Day Four: 10 March 2022 (Rongo) Story
…lly take their place on center stage. To accelerate this process music policies must be put in place for these musicians not to be simply programmed as part of a loose musical troupe, relegated to and delegated with the mundane task of playing ceremonial music to visiting tourists. END Tabu Osusa Founding Director, Ketebul Music Nairobi-Kenya April 2022…
The Revival of the Entongooli Page
…ta is used to ensure that the word is strong enough to endure the shaping, and to make sure it lasts for many years. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared fo…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…d slaves to the Arab countries. In 1890 Zanzibar became a British Protectorate and slavery was outlawed. This happened in fits and starts. The death of one sultan and succession of another, the British did not approve of, led to the Anglo-Zanzibar War, the shortest war ever fought. It was over in 7 minutes because of the strength of the British navy. The islands gained independence from England in 1963. A month later the Zanzibar Revolution o…
Global Influences Project: Artist Submissions Page
…as u add a drum pattern to it or when you introduce a modern touch to it. And to be frank, i totally loved conceiving the beat and would love to do more of the genre.” We love that this project is inspiring modern artists to use these traditional rhythms, sounds and beats to influence their upcoming work. You can follow Kimani on instagram at @devonte6749 BEATS BY MAGGY X RUBANGA KINGDOM AWACH BOYS This week’s submission for the #GlobalInfluncesP…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
Mr Bado Group
…ama Kazi with Ketebul Music. He mixes an impressive combination of styles, and part of his mission is to help preserve styles such as Taarab which are fading on the modern music scene. To do this, he performs at cultural events with his father and brothers, as the Nyerere Wa Konde Music Club. We filmed a great session with Mr Bado and Mzee Nyerere wa Konde, in a collaboration with Benga fusion artist Winyo, in their village in the coastal region….
Toroka Uje Group
…wed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tomato works with any sauce or salad. The drums were from smallest to largest: Chaavo Ndogo – small drum The Kinganga (Makonpe) or Kidalidali (Zaramo) – smaller drum Chapuo Kubwa – big drum. Boi – long drum, one sided Ndungula – big bass drum Nyanga – the shakers, made of empty tins filled wit…
Aynu Traditional Group Group
…cts, but mainly they speak their own Lugbara language. Origins: The came into Uganda at the end of the 16th century. They were originally known as the Madi, their current name perhaps came to be used after the intrusion of the Khartoum Arab slaves in the second half of the 19th century. Their origins are described in relation to their belief in mythology: with God’s creation of Meme and the universe. The first two human beings Gboro-Gboro (male) a…
Super Phoenix Band Group
…be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell others that they are the real owners. Mukangala instrumental as influences session with Fadhilee, our influences artist. We don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accou…
The Music of the Mijikenda Album
…ed in the village of Sila. The next day saw 4 groups – and all are included here. Chechemeko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘i…
Ayub Ogada Group
…ory. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continue…
Tarajazz Group
…henge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this has…
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Kika Boys Cultural Troupe Group
…it means, “I will not leave this place and he will not go back home becauase he is enjoying too much his drink. Empawo: This is the gourd that has a bigger opening because it is cut from the neck. It is usually given to those who have not had alcohol yet. They would also drink too much and talk about everything that came into their heads. “Katonda Bwakuwa Kyoyagala”: If god gives you what you wanted, in your heart you become very thankful but not…
Buganda Music Ensemble Group
…would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This is about twins Wasswa and Kato, and praising twins. “Anamwinganga”: This was a piece composed by Albert’s father in 1945 and recorded in the 1960’s. It talks about who will attack the king. He has…
Unyago Group
…out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The singers come from the Wagindo people, who came from Malawi to Zanzibar, probably through the slave trade. When the British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago…