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Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story

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…two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: another song from the circumcision ceremony, named after the instrument used (the wooden trough) Group 2: Nyati Muchoya (also spelt Mchoya):   From Nzali, the group is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers.   Their instruments include: Nindo (jingles), Njuga (Shaker…

Day Two: 8 March 2022 (Ilesi) Story

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…to take any chances of being rained on so we arranged for Spade to pick up the musicians from Malaba and bring them to Josephine Garden in Ilesi. Like the Omutibo Stars and the Super Phoenix Band that we recorded the previous day, we had worked with the Obasie Palnyang family band in 2018 while the patriarch and founder of the group, Obasie Palnyang, was still alive. By one o’clock the group arrived and our technical team went straight to work, se…

Day Five: February 20, 2020 (DCMA) Story

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…nd were well rehearsed. They have a total of 45 people in their orchestra. They usually play with about 25 and we saw 15. Instruments in this orchestra we saw: 4 violins, 1 oud, 1 base, 1 qanun, 1 accordion, 2 drums and 1 tramboline. They produced a wonderful rich sound. Performers: Taimour Rukuni Taha (secretary general, accordian), Maulid Haji Mkadam (musical director) We didn’t get the rest of the names as there were so many.  Singers in order…

Recording, archiving and sharing the traditional music of East Africa Page

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…shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy…

Day Three: 9 March 2022 (Kisumu) Story

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…and was completed shortly before 6:00pm. The last group to be recorded was the newly formed Asego Ensemble. These musicians travelled all the way from the southern side of the lake and had to wait for the whole day for their turn to record. By the time they came on stage at 8:00pm, they were rather fatigued but started their show with cover songs of other established groups and switched to their own compositions at our request. With a little encou…

Baseki Group

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…n the Bulabuka style. The play drums, which they call Ng’oma ya bula buka. The drums are made from the Mahama tree.   We recorded eight songs with them: Balogi Wa Ngamboshi: This is about the Wizards of Balogi, where wizardry is perceived as a negative thing, evoking witch doctors and snake oil salesmen. Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farmin…

FAQ’s Page

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…we also benefit from the voluntary help of the Abubilla Music Foundation trustees and UK Project Managers. How long have you been working on the project? We made our first field recording on the Kenyan coast in March 2011. The Abubilla Music Foundation was granted charitable status in June 2011.We are currently preparing for our 10 year anniversary, and are doing a countdown of our Top 20 Singing Wells moments here. How do you discover the music…

The Kalenjin of Kenya Album

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…ocation in the field in Kenya, as part of The Singing Wells trip to record the music of the Kalenjin.   The album opens with Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the d…

Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story

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…d all the land Mahenne Gayo: A song about the importance of always telling the truth Mahenne Gayo: We repeated song 5 with ‘freestyle recording’ – what we mean here is we allow our three camera operators to ‘roam’ and to ‘release the band’ to dance. We are trying to overcome the somewhat artificial nature of ‘archiving’ where the band is constrained into a single shot. Magic Moment:   We loved the percussion and wanted to capture this as magic mom…

Support Singing Wells Page

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…oject will be spent in East Africa helping traditional music groups get on the world music map. Please note, the Singing Wells project is funded by the Abubilla Music Foundation, the below link will direct you to make a donation to the Abubilla Music Foundation: — CLICK HERE TO DONATE NOW — Donate your time, products or services We are always keen to hear from people who are happy to offer their time to help the project and from companies which ma…

Day Two: February 17, 2020 (Stonetown) Story

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…sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki was lead singer.  Sanduku , the bass, was a homemade bass made of a large box with a small hole cut out in the front. It had a large stick which the player held perpendicular to the box with a string going from the top of the stick to the top of the box. He changed notes by holding the string less or more taut as wel…

Royal Entenga Drummers Group

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the night of the attack itself (more on this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….

Here for Research? Page

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the research we have collated within our 10 years of experience recording the music of East Africa. Field Reports Our daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown….

Ayub Ogada Group

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…Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his c…

Day Zero: 6 March 2022 – Travel To Stream Story

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…sa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wherever they may…

Day One: January 18, 2019. Assemble in Tanzania Story

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…nts. Typically we want the group to be seen by our wide camera and many of the musicians have an attached microphone. While generally this isn’t a problem, there are times when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras off tripods, and our video team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of…