Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…s the celebration of the chief. It features the spectacular Ndara, the Bul and Agwara and involves a lot of rolling around. We loved it so much we recorded a ‘magic moment’ – there was even more rolling around then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okum…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…en and their stories during and after the war, as they keep their families together through work dawn to dusk. Ker Kal Kwaro In complete contrast to our first band, the second and fourth band were all dance and percussion. First, Ker Kal Kwaro was a full dance band with amazing percussion, similar to some of the groups we met yesterday. The great thing about this band was its youth, with most of the dancers and percussionists under the age of 15….
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…s are most prominent, and, largely, string and wind instruments are played together: Distribution of all string instruments Distribution of all wind instruments What was most difficult about this field of research? Tati handled most of the primary research, and, naturally, this was difficult as information on the subject is fairly scarce and sometimes contradictory. However, the beauty of the map (as with search engines and onlin…
Northern Uganda: Day 0 – London to Entebbe Story
…, where we boarded our flight and left pretty much on time. Jimmy sat next to Andrew who lives in Kampala and married to a Uganda woman with whom he’s had a one year old son. He was passionate about West African music and did a paper on drumming in Ghana. So Vicki switched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags…
Day 9: Ketebul Studios with Ben Kisinja Story
…speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12 midnight wheels up, we will officially end the ‘fi…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…ir quite sincere thank you song to a factory manager that came to their factory and actually did a good job. We always found this song amazing – the group is deadly serious in their thank you to the manager. But in many ways, we kept thinking it is sad that they find it so rare for someone to essentially do his job that they need to write a song. Johnnie, Bishop and Eddie all joined in to support them in the studio with Winyo and Nina working on b…
Day 6: Recording the Tugen & back to Nairobi Story
…ed Kewamoi Women Dancers from the same area. These women have been singing together since 1982 and sing in a lot of events in the area. They focus on traditional songs. They wear white blouses with blue patterned sarongs, decorated with golden designs and lines, looking like trees and fruits. Hunter felt the costumes represented the landscape. Eddie did three Influences sessions – two with the first group playing guitar on ‘Ribwege’, a song about…
Day 5: Recording the Marakwet Story
…woman to marry him. One singer carries a horn used to call people to come together, if there’s an attack or a meeting of the tribe. The women wore small gourds around their necks that would contain oil used to smear on people after circumcision. They also wear beads crossing their chest which are given to them after female circumcision. Their belts are decorated with cowry shells and are used to drape over a woman’s abdomen when she is giving bir…
Day 4: the Pokot Tribes Story
…mply couldn’t help herself. That is the power of music. We will try to put together a video clip of her best moments. Lomuke Group We recorded 9 songs: Anya Kar, Chepo Laleiyo, Kirap, Kiter, Kiyuar, Asoiyen, Adong’o and Montonyo. The women were dressed in white, carrying sticks and the men carried spears and their portable chairs/sleeping pillows. Kalomoywa We recorded 8 songs with them and a magic moment of wonderful chorus. The songs were: Kinya…
Day 3 continued – an interview with Steve Kivutia Story
…llage and two groups stranded and wet. As we write this we are working out how to see them this week. Chelagat Lebo – ‘Chela’ Finally, we have been joined by Chela. She’s amazing and was there taking down the tent during the deluge. It should be noted that most of the Singing Wells crew were in the vans by this time. Chela is a professional documentary maker and Kathy interviewed her in detail. That’s it. We are spending our evening backing up fil…
Day 3: Kitale to Kapsokwony, Kenya Story
…ls the story of two bulls in Teriet’s family that we were stolen and taken to Uganda. The family dog was able to follow the scent and led a posse of 20 armed men 75kms to a butchers where sadly one bull had been killed. The surviving bull, Sigerer, was re-taken and brought back to Kitale. In celebration, the owner slaughtered poor Sigerer to feed the posse. As Kathy pointed out to Teriet, the real hero of the song was the dog, not poor Sigerer, wh…
Day 2: Nairobi to Kitale & an interview with Pato Story
…all love the music I bring home – it is so different from what they listen to and so much like ‘home.’ In Kenya, no matter where you live, your village is always ‘home.’ I was never raised there, but it is where I will retire. And the focus of Singing Wells is village music. It is about home. And my friends love that.” We asked Pato his favourite Singing Wells moment and he said it was Jovah singing Ye Warararaye with Jessie at the studio last Dec…
Day 1: In Nairobi, packing and talking to Tabu Story
…hour. Preparations at Ketebul Music studio We came to Ketebul this morning to get ready for our trip tomorrow. Ketebul is buzzing with people getting everything packed up. Steve, project manager, was cracking the whip. Pato, head of Video, was quickly learning how to use the new lighting kit (SW 4), but he was constantly distracted by the new Singing Wells Flip Camera. Nick focused on learning the Clapperboard. And Willie joined Jimmy in the studi…
Victoria’s reflections on the music of the Batwa Story
…wa communities we visited. The Batwa have very little of any material value but they have their songs and dance which give them strong spiritual values. Their music binds them together. It gives them an identity and allows them to keep something of the forest they have lost. Victoria November 2011 …
Return of the Batwa @ Ketebul Music Studios Story
…asoda Yohanadj Mbirikimu Mbarushimana – “Challenger” The magic bass player (beat boxes into a pot) with Tiny Moses. Great backing vocals as well. Mbirikimu Mbarushimana Gaudancia (and baby Stella) A wonderful singer from the group ‘Togetherness’ who we recorded in the empty (good news) refugee camp outside of Kisoro. She sang with each of the groups over the weekend. Gaudancia Kampire And here were the results of our efforts! The Singing Wells T…