passages of women preparing for adulthood. We encountered these in three separate villages and…
Day 1: Saturday, 2017 February 18th Story
…Wells, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but we have been blown away by the richness of the traditional music in these two countries, so we kept going back. We are very excited now to start our work in Dar es Salaam and Bagamoyo on this trip but also recognize this is tip of the iceberg. We think we will be spending next 3-4 years coming back to T…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…s and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Fundraiser for Matthew Watmon News
…ondition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon…
Ketebul Music presents Shades of Benga Online News
…, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by…
Our journey to the Royal Drums: in the words of James Isabirye Story
…we are now calling this the ‘Bigwala Model’, although that sounds a bit grand, and sounds like we had a perfect grand plan. Of course, things evolved more organically. You’ll remember in 2013, Singing Wells came to Uganda and we started to discuss the issue of the royal instruments. At the Kampala Museum, Singing Wells, Albert Ssempeke and I talked and all concluded: we really have to focus on the Entenga, the Royal Drums of the Buganda Kingdom….
Singing Wells Approaches 5 Million Views News
…wing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the kingdoms of Uganda 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we…
Recce to Tanzania for our 2020 Field Visit News
…eceived the news of the death of a musician who we were set to meet that afternoon, Taarab Singer, Mzee Makame Faki. A brilliant musician and our thoughts are with his family and friends….
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…around our neck when not playing. I learned to play the trumpet from my grandfather and father, and the village where I came from all learned to play the trumpet. The palace knew we had the best trumpet players. All children learned to play and it was the parents’ job to teach the children how to play. We didn’t live in the palace so we waited until we were called to play. Every day was a great day at the palace and the one thing I learned was to…
The Entenga Drums: Part 1 Story
…ther to revive the drums. They worked with Shaban, a professional drummer, and John and Albert Ssempeke, who have kept many royal instruments alive, to relaunch the drums. Essentially, this took four major steps: Rebuild the drums: they needed to re-assemble the drum kit, building each of the 15 drums and re-making the Enga, the sticks used to play the drums (named after the swamp plant). Tune the drums: they had the old recordings and Musisi’s 50…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…the best sustainable development is to keep folks rooted in their villages and the best villages are those with a vibrant musical community. This puts the soul, the software at the top of the developmental agenda. Have folks realised this? SW: What is your advice to us? GT: In the context of the vital importance of this, I ask myself ‘what is the future of this?’ What if there was no Abubilla Music Foundation then what happens to this project? My…
The History Of Benga Music: A Report by Ketebul Music Story
…rio’s guitar work was evidently inspired by influences from way beyond Luoland and was pretty much ahead of its time. It is possible that its ingenuity came from itinerant guitarists from the Congo, Uganda and Zambia who were already visiting Nairobi in the 1960s. Musicians such as Jean Bosco Mwenda, Edward Masengo, Nashil Pichen, Peter Tsotsi and Ugandan bassist Charles Sonko introduced exotic styles which were snapped up by their local collabora…