How music archives can help communities News
…ingdom was reinstated in 1987 and the Wachsmann recordings have inspired a new generation to revive some of the instrumental and stylistic traditions of old. The Klaus Wachsmann collection is being repatriated to Uganda at the Makerere University in Kampala. The curator of the music archive is Dr. Sylvia Antonia Nannyonga-Tamusuza who we will be meeting while we are in Uganda next week. Click here to link to the Klaus Wachsmann Music Archive. Re…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…ched bundles are then sold at the market to businesses that are working on new thatched roofs or those needing repairs. A thatched roof lasts for between five and ten years. Then there are the charcoal makers and sellers. The thatch ladies ensure that the roads are dotted with thatch pillars. The charcoal makers burn the charcoal and then fill five foot high white bags of charcoal that line the roads in groups of 4-5. We often mistake them for nun…
ATTA is following Singing Wells News
…guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It se…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters, from very big grasshoppers to fairly intimidating beetles. Our recording sessions were part Singing Wells and part BBC wildlife documentary. We reassured ourselves that at least the bugs that whacked into you were unlikely to…
Reporting back on recording trip to Kisoro, SW Uganda News
…rary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in Uganda and we are doing this through our continuing relationship with UOBDU. We were delighted to receive this message from Henry Neza, UOBDU Capacity Building Officer and our liaison contact with the Batwa communities while we were in Kisoro. Dear Vic…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…s playing Mbeta. We loved these musicians the fun of the traditional dances. You got mad at the stubborn girl, you got scared when the hunter returned and you celebrated for the new chief. On the way to Fort Murchison where we were staying, we saw some spectacular stormy scenes as we crossed the River Nile:…
A day in the field with Singing Wells News
…to our equipment lists all of the time as we refine our methods and learn new techniques and face new challenges. For our next field recording trip to northern Uganda (December 2012), this is the list of everything we will be taking with us: 2 Apple 17″ MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matche…
UOBDU report on Singing Wells visit to the Batwa, Kisoro Uganda News
…all the music groups who performed for the Singing Wells project. The good news is that being involved in the project seems to have given the groups a new and added pride for their music and has inspired them to practice their dances so that they can confidently perform to more audiences. It is also clear that the financial contribution made to UOBDU by the Abubilla Music Foundation has gone a long way to improve the quality of life for the Batwa…
Northern Uganda: Day 2 – from Gulu to Acet Story
…ging Wells 2012 shirt! He also got one of our Polaroid pictures. This is a new innovation for us – every group gets to listen to their song back during their performance and we take a Polaroid photo of each person so they can take a photo home. Then a quick 50 kilometer ride back to Gulu (smile) taking photos the whole way home of great road scenes. We then bought some Ugandan instruments in Gulu and William, Akello and Hannah feasted on some gras…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ata when working for the Virtue Foundation in 2011. They were keen on this new technique and trained me to use it for mapping health data in Ghana (example shown below). This was in collaboration with Harvard University. Following on that I spent some time working with the GIS department at Harvard in Boston specifically learning how to use the mapping software, and I also attended GIS classes given at Harvard. I then brought the idea to Singing W…
African Strings: The Nyatiti and The Adungu News
…f the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today, through The Influences Series. Some of my favourite prominent Benga musicians of today are Ogwang Lelo Okoth, Musa Juma (below) and Dola Kabarry (below). Instrument: The nyatiti has 8 strings and is usually played sitting down on a three-legged stool known as the ‘Orindi’, it can be as low as shi…
Northern Uganda: Day 0 – London to Entebbe Story
…Hannah, Andy and Jimmy) all met at Terminal 5 at 0930AM to check in to BA flight 63 to Entebbe. After quick breakfast, we did last minute shopping for essential supplies (alcohol, sunglasses, papers) and then took the train to C57, where we boarded our flight and left pretty much on time. Jimmy sat next to Andrew who lives in Kampala and married to a Uganda woman with whom he’s had a one year old son. He was passionate about West African music an…
Day 9: Ketebul Studios with Ben Kisinja Story
…We had Prasad Velankar, a wonderful Indian percussionist join us to put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio….
Day 7: In Nairobi – sponsors, blogs and strategy Story
…ting with contemporary studio musicians and sound engineers ready to bring new arrangements. The sponsors discussed that these missions are sometimes in conflict. If we spend too much of our time showing videos of more traditional tribes singing traditional songs, we might turn off the young audience we are trying to attract. Like kids everywhere, they tend to reject their parents’ and grandparents’ music, hoping to discover new music they can uni…
Day 5: Recording the Marakwet Story
…bumped and jostled for about 80 kms. The land is tilled now, waiting for a new planting season, so we are surrounded by red. The red roads, the red tilled soil on either side, the red dust filling our eyes and lungs as cars pass us. We have the opportunity to interview Tabu in detail about his ancestry. The only issue was, the more animated he became, the slower we went. So we knew that the more interesting the trip the longer it would take and tr…
Day 3 continued – an interview with Steve Kivutia Story
…that same year he met Tabu through a friend who sang with Tabu’s band, He knew of Tabu because of his legendary status within Kenyan music. Tabu invited Steve into a meeting where he brought some songs he had worked on. Steve was still a big Hip Hop fan and loved R Kelley. He also liked Salif Keita, an afro-pop singer/songwriter from Mali, his only ‘African music’ influence. Steve’s first job at Ketebul was as an intern working with Jesse and Gabr…