Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…outu.be/eH1v-kwvvaQ Their third song was Songa Mbele, a song about ‘moving forward’ symbolized by all the performers swaying their heads back and forth. https://youtu.be/_ViFUMIwN4k?list=PL6jxUA468Mq-LufC_AhbsGyC-pvBWlmTe They did a final song called Kanyaga Mbele. https://youtu.be/zyeH-PvP7-E We loved this group and they rank in our Top 10 so far for Singing Wells. We loved them so much we recorded a ‘magic moment’ with them and also an Influence…
Northern Uganda: Day 2 – from Gulu to Acet Story
…i style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drums… They are all female dancers, with whistles and Gara (ankle shakers). They played all four of their songs one after another without a break: Oluma Lareku (a war dance celebrating the tribal chief), Talebero Koda Akoda, Odokomi Dek Owic, Lar Wodo Dwok Cen. Here’s a selection: Ribbe Ber…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ult of a platform developed by Harvard University. WorldMap is a great platform for a project like this for several reasons. It is free and open source which means any researcher can work with the source code to extend and improve its functionality, so it is constantly developing and improving. It’s also web-based so it’s easy to access and share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has ma…
African Strings: The Nyatiti and The Adungu News
…‘Nyatiti’, Available: http://anyango.com/e/nyatiti/ ‘Kaypacha’, Musical Instruments, Crafts, Aboriginal and Ethnic, Available: http://www.kaypacha.com.ar/en/instruments/nyatiti Wachsmann, K. Trowell, M. (1953). Tribal Crafts of Uganda. 1st. ed. Oxford: Oxford University Press. ‘Traditional Instruments’ of the Uganda People’ (2012), Face Music, Available: http://www.face-music.ch/ ‘EgpytSearch Forums’, Wysinger, M. (2008), REAL Ancient Egyptian Mu…
Northern Uganda: Day 0 – London to Entebbe Story
…ched seats with Jimmy and talked to Andrew about the Singing Wells project for an hour. We then all settled down to watch Ted before landing about 8 hours later in Entebbe. All bags were gratefully recovered and we took a taxi for an 8 minute journey to the Airport Guesthouse Entebbe, where we were greeted by our old friends, Jan Willem Van De Kamp (the owner of this hotel and the Travelers Rest in Kisoro), Charles and Simba (the Rottweiler who fe…
Day 9: Ketebul Studios with Ben Kisinja Story
…o put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…some great songs over the course of four days. We now want to repeat this for every field visit and decided to invite the Otacho Young Stars, the great find of our field visit to record the Luo, and Ben Kisinja, the great Kalenjin musician we recorded earlier this week. Saturday was all about the Otacho Young Stars. Let’s remind you who they are – here are two clips: We focused our recording time on Mr Manager, their quite sincere thank you song…
Day 7: In Nairobi – sponsors, blogs and strategy Story
…over our remaining three days and will be a key issue we address as we put forward the next draft of our 2012-2014 Strategy. We worked the afternoon on writing blogs for all the interviews and field visits, including all our song translations. Kathy brought back a full work book of notes. We have realised the growing importance of our ‘field interviewer’ who now spends as much time with the groups before and after their recording sessions as we sp…
Day 6: Recording the Tugen & back to Nairobi Story
…rap Oloo’ : about a wife who thinks her husband is lost. She wants to look for him because she can’t be responsible for all her children and animals without him. ‘Chang’komen’ : about a woman who is married to a man in a different village. She comes home bringing specialities to eat and drink. ‘Nerekan Evyline’ : Evyline was left by a man who flew away. The song is asking about what she’s going to do. She’ll tell her father to build a house. About…
Day 5: Recording the Marakwet Story
…o Nokuru travelling down the Rift Valley. We will take this ride tomorrow. For today, however, in the words of Robert Frost, we ‘took the road less travelled.’ We left Iten on a red, dirt road. The athletes ran on the sides and our car and jeep travelled in the middle. While the countryside was beautiful, the roads left a bit to be desired and we bumped and jostled for about 80 kms. The land is tilled now, waiting for a new planting season, so we…
Day 4: the Pokot Tribes Story
…rom their town in Lamut. They were a younger group, tall and thin, divided between male and female dancers. They performed explosive short dances, each with a clear story dramatically acted out. They were dressed in striking blue costumes. We recorded 10 songs with them: Kaseta, Kitok Pokot, Chepo Ktpsot, Chelimo, Kech, Chepng’aror, Kalokeya, Suma Agenge and then returned to do an Influences session on Kech and a Magic Moment. The Magic Moment foc…
Day 3 continued – an interview with Steve Kivutia Story
…lls in Kisumu, Lake Victoria) were amazing and more modern than most music today. The Clapperboard Today was the first day we used the ‘clapperboard’. First a little background to this…… Singing Wells has always been about the music so our initial focus was on audio recording. We invested in first class audio equipment and can record using 8 mics directly into Pro Tools. But during the March Pilot programme, we realised that the visual experience…
Day 3: Kitale to Kapsokwony, Kenya Story
…tes International University (USIU). The Music Groups Ben Kisinja First up for recording was Ben Kisinja, a wonderful guitarist in the typical Kalenjin style. Tabu describes this style as very traditional and the way of singing is very unique to the Sabaot clan of the Kalenjin. The guitar is called a burkandit, and is a homemade guitar somewhat resembling the Nyatiti of the Luo. He was joined by a percussionist who played the karachimek, which is…
Day 2: Nairobi to Kitale & an interview with Pato Story
…ible and didn’t care about the music and performed songs which are just performed for tourists. Not real music and not good. I knew the second it started. I was so glad it started raining and we could get out of there.” [Editor note: we did not include this group in any Singing Wells materials.] So here is Pato’s favourite Singing Wells track – Jovah from the Mperwa Batwa community in Kisoro performing with Jesse on piano at the Ketebul Music stud…
Day 1: In Nairobi, packing and talking to Tabu Story
…nt to hear. The tribes often think we want to hear gospel, rap or songs performed for tourists. He wants to archive the traditional music because otherwise it will be lost. Young Kenyans in the cities are ignorant of the traditional music and are surprised when they hear quality and uniqueness of the tribal music. In addition to archiving the music, Tabu feels Ketebul’s role is to make the music widely accessible and to empower the tribes. If the…
Victoria’s reflections on the music of the Batwa Story
…accompany them. And make sure we have plenty of group shots of our star performers before we say goodbye for the last time (little do I know that there will be a reunion at the Ketebul Music studios in Nairobi the following week, but that’s another story…) After recording is over I sit down with Alice to make sure I have all the names of the songs and their meanings. It’s been raining heavily since about 4pm and the power has cut out. There’s no b…