The Boy with the Headphones Story
…Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we arrived, a group of women were gathered on a muddy terrace, washing their babies in a small plastic…
The origins of Singing Wells Story
…to their own recordings. In the past, one or two of them might have been invited to a local town for a simple recording. Singing Wells allows for the whole group to perform, singing and dancing in front of ten microphones and three digital cameras.’ Video engineer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of mu…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…nting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we ha…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…ten by Jimmy Adokwun around five years ago, but it uses traditional styles to convey their message of national pride. Here is the video of Pearl of Africa: The last song, which was wholly authentic, was called ‘Africa Na Jembe‘ which talks about the Ugandan’s emphasis on being deserving. The song says that first you must dig in the field before you can eat. The lyric in swahili in the chorus: “tula kula kua jembe” means ” through our work in the f…
An Evening with Mserego Mwatela Group News
…have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance an…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…t the only way this could happen was for some of the leaders of the rebels to convince the ‘hot heads’ to spare the village was to let them satisfy their blood lust against the next village where 20 men were slaughtered. For three years, the ‘village band’ played for the rebels and were visited by all the leaders. They refused, however, to play rebel songs or support the rebel side. They said over and over again the music was neutral and only had…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…scraps of wood or just a sheet covering the ground, offering scant shade. Inventory comes in the morning and leaves at night. Everything you want is sold somewhere in one of these three types of stores. But all is random. Don’t expect Omo at the Omo stores or a mobile at the Orange store. And Lord knows what you’ll find at the drug store but it will rarely be medicine. But this collection of Lego stores is just a backdrop, 50 feet from the road. I…
ATTA is following Singing Wells News
…their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…morning and Lira by the afternoon. So with a little scrambling we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the mi…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all about a stubborn girl who doesn’t want to marry early. Here they are, dancing in glory: The second song was magnificent, called Oramba, the name of a hunter, in the style ‘Aliku’. This style is traditionally performed around the fire, as…
A day in the field with Singing Wells News
…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…kids, over our equipment and through performers Part of our routine now is to have Vicki on top of one of the vans to get a good 3rd angle (much of the Acholi dancing involves circling a drummer, meaning you can’t see said drummer unless from above…) The Music Groups Rubanga Kingom (Awach Boys) Our first group was Rubanga Kingom (Awach Boys), a full Likembe band. They formed thirty years ago and their goal is ‘Edu-Tainment’, helping African childr…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…