Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…s. You guys look out for real stories and try to tell the stories. This is really important. I think development is really about stories. And I watched out much you invest in telling the stories of these people. You care. This leads to the third thing which I wouldn’t under-estimate. You leave smiles. Folks love that you come to their village and are happy with the project – they love the attention you pay to their souls, they love the CD they get…
The History Of Benga Music: A Report by Ketebul Music Story
…y, and has remained there since. It is at Chandarana’s studios that a vast number of musicians from western Kenya first put their work on spool tapes. Chandarana’s business acumen was in large part responsible for the replication of the Benga sound by singers from the mid-Rift Valley region. His shop and recording premises in the town are still in operation, though he has retreated into reclusive old age and is hardly keen on granting media interv…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…cause – they aren’t rooted. I was a session musician at AGS (African Gramophone Studio) and CMS (Capital Music Studio) studios, both on River Road. I formed Sega Sega and we had a drummer called Katoi and Juma Otheth. We did a huge amount of studio work and as Benga became popular, the three of us played on a lot of others’ songs. This meant that our Luo sound was getting on a lot of records. The early sixties was mostly about studio work but by…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…for the circumcision. Throughout their time in the hut, they are isolated from their families. Very young girls from the local village will feed them, but otherwise there is no other contact. During their time, they are taught songs and told stories about the ritual itself and preparing them for man hood. In Lewis’s case he was taught that he can no longer live with his mother and must never enter the kitchen again, as this was the place for wome…
Entenga: Performing twice for the king of Buganda News
We have received wonderful news from Singing Wells partner Prof. James Isabirye that he and the rest of the Entenga players performed for the second time at the coronation anniversary of King Ronald Mutebi. https://youtu.be/HgKF14j5LrM We were first introduced to the Entenga drums in 2015 and have since been supporting James in an initiative to revive the drums and teach younger musicians how to play them (read the field reports here or watch o…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…up through rehearsals and Maita played guitar to three separate lullabies: from Jovah, from Passy and from James. We did one with guitar and one version without. Here’s the Lullaby Song: I Hear the Sound: Jacinta had written song inspired from her time with us about hearing the sounds of African music. Last night, she and Andy played together, with Andy working out a guitar part. So first, we recorded the two of them. Then, we decided that if she…
A Tanzanian Effort to Salvage the Music of the Past News
…nd still coordinates it today. “They started phasing out all foreign music from the local stations” in the 1960s, she told us. “So to fill up that airtime they would send out recording safaris to various rural villages to record these ngoma dances and drumming sessions.” This traditional village music was combined by state-funded bands with the Cuban-flavored rhumba coming in from the Congo. The resulting mélange, she said, “is characterised by th…
Central Uganda: Day 6: Kampala to Entebbe Story
…sional with a lot of energy. The lead singer is a wonderful performer, and really up and coming and will only get better. They also have great instrumentalists. They really gave a show today with lots of performers – but to these cultures folk songs demand actions and drama. If you give them an open space they will bring much more drama to the equation.” Here’s their music The Journey to the Next Site We then packed up and left the University Grou…
Central Uganda: Day 5 – Jinja to Kampala Story
…the Kampala Imperial Hotel and some of us were delighted to find a English football match on the TV (Arsenal vs. Southampton). And we were greeted by Air Conditioning which is most welcome by those of us from the North but feared and mistrusted by those of us from Nairobi. We look forward to recording tomorrow in Kampala. Apparently there is a marathon. We shall provide the soundtrack….
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…he field –they didn’t need cameras or microphones. We drove 117 kilometers from Mbale to Nakisene (from Mbale south toward Inganga, turning East toward the Kenyan border, just before Buggiri, we turned toward Idudi). The Recording Site: The village was far off road, along a dirt path perfectly suited to cows and motorcycles, but slightly more challenging to big vans of the four wheel variety. But, as always, we made it to the location, passing lov…
Central Uganda: Day 2 – Kampala to Budaka Story
…nsored by the beer Senator. Their trainer is Paul Mwima and they originate from Bunyole, Butaleja District. Their style is Mabega Dance. Their costumes were the Gomesi, Ebikooyi, and then they had skirts for traditional dances with animal skins. Their members included: Zabula Hunguna and Aggrey Gwari . Their chairperson was Musa Malinywa. Their instruments were: Ekongo: Thumb Piano Embaire (13 slab xylophone) Endingidi: Tube fiddles Omulere: Flute…
Discussions on music and culture with a young Kenyan News
…tform or promoting an initiative to young people is that it has to connect really closely with what they stand for and believe in, otherwise it won’t work. If you could find a way of making Singing Wells relate to what young people believe in, that might just work. I reckon film or TV would be a great way to get the message out, and I’d really drive home your work with modern artists mixing in traditional beats, I think people would like that. I’v…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
James Isabirye and Tabu Osusa Discuss East African Music News
…o speak not the politicians. And our audiences love it. They learn what it really means to be Ugandan. Tabu: Yes. We talk with one voice. People from the government always want to help me. I tell them simply: the best way to help me is to stay out of my way. Let the musicians talk to their audiences. Let them play. We don’t need a big government program on culture, we need to give the artist the stage and a microphone and an audience. Let people r…
Ketebul Music: A Year in Review News
…t visual doesn’t have the impact we need. Each of us has our favorite song from this. Mr Lenny and Makadem did a song called Harambee, done originally by Daudi Kabaka. The kings of the Baganda performed Kabakawhich we love. We also worked with different producers from different production houses so we brought in all styles. We will release the CD at music shops. By the way, distribution remains a terrible problem for all of Africa. My worry remain…