Day Five: February 20, 2020 (DCMA) Story
…med by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ago Usikhofu – means “Don…
Kochia Traditional Dancers Group
…nd in 1965, and since then its members have dedicated themselves to entertaining guests at countless national celebrations and holidays, private events, as well as internationally as part of the Folklife Festival in the UK and in the USA at the Smithsonian Folk Festival. As well as this they are determined with their performance to preserve the incredible Ramogi dancing, a mainstay of traditional Luo culture. Ramogi was the patriarch of the Luo pe…
Nile Beat Artists Group
…ke Victoria. A previous member of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she…
Watmon Cultural Group Group
…tthew was born on the 25th November 1951 in Kipgum district, Awedi village in the north of Uganda. He was fond of playing music as he grew up, playing the nanga (a harp) in the field as he tended the family cattle or worked on the farm. He lived in Awedi until 1991, when he moved to Kampala, due to the rebel fighting. He started a small group of dancers, performing Acholi traditional dance which he had learnt when he was young, both from grandfath…
Super Phoenix Band Group
…sessions and begin to tell others that they are the real owners. Mukangala instrumental as influences session with Fadhilee, our influences artist. We don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected of…
Recording, archiving and sharing the traditional music of East Africa Page
…on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group…
Baseki Group
…he current band members. They are from the Sukuma Ntuzu community and play in the Bulabuka style. The play drums, which they call Ng’oma ya bula buka. The drums are made from the Mahama tree. We recorded eight songs with them: Balogi Wa Ngamboshi: This is about the Wizards of Balogi, where wizardry is perceived as a negative thing, evoking witch doctors and snake oil salesmen. Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song…
Richard Sewanyana Group
…ub-county Kasawo, of County Kyaggwe. My grandfather used to play the flute in the palace but he was aging and wanted a family member to continue to play. I tried to play with him all the time and learned a few songs. In 1966, I was taken to the palace as a servant boy. My father also wanted to play the flute and replace his father. But he tried to play and failed to learn. But he pretended to play at all performances, acting like he was blowing th…
Day One: January 18, 2019. Assemble in Tanzania Story
…ip (see our interview with Jackie here). We arrived at the Kifa Hotel late in the evening, ordered our ‘dried fish’ and crashed. This, our second major field visit to Tanzania, begins tomorrow. The Tanzania Team, with Jackie Akinyi A couple of quick background facts: This is our second Field Visit to Tanzania. (Please go here for the first trip) For Singing Wells, a field visit is when we visit a specific region of East Africa and record musical g…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…nced and sung throughout. The village joined in the dancing as they continued to play. By the end it felt like a joyous party with many joining in, reminiscent of New Orleans Mardi Gras. …
Page
…hat are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global Influences Project Loop Library Here you will find a selection of musical loops by artists such as Otacho Young Stars, Adungu Cultural Troupe, Watmon Cultural Group…
The Kalenjin of Kenya Album
…e track ‘Kamitol’) and secondly the Takar group – their Korutan and Chepo Mining making it through past technical difficulties on set. The very visual performances of the and the Sagat group (their image is on the cover) and the Embolet are both represented on the album. The final field day of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi W…
Field Recording Report by Kahithe Kiiru Story
…” and “Agneta Mama”. We also recorded an Influencessession with Fadhilee joining them on the third guitar. Finally, the last session of SW Western Kenya fieldtrip was recording Johnstone Mukabi, the son of legendary George Mukabi, founder of omutibomusic genre and one of the most prominent figures of Luhya music history. Travelling from Eldoret town, Johnstone arrived to the set late and upon arrival immediately sat behind his guitar for recording…
The Revival of the Entongooli Page
…t benefit to these young people aside from the unique knowledge they are gaining: free education. Many of these youngsters have managed to gain music scholarships so they can get a free education at their local schools. This project is not only providing a future for this instrument, but for the young people involved. Aside from this, Mr Mukadisi has a personal connection to this cross-generational project. His father was a builder of the Entongoo…
Global Influences Project: Artist Submissions Page
…on the programming of this song. I added a few Techno elements still maintaining the Afro House percussion and groove to compliment the sample. The chord progression was the last touch as it also gave the record color and vibe.” You can follow Shona on Twitter (@afroshona), Instagram (@officialshonasa) and on Facebook (https://www.facebook.com/afroshona) AMZI ODEK X ALOKA OHANGLA//NYATITI GROUP We really enjoyed this submission from Trombonist and…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…hly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass…