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Kenya (Coast): Day 4 – the road back to Nairobi Story

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…vocalists and instruments. We did an amazing job of archiving the full performance, in video and audio way. Going forward, we should work to use our second studio to capture individual sounds. On the video side, we need a main crew focused on the performance and a secondary crew focused on Selling Wells, archiving the stories of the music and the artists. TO: The pilot was a success and proved we were right – take the studio to the talent not the…

Kenya (Coast): Day 2 continued…. Story

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…n… Katana bin Kalama, with beautiful costume of shells… The Group prepares for their performance…   Sengenya The most energetic group by far, brought the house down, with wonderful dancing. Led by Munyaka Chimega, they danced in the style of Sengenya (which bears their name). Non-stop dancing, multiple songs and they didn’t want to stop (but we ran out of video!). Fantastic energetic dancers that we’ve only captured on video…. …and all the kids jo…

Day 1: The very first field recording day for Singing Wells Story

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…probably two dozen little kids watching. At close of day we were invited to some coconuts to celebrate the music Winyo with Coconuts Maddo, Chairman of Ketebul during our coconut break That’s it for now. This is only Day 1 of recording… we look forward to the next two days, 6 more groups, 3 more villages and of course 600 kilometres back to Nairobi. Jimmy  …

On the eve of our very first field recording trip….. Story

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…ing studio to record most of the concert. We’ll post this later. In the meantime, a couple of pictures: Winyo warms up with the Swiss Bone Guitar The Legendary Ayub Ogado …and his legendary goatee …and his legendary Nyatiti From left to right, Joyce, Alfred and Tabu. Joyce is from the Ford Foundation and supports Ketebul. Alfred helped introduce Ketebul and Abubilla This was an evening to represent everything Ketebul is about – bringing new East A…

Matthew Morin News

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…music and civil society in Kenya based on fieldwork conducted in Kenya and Tanzania during 2010 and 2011. He currently lives in Japan and is continuing research on music and civil society from a global perspective. Matt has been following the progress of the Singing Wells project since March 2011 when he met the team in Nairobi. He has praised the project for its ‘value to academic fields like musicology and anthropology in addition to the broader…