A new type of city Story
…n the distance. Despite this unconventional type of city,I loved it. There was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala. Every night there’s music to listen to somewhere in the packed hub of 180,000 people . The image above of the tin houses and the Uganda House of Commons in the background was one of the first pictures I took on the trip….
The Boy with the Headphones Story
…Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we arrived, a group of women were gathered on a muddy terrace, washing their babies in a small plastic…
The origins of Singing Wells Story
…s, ‘For reasons I can’t fully explain, contemporary East African music has lost touch with its tribal roots. Our most popular musicians find far more inspiration in western music than they do with East African music. I worry about this. As a people, we risk losing our deep cultural heritage – the role of traditional music and dance in our lives. And as musicians, we risk becoming undifferentiated. Rather than drawing upon what makes us unique we r…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…nting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we ha…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ened: the rebels arrived to his village and asked him to show them the way to town. In a way this was a blessing, because his family was saved (often, on abduction, the rest of the child’s family would be killed, so they’d feel angry, distant and unable to return home). Once they arrived at the town they wouldn’t let Odika go and it was clear he was a prisoner. He only managed to escape once the rebels believed he was one of them, and stopped watc…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…
An Evening with Mserego Mwatela Group News
…have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance an…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…Uganda Army then re-took control of the area. One of their first acts was to go to each village and accuse them of collaborating, typically killing the men under the assumption that they must have fought with the rebels. For Joshua, this was a terrifying moment because the band was known to have played to the rebels. Again, a group of soldiers came into their village and again their mission was to kill the men and boys of the village. And again,…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…s near Acet.. Then there’s just everything else you can carry being hauled to and from the market on the heads of strong women and very strong little kids. It is illegal we suspect for a child of three and older to walk on the road without carrying at least one water jug on his/her head. You see in the distance yellow dots and you are guaranteed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying bask…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…g we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters,…
ATTA is following Singing Wells News
…their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all about a stubborn girl who doesn’t want to marry early. Here they are, dancing in glory: The second song was magnificent, called Oramba, the name of a hunter, in the style ‘Aliku’. This style is traditionally performed around the fire, as…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…kids, over our equipment and through performers Part of our routine now is to have Vicki on top of one of the vans to get a good 3rd angle (much of the Acholi dancing involves circling a drummer, meaning you can’t see said drummer unless from above…) The Music Groups Rubanga Kingom (Awach Boys) Our first group was Rubanga Kingom (Awach Boys), a full Likembe band. They formed thirty years ago and their goal is ‘Edu-Tainment’, helping African childr…
A day in the field with Singing Wells News
…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…