Day Five: February 20, 2020 (DCMA) Story
…med by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ago Usikhofu – means “Don…
Nile Beat Artists Group
…mbi. Other performers include Robert Muwenda, Babayaza Sumaya and Kalungi Justine. They are based in Jinja and perform traditional Ugandan dances. The group takes their name from the River Nile, which starts at Jinja on the edge of Lake Victoria. A previous member of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments…
Kochia Traditional Dancers Group
…nd in 1965, and since then its members have dedicated themselves to entertaining guests at countless national celebrations and holidays, private events, as well as internationally as part of the Folklife Festival in the UK and in the USA at the Smithsonian Folk Festival. As well as this they are determined with their performance to preserve the incredible Ramogi dancing, a mainstay of traditional Luo culture. Ramogi was the patriarch of the Luo pe…
Watmon Cultural Group Group
…tthew was born on the 25th November 1951 in Kipgum district, Awedi village in the north of Uganda. He was fond of playing music as he grew up, playing the nanga (a harp) in the field as he tended the family cattle or worked on the farm. He lived in Awedi until 1991, when he moved to Kampala, due to the rebel fighting. He started a small group of dancers, performing Acholi traditional dance which he had learnt when he was young, both from grandfath…
Super Phoenix Band Group
…’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….
Recording, archiving and sharing the traditional music of East Africa Page
…on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group…
Baseki Group
…he current band members. They are from the Sukuma Ntuzu community and play in the Bulabuka style. The play drums, which they call Ng’oma ya bula buka. The drums are made from the Mahama tree. We recorded eight songs with them: Balogi Wa Ngamboshi: This is about the Wizards of Balogi, where wizardry is perceived as a negative thing, evoking witch doctors and snake oil salesmen. Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song…
Day One: January 18, 2019. Assemble in Tanzania Story
…ip (see our interview with Jackie here). We arrived at the Kifa Hotel late in the evening, ordered our ‘dried fish’ and crashed. This, our second major field visit to Tanzania, begins tomorrow. The Tanzania Team, with Jackie Akinyi A couple of quick background facts: This is our second Field Visit to Tanzania. (Please go here for the first trip) For Singing Wells, a field visit is when we visit a specific region of East Africa and record musical g…
Day One: February 16, 2020 (Ngawala Hotel) Story
…and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The singers come from the Wagindo people, who came from Malawi to Zanzibar, probably through the slave trade. When the British stopped the slave trade they then stayed. This band has a strong Af…
Richard Sewanyana Group
…ub-county Kasawo, of County Kyaggwe. My grandfather used to play the flute in the palace but he was aging and wanted a family member to continue to play. I tried to play with him all the time and learned a few songs. In 1966, I was taken to the palace as a servant boy. My father also wanted to play the flute and replace his father. But he tried to play and failed to learn. But he pretended to play at all performances, acting like he was blowing th…
Support Singing Wells Page
How you can sponsor the Singing Wells Project Singing Wells is a charitable project, managed and funded by the Abubilla Music Foundation a UK registered charity (reg. no: 1142173). Our work to record, archive and share the music of East Africa is funded by donations. Funds are used to support our field recording trips, provide a permanent music archive and also to help the communities we visit gain an income from their music. You can help us sup…
Field Recording Report by Kahithe Kiiru Story
…tick; LISANDUKU – a box shaped percussive instrument played with a wooden brush; MUTUNGI – a water container used as a drum; EFURIMBI – a metal whistle. Mahindu, who was noticed for his extravagant 1970s disco style outfit, and his group of elderly musicians played for us five original compositions. We also recorded an Infuences session with Fadhilee on one of the guitars. After Omutibo Benga, the same location was used to record Isilia’s group ca…
The Revival of the Entongooli Page
…t benefit to these young people aside from the unique knowledge they are gaining: free education. Many of these youngsters have managed to gain music scholarships so they can get a free education at their local schools. This project is not only providing a future for this instrument, but for the young people involved. Aside from this, Mr Mukadisi has a personal connection to this cross-generational project. His father was a builder of the Entongoo…
Global Influences Project: Artist Submissions Page
…this particular arrangement. The piano and gaara add more depth to the chorus parts and pull us away from the shakers’ high pace forcing us to lay back some more. I think the end result leans more towards dodo, at least to my ears.” We love what Stefano has done to make this track sound truly his own. If you want to see more of his work, you can follow him on… Instagram: @stefanositanne Twitter: @stefanositanne Soundcloud: https://soundcloud.com/…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…hly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…by all as the pioneer of omutibo, arguably the most popular musical genre in the region. It would not be our first meeting with Johnstone Mukabi since we had previously featured him on the Singing Wells project in April 2018. He later came to Ketebul Music studios in Nairobi in May that year and recorded a few songs that are yet to be officially released. Going through a narrow winding road we arrived at the Small Matters Park, our first location…