The Boy with the Headphones Story
…hen we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we a…
The origins of Singing Wells Story
…neer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of music, bringing these talented musicians to my Nairobi friends.’ In addition to our field visits, we have developed an online Music Map of East Africa that charts the tribes of the region, their music, their instruments and influences. The map also shows where we…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…ho was fed up. We all had to take off our very dirty boots which was unpleasant. Final line up to go through boarding gate which was a walk down stares on to tarmac and up to our very nice and pleasant Kenya Airways flight. We left and landed on time and all bags were waiting. We felt pretty sure that no baddies could have gotten through those 8 steps and were quite relaxed flying. After some chores we all then gather at the Go Down Arts Centre fo…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ongside his father. They were joined by Akello, our Influences artist, who sang backing vocals on a few songs: Kiri Ki Jing… …Amone Lareku… …and Lamele. Akello then sang her song ‘Amari’ with the band as back up. The group then went on to sing An Lakara Pee… …Odong’o Kilau… …Lawie Akada (with the group leader playing the Olwet (flute)… …and they closed (and we closed our Ugandan trip) with Anyaka Lim Pee. The last song is essentially a lament that…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…ut generally perform music in the style of Acholi, as Watmon is originally from Kitikum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning mu…
An Evening with Mserego Mwatela Group News
…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…ou will be happy to know we’ve just passed Jinja and are roughly two hours from Kampala on a well paved two lane road. We have moved from sheer terror that we will be run off the road by Mac trucks to a growing lack of confidence that we will arrive in Kampala before the hotel kitchens closed. Given that we forgo lunch as a rule we find ourselves highly dependent upon night time eating. Just over the sounds of speeding trucks and crashing bikes on…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…as bass and kick drum. They also had 16 dancers, all 12-15 year old girls from the village dressed in lovely robes. The whole band sang ‘response’ vocals to Johsua’s lead. He was also the lead Likembe player. The band is partially sponsored by a church so their songs are a collection of traditional songs, gospel music and ‘education songs’. This was in the top 5 of Singing Wells moments: great songs, in a spotless village, by a band with such an…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…days before being sold. Every ninth person is selling nuts or grasshoppers from a bucket or woven basket. Every seventh person is selling fruit of some type from a woven basket,. Every fifth person is sitting next to a blanket that is laid out to display their wares. You get a lot of blankets with eggs, but sometimes sunglasses, nails, electic sockets, rusty tools, clay pots, cutting boards or meal grinding tools, etc… Behind the blankets are stac…
ATTA is following Singing Wells News
…their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…cian in a band, not some studio session guy ‘mailing in his over-dub.’ Sometimes it works. Sometimes it doesn’t. https://youtu.be/IktMw1iNcq4 https://youtu.be/Hk5DlFHa8Lg And with that, brushed the bugs from our hair and clothes, pulled some beetles from the camera bags and had dinner. Tomorrow is a driving day as we head to our next location… Jimmy (Fort Murchison, near Pakwach)…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all about a stubborn girl who doesn’t want to marry early. Here they are, dancing in glory: The second song was magnificent, called Oramba, the name of a hunter, in the style ‘Aliku’. This style is traditionally performed around the fire, as…
A day in the field with Singing Wells News
…up in place. We have two mobile recording units, each capable of recording from four microphones plus other sources at a high resolution to Apple MacBook Pro laptops. The benefit of the systems we have chosen is that they can run off the battery power of the laptops if we are in the situation where we do not have a generator (or there is a power cut mid-session which happened to us when we recorded to the Batwa at the Travellers Rest Hotel in Kiso…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…y sang so softly and it was such a big crowd. But we gave her a lapel microphone and put a microphone directly on the Adungu and recorded. Afterwards, when we turned her up in the mix a magical voice and sound emerged – the ancient lady sitting on the blanket in the middle of this village, surrounded by 100’s had a beautiful, strong, pitch perfect voice. Incredible. She sang: Two Man Dong Lakee Cok Mon Alwak Munu Keya Here’s Two Man Dong: https://…
Northern Uganda: Day 2 – from Gulu to Acet Story
…their camp plus Ite Yaa, meaning gathering under the Yaa tree). Then they sang: Welo Obino (Let’s Celebrate now that vistor’s have come) Odok Gang (A celebration of peace after war and call to go home), Balo Murali (aka Aloka Loka). Magic Moment Here’s Welo Obino and Odok Gang: There were three young percussionists on Bul (Drums) and then about 8 dancers. It is always a very good sign when we get to record a group of young performers. It means th…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ately we all made it to super-market where we loaded up with money, mobile phone cards and other sundries and headed out. The William car stopped to pick up Akello, a lovely Ugandan singer/songwriter, who is joining the group as our Influences artist. The Emmanuel car headed into Kampala to pick up our press badges. We then headed off to Gulu at around 2PM (yes, we tend to spend a lot of time getting mobile phone cards!) and headed out on a 360 km…