A day in the field with Singing Wells News
…rthern Uganda, Andy reflects on a typical day in the field as part of the Singing Wells team. Andy’s notes are also published in our new book ‘Singing Wells – The Story So Far’, newly available in hardback. Click here for more details. A typical field recording day A Singing Wells day in the field usually starts with an early breakfast after which the team assembles at the vehicles with the mobile recording equipment. Typically the team is ten…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…Here’s a video of their ‘magic moment’: Their first song was Kica Watimon Nining, which is a song of forgiveness. Two men start the song fighting (and it is a pretty good tussle) before they are encouraged by the band and woman dancers to calm down, solve their differences and forgive. Given the recent wars in Uganda and given that we are in formally held Kony territory, this song is pretty important. https://youtu.be/_u4-hVbcVV0 In the same vein,…
Northern Uganda: Day 2 – from Gulu to Acet Story
…l female dancers and two ladies in particular were stunning. The best our Singing Wells team have seen. In Acholi dance it’s all about the head, hips and feet. The second theme was percussion. Most of the groups were supported by: Bul (drums), Gara (ankle shakers) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wo…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ar stopped to pick up Akello, a lovely Ugandan singer/songwriter, who is joining the group as our Influences artist. The Emmanuel car headed into Kampala to pick up our press badges. We then headed off to Gulu at around 2PM (yes, we tend to spend a lot of time getting mobile phone cards!) and headed out on a 360 km drive to the town of Gulu in Northern Uganda. Within minutes we were deeply immersed in the ‘classic’ East African road scene: big tal…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…nd share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekeeping’, ‘The Map Outline’, ‘Prepare Your Data’. I met with Rosie to talk about her experience using the map for the benefit of Singing Wells. How did you discover the mapping software? I am currently reading medi…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…dly serious in their thank you to the manager. But in many ways, we kept thinking it is sad that they find it so rare for someone to essentially do his job that they need to write a song. Johnnie, Bishop and Eddie all joined in to support them in the studio with Winyo and Nina working on back up vocals. They were a huge amount of fun, smiling throughout it all. Other than recording, we continued to blog our little hearts out, write up trip reports…
Day 6: Recording the Tugen & back to Nairobi Story
…1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which made it all feel safer. The Journey Jimmy was in the Jeep with the GPS and kept the table below and felt strongly it should be published! Please note how we hit a ‘floor’ and the climbed back up almost immediately: The lower we went the hotter w…
Day 5: Recording the Marakwet Story
…1,000 Kenyan runners train here and the roads are filled with athletes training for London 2012. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters) is perfect – right at the peak of natural altitude where you can still t…
Day 4: the Pokot Tribes Story
…s. The songs were: Kinyakar, Kamatakar, Chepo Nandi, Kamitoi, Kaperwo, Chemining Tie, Chepo Chepkai, Kimnakiy Mitinge, Kisech. Click here to go to Song Translations Everything Else Everything else from today can be divided into three key events. First, we survived the drive. There were a few scary moments, the first being driving to the village for the shoot – straight up a very steep hill. This was not a hill for most humans and certainly wasn’t…
Day 3 continued – an interview with Steve Kivutia Story
…his musical journey. He talks about it as ‘discovering the source’ and ‘training his ears.’ He pointed out that Francis Sembagare from the Birara Dancers (Music of the Batwa) was closer to Hip Hop than much of today’s music. And he also points out the Joginda Boys (recorded for Singing Wells in Kisumu, Lake Victoria) were amazing and more modern than most music today. The Clapperboard Today was the first day we used the ‘clapperboard’. First a lit…
Singing Wells – Origins News
…The story of how Singing Wells started…. After two years of planning, the Singing Wells project was launched in March 2011 with our first field visit to Malindi to record the music of the Mijikenda. So, how did Tabu Osusa, one of Kenya’s most successful record producers end up in a remote Kenyan village, teamed with me, an American businessman, and a sound engineer from Gateshead? The Singing Wells project is a result of a chance meeting between t…
Day 2: Nairobi to Kitale & an interview with Pato Story
…sic and not good. I knew the second it started. I was so glad it started raining and we could get out of there.” [Editor note: we did not include this group in any Singing Wells materials.] So here is Pato’s favourite Singing Wells track – Jovah from the Mperwa Batwa community in Kisoro performing with Jesse on piano at the Ketebul Music studios This track is also on our album Best of Singing Wells 2011 Jovah – Ye Warararaye by singingwells We ask…
Day 1: In Nairobi, packing and talking to Tabu Story
…s and naturally join in when others are singing. There isn’t any formal training in tribal music. It is mother to child.” Tabu goes on to describe the role of tribal music,” Their music is a ‘way of life’. They use music for communication, passing on information and entertainment. Music is always present when there is a birth, a death, a wedding or other ceremony. Each tribe will have unique stories to tell of their history, of war, of famine etc…
Bill Odidi reporting on Singing Wells from London News
…erviews with Kenyan musicians who are now based in the UK. They also had the chance to visit Kenya House in Stratford as a guest of our friends at the Kenya Tourist Board. Here’s Bill’s article published in Business Daily Africa: http://www.businessdailyafrica.com/Where+the+world+got+real+flavour+of+Kenya+in+London/-/1248928/1480860/-/djb5mf/-/index.html Photos from Kenya House …
Song Translations: Music of the Kalenjin Story
As part of the Singing Wells project we are documenting the meaning behind the songs of the artists we record. Here are translations of the songs of the Kalenjin tribes. Ben Kisinja Date of recording: 5th March, 2012 Recorded on location in: Kapsokwony, Kenya Song translations: view PDF Chebonet group Date of recording: 5th March, 2012 Recorded on location in: Kapsokwony, Kenya Song translations: view PDF Lomut Traditional Dancers Date of rec…
How to Map 3: Prepare Your Data News
…g is fairly simple so not all of these points will be applicable, but here are some things you need to think about when preparing your data: The title of each column must not exceed 14 characters. The shorter the better. E.g. instead of ‘Number of Unicorns’, have ‘unic_no’. None of the cells of your Excel file can contain more than 256 characters. Make sure there are no hidden characters such as spaces or backspaces in any of the data cells. Anyth…