Interview: fusion band Ndoto Afrika News
…Why is the group called Ndoto Afrika? We represent a dream. A dream every African youth aspires to achieve. We represent the African Dream. Ndoto means ‘dream’ in Swahili, a local African language and Afrika is the Swahili way of spelling Africa. Why are you interested in branching from purely urban music to a traditional/ urban mix? The love for our motherland. There is a popular saying that ‘others call it the ‘Dark Continent’ but to us it’s ju…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…es at Kyambogo to implement our entenga restoration scheme to preserve and promote this traditional instrument for future generations. Students practice entenga drum-chime at Kyambogo in 1968 (Musisi is furthest from the camera) Peter’s research into African music is extensive. “It all began in 1964, a few weeks before travelling out to begin teaching in Kampala, Uganda,” says Peter. “On the stage of the Prince’s Theatre, London, I received my fir…
Central Uganda: Day 4 – Jinja Story
…e had two legends of Ugandan music visit us today) – Natha Matta Nyende performing for us with his band the Bakuseka Majja Matta Group. Nathan is 76 years old and has been blind since 1956. He formed his group in 1952. They play in the Kisoga style and are from Kasokoso in Iganga District. They are four members. Nathan plays the Endongo, which is the local name for the small thumb piano. Kirunda Awali sings and plays the Endere, which is a flute….
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…embers of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. We are here on site to listen to three different groups. The Elgon Ngoma Troupe Julius want…
Central Uganda: Day 2 – Kampala to Budaka Story
…es Isabirye said of the Busolwe Post Test Club , “They are a meeting point between formal education and village music. Although they perform traditional music, they also will also work in different formats, and are more formally trained. They act as music judges and help to identify new talent. Most of the members are teachers that are being trained and are training. They are highly creative and dramatic.” The Namaddu Troupe The second group was t…
Happy new year from Singing Wells News
…one of the last remaining drummers of the Buganda Kingdom in Uganda. He performed for the King during his time at the Buganda Palace before fleeing in fear when the government arrived to shut the palace down. Here’s is Musisi’s incredible story. 3. We checked in on the preservation of the Bigwala trumpets The Bigwala is a trumpet-style instrument made from gourds. Singing Wells has been supporting the work of James Isabirye to preserve this fantas…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…es Isabirye, our musical expert, about this group. “This group does not perform formally anymore, because they have no platform. The King invited them to play but no longer does. They have great songs, they have a great history but today they are silent. No one asks to listen to them. This is so sad. How do we revive demand for what was one of the sixth great ensemble bands commission by the king to play exclusively in the palace?” The Kika Boys C…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…tribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engineer Andy Patterson and Vicki Denison, charity administrator and fundraiser. Our BA flight from London arrived on…
Singing Wells surpasses 500,000 YouTube hits! News
…cross Kenya and Uganda, including visiting the tribes of the Kenyan Coast, Central and Eastern Uganda, our work to share the music of the Batwa community and the Luo community. We’ve told the story of repatriating Kenya’s music heritage after 50 years and celebrated magic moments – where we’ve found an extra-special artist on our journeys and recorded their work. To celebrate our 500,000th YouTube hit, we’ve put together a selection of our most po…
Rediscovering Afropop and its influences News
…e African Twist.The traditional Benga sound is about 60 years old with its formative years occurring between the late 1950s and the 1960s. Its roots run deep in age-old Luo musical instruments. Singing Wells and the ‘bridge’ between traditional and modern Tracking the story of Sauti Sol’s musical influence excites us, as it’s a reminder of how important the Singing Wells mission is. When we learn that one of the most popular modern African bands i…
Discussions on music and culture with a young Kenyan News
…e do to excite people? One of the challenges with building any kind of platform or promoting an initiative to young people is that it has to connect really closely with what they stand for and believe in, otherwise it won’t work. If you could find a way of making Singing Wells relate to what young people believe in, that might just work. I reckon film or TV would be a great way to get the message out, and I’d really drive home your work with moder…
Meeting Ketebul: an interview with Tabu News
…sts out into the market very well at the moment. We need to look for a platform to promote our stuff, whether it’s online, digital radio, TV – we need to make the music more accessible to all. Why is Singing Wells important? Singing Wells is important because we’re trying to capture our East African heritage. Many of the musicians we record from remote tribes are old and we run the risk of the traditional music in Kenya dying out, we don’t want to…
From African Twist to Benga News
…ridge’ artists in Kenya – a group of musicians who have built a connection between the music of their villages and modern music. They were the founders of Benga, the African Twist, Luhyia ‘Omutibo’ and the ‘Yoddeling’ sound adapted by the Kikuyu musicians of the ’60s. We dedicated six days of studio time at Ketebul Music in Nairobi to record this set of legendary musical artistes, all of whom are now in their 60s and 70s and are critical to Kenyan…
The repatriation of Kenya’s music heritage News
…50s by English ethnomusicologist, Hugh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells project. Read Bill Odidi’s article about the August project here….
Singing Wells is on Bozza! News
…e phones and PCs.” Thabiso Mohare, Head of Brand & Marketing…
Ten More Singing Wells Stories News
…orests along the base of the Virunga Volcanoes. They were evicted from the forest to make way for the Mgahinga Gorilla National Park near Kisoro Uganda, which was established to protect the Mountain Gorillas that habitate in the park (travelling back and forth across the Uganda-Rwanda border). The Batwa are a marginalised people, living mostly by tenant farming in scattered villages around Kisoro. They live on the poorest land, and in many cases t…