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Field Recording Report by Kahithe Kiiru Story

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…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…

Baseki Group

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…he band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park and this is a song in celebration to Tanzanian parks and wild life. Frees…

Aynu Traditional Group Group

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…re believed to have been ordinary human beings and tradition asserts that they were born in the ordinary way. Meme died immediately after giving birth to the twins, who then grew up to marry each other and start the first clan….

Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story

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…ny stops. But we digress. From the Dodoma Hotel, we drove about 90 minutes to Nzali to record four groups: Group 1: Makunga:   This group is from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style.   Their instruments/costumes include the: Ndulele (Horn…

2. Naizungwe Drums – progress report 1 Story

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…aking comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizung…

1. Introducing the Naizungwe drums Story

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…lected on the basis of high skill to avoid wastage of time. We will listen to the recordings together with the youths. Then we make sense of what is played in the recordings. After that, we will play the rhythms slowly until we can reproduce them. Then we will add the singing. This can be done by any musician who is hard working. We hope the final performance will be a reflection of our musicality and what we hear in the recording.” We will be doc…

Day 5: Wednesday, February 22nd, 2017 Story

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…ars. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. Here’s the set: In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to p…

Day 3: Monday, 2017 February 20th Story

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…yles and instruments die. But another mission is to bring these traditions to new audiences, allowing new artists to work with traditional artists to bring new life to these sounds and movements. So, we want the grandson of Mzee Morris to work with current artists like Leo, Sophie and Elliot. We want Leo, Sophie and Elliot to be inspired by Rajab and Henry’s music and hopefully they will bring these styles to new audiences. This theme is critical…

Day 2: Sunday, 2017 February 19th Story

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…songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will enco…

Day 1: Saturday, 2017 February 18th Story

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…background in our recordings. We are also here to try to bring this music to new artists and audiences, to show how it can inspire and inform more contemporary artists. This is why we always bring ‘Influences Artists’ with us on each trip and this is why our nights are filled with ‘hotel’ recordings where our ‘Influences Artists’ are reworking songs with the more traditional artists we discover in the villages. In Mission 2, we are ‘fusionists’,…

Ketebul Music presents Shades of Benga Online News

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…into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from K…

Our journey to the Royal Drums: in the words of James Isabirye Story

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…I ordered them from Mpambire, a village where all great drums are made. We sent Albert Ssempeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira, one of the best drum tuners, to tune them (see our Field Report for more detail on tuning). I felt I was on a race for time to have new musicians learn these drums. I told Musisi, ‘please teach our boys 100 songs.’ I told Shaban, ‘you must learn every part and every song.’ And th…

Singing Wells Approaches 5 Million Views News

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…traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…ad rich musical lives, to become artists, to use the palace as a stepping stone to develop their art further. They were brought into these palaces as young boys, and all they did was play music. In most cases they received no other education and in most cases they played until they could play no more and their ‘retirement pension’ was the salaries of the sons or grandsons they were able to train and bring into the palaces. Their musical lives were…

Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story

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…e proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I…