The Boy with the Headphones Story
…ashing their babies in a small plastic bowl. Rather self-consciously, we began to set up the equipment in amongst the tiny grass huts, the outdoor ‘kitchen’ and the dug out latrine – it was our first intimate view of daily life for the Batwa and a sobering one. Gradually more members of the community began to arrive on the ‘stage’ and we were ready to start. The recording session was an extraordinary one, full of energetic dancing and wonderful,…
The origins of Singing Wells Story
…or tribes: the Mijikenda, the Luo and the Kalenjin. We have also travelled to Uganda to record the amazing musicians of the Batwa tribes, bringing many of them back to Nairobi to record them in Ketebul Music studios. We have designed two mobile recording units which can be assembled just about anywhere. The Ketebul and Abubilla audio and video engineers who support Singing Wells talk of the amazing experience working in the field. As Steve Kivutia…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…nting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we ha…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…
An Evening with Mserego Mwatela Group News
…Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…Macedonia band began to play Uganda Land of Freedom and the rebels started to gather round, starved for music and a chance to relax. An argument broke out amongst the rebels – most wanted to continue the raid and kill the musicians but a small group started to argue that the band could serve a purpose and help provide welcome distractions for the rebels. Eventually, after a few tense hours of debate, the village was spared. The rebels were about t…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…s near Acet.. Then there’s just everything else you can carry being hauled to and from the market on the heads of strong women and very strong little kids. It is illegal we suspect for a child of three and older to walk on the road without carrying at least one water jug on his/her head. You see in the distance yellow dots and you are guaranteed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying bask…
ATTA is following Singing Wells News
…their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…g we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters,…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all about a stubborn girl who doesn’t want to marry early. Here they are, dancing in glory: The second song was magnificent, called Oramba, the name of a hunter, in the style ‘Aliku’. This style is traditionally performed around the fire, as…
A day in the field with Singing Wells News
…the musicians to perform a few bars of their first track to check the microphone gains and record levels. The video team check their shots and talk about who will be covering which part of the footage. Then, once we are setup, we begin to record the performances. Takes are logged by the day, so the first take of the day becomes take number one. Note taking and logging is incredibly important as one recording trip can involved eight or more groups…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…ch was amazing to watch. They played: Wanencalo Munu Aciel Longo Luo Yee Luga Luga Kot Ngwer Cwe Here’s Wanencalo Munu: https://youtu.be/-vb_69xN7ZY Here’s Aciel Longo: https://youtu.be/A_iBiSJIrsQ Here’s Luo Yee: https://youtu.be/m-9CTn_zkKA Here’s Luga Luga: https://youtu.be/zTwZdHLQjUs And finally here’s Kot Ngwer Cwe: https://youtu.be/BVFzbppQ9Ig We loved their energy and recorded a second ‘Magic Moments’ of the day for one of their dances. Wa…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…