Before They Pass Away News
…mburu people in Northern Kenya as they travelled across the land searching for new plains for their cattle, and the Maasai in Tanzania. Singing Wells too has travelled extensively across Kenya, meeting remote tribes like the Pokot Tribe, the Marakwet Tribe and the Ameru Ethnic Community. In a Ted Talk, he shared some of the fascinating rituals that he came across on his travels. Nelson’s objective, he says, was to reveal ‘beauty’. “I believe that…
Central Uganda: Day 2 – Kampala to Budaka Story
…es Isabirye said of the Busolwe Post Test Club , “They are a meeting point between formal education and village music. Although they perform traditional music, they also will also work in different formats, and are more formally trained. They act as music judges and help to identify new talent. Most of the members are teachers that are being trained and are training. They are highly creative and dramatic.” The Namaddu Troupe The second group was t…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…es Isabirye, our musical expert, about this group. “This group does not perform formally anymore, because they have no platform. The King invited them to play but no longer does. They have great songs, they have a great history but today they are silent. No one asks to listen to them. This is so sad. How do we revive demand for what was one of the sixth great ensemble bands commission by the king to play exclusively in the palace?” The Kika Boys C…
We’re discovering the lost music of the Ugandan Kingdoms News
…from the royal palaces and the fall of the Buganda Kingdom Some information on the progress of the Bigwala trumpets – an instrument we restored on a previous field trip Interviews with the palace players and a great deal of information on the art of drum making You can also keep up to date with our latest news from the field via our Twitter and Facebook pages….
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…h customs. We made it to the hotel at around 1630. It was great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from…
Who’s looking at you? Story
…This little fan joined us along Lake Victoria to record some of the best Nyatiti players in Kenya in November 2011….
Our top Singing Wells songs for April News
…ura Mwangi. Their songs are dedicated to self-help. Its style is Ndumo, an old women’s dance purely for entertainment and preservation of culture. For all their songs, the ladies used the Kigamba (leg shakers). 2. Kaniini Kaseo, Kolleji Kaniini Kaseo is an all women group led by Mumbi Wambua, in Kyolo style. The group is from the Kamba ethnic community. They have 16 members and were formed in 1980. All of their songs use the Ileve (the tin shaker,…
Rediscovering Afropop and its influences News
…songs include African Twist.The traditional Benga sound is about 60 years old with its formative years occurring between the late 1950s and the 1960s. Its roots run deep in age-old Luo musical instruments. Singing Wells and the ‘bridge’ between traditional and modern Tracking the story of Sauti Sol’s musical influence excites us, as it’s a reminder of how important the Singing Wells mission is. When we learn that one of the most popular modern Af…
Discussions on music and culture with a young Kenyan News
…eaking in Kenya, our own slang – our own twist. There’s still some authenticity but it’s about mixes and making the most of these influences. We can’t go backwards but you could try and ensure that going forwards all is not lost for traditional music. How do you think Singing Wells could engage the youth of East Africa with traditional music? Tweet us or Facebook us with your ideas….
Meeting Ketebul: an interview with Tabu News
…these artists out into the market very well at the moment. We need to look for a platform to promote our stuff, whether it’s online, digital radio, TV – we need to make the music more accessible to all. Why is Singing Wells important? Singing Wells is important because we’re trying to capture our East African heritage. Many of the musicians we record from remote tribes are old and we run the risk of the traditional music in Kenya dying out, we don…
From African Twist to Benga News
…ridge’ artists in Kenya – a group of musicians who have built a connection between the music of their villages and modern music. They were the founders of Benga, the African Twist, Luhyia ‘Omutibo’ and the ‘Yoddeling’ sound adapted by the Kikuyu musicians of the ’60s. We dedicated six days of studio time at Ketebul Music in Nairobi to record this set of legendary musical artistes, all of whom are now in their 60s and 70s and are critical to Kenyan…
Ten More Singing Wells Stories News
…orests along the base of the Virunga Volcanoes. They were evicted from the forest to make way for the Mgahinga Gorilla National Park near Kisoro Uganda, which was established to protect the Mountain Gorillas that habitate in the park (travelling back and forth across the Uganda-Rwanda border). The Batwa are a marginalised people, living mostly by tenant farming in scattered villages around Kisoro. They live on the poorest land, and in many cases t…
The story of Anyim Lac Story
…rved to protect the recording equipment but was also the ideal viewing platform for the younger members of the audience. We recorded four music groups that day, starting with the Rubanga Kingom Awach Boys, champions of the likembe. Two further groups, Kal Ker Kware and Waroco Tewkaro, gave us loud and very energetic performances featuring the pulsating rhythms of the bul (drums) and agwara (calabash drum) and some highly charged dancing. But sandw…
A History of Recording East African Music News
…om 1978. He is stated to have recorded hundreds of tribes and is commended for forming close relationships with them, which allowed him to gain permission to record their music. Mary K. Oyer, b. 1923 Mary Oyer graduated from Goshen College – a private Christian college, historically affiliated with the Mennonite Church – in 1945, but was soon to return as she was invited to teach the General Education course integrating the study of music and vi…
Tracey Instrument Collection News
…ce the endara log xylophone (above) which stood outside the ILAM building as it was wearing from student use. The xylophones are played on the ends by three players in the amadinda style or three to six players in the akadinda style. Amadinda xylophones typically have 12 keys and were historically an instrument that could only be played in front of the King of Buganda. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…e music of Cuba, demanding that we look further into the circles travelled between musicians between the Congo and Cuba, and we listen to Samba drumming and particularly the tambourin only to be reminded of the Watmon Cultural Group’s use of the Calabash. Our heads appropriately spin and we’re happy about that. The tribal music of East Africa is forever evolving. It is wonderful that Jimmie Rogers inspired a new song and it is amazing that the Ota…