A new type of city Story
…re was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala. Every night there’s music to listen to somewhere in the packed hub of 180,000 people . The image above of the tin houses and the Uganda House of Commons in the background was one of the first pictures I took on the trip….
The Boy with the Headphones Story
…course, this group of three young Batwa boys who were intrigued with all our recording equipment. Andy invited them to listen to a playback of one of the songs through his headphones and this particular boy overcame his shyness to have give it a try. We could see how hard life is for the Batwa, living on small pieces of borrowed land on the fringes of society but the performance of the Mperwa Dancers did not portray this – it was full of pride…
The origins of Singing Wells Story
…r two years of planning, the Singing Wells project was launched in March 2011 with our first field visit to Malindi to record the music of the Mijikenda. So, how did Tabu Osusa, one of Kenya’s most successful record producers end up in a remote Kenyan village, teamed with me, an American businessman, and a sound engineer from Gateshead? The Singing Wells project is a result of a chance meeting between two music labels on two separate continents. T…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…took a while to check in our 23 bags and convince them to let us carry our 11 carry on bags… Once checked in we then waited in visa line. No issues. By this time the flight is calling for boarding… There’s another line at the gate to go through Kenya security. Big queue and one very angry mzungu who was fed up. We all had to take off our very dirty boots which was unpleasant. Final line up to go through boarding gate which was a walk down stares o…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ally beaten a number of strokes depending on your age, in his case it was 300. Odika called it the ‘bush mind’, and sometimes even once soldiers returned that mind would come back again, in nightmares or in daily life. To help returning soldiers they were taken to Gulu Children of War Rehabilitation Centre for 6 months before going home, partly to make sure the rebels couldn’t find you in your home village but also to help the returning soldiers a…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…on. Matthew Watmon (above) is the leader of his group, which he started in 1991. The members are from all over Uganda, but generally perform music in the style of Acholi, as Watmon is originally from Kitikum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come…
An Evening with Mserego Mwatela Group News
…nally performed with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…ion by the government. We then hinted at problems. Rather than leave at 13:00 to travel to Kampala, we were forced back to Soroti with a broken wheel and only managed to hit the road again at 15:30. So we knew we were in for one of those ‘African Night Drives’ we so often do and so often swear we’ll never do again. We’ve decided night driving in Africa is like child birth. While you’re in the throws of it, you’re swearing to the lord almighty that…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…he second half of the day was, well, not so good. We needed to leave at 13:00 to get to Kampala before nightfall. No night driving is a Singing Wells rule given how scary the roads are. We actually left at 12:45 and got about 20 minutes outside of Soroti only to have a car breakdown. So we had to turn around and get back to Soriti for a quick welding (by a guy on the street in flip flops..). We didn’t leave Soroti until about 15:30, knowing we now…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…on her head and marches into the local market to sell a packet for about 2,000 Ugandan shillings ($1). By our calculation, that is a 15-30 kilometer round trip the market, giving her time to make two runs. Most of the women carry empty bottles and cans on top of the grass bundle so she can buy essentials, like cooking oil at the market. The thatched bundles are then sold at the market to businesses that are working on new thatched roofs or those n…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters, from very big grasshoppers to fairly intimidating beetles. Our recording sessions were part Singing Wells and pa…
ATTA is following Singing Wells News
…guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It se…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…d a ‘magic moment’ – there was even more rolling around then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okumu Jolly playing Lwangni. And finally, we recorded the Ndara with Omiya Charles playing Mbeta. We loved these musicians the fun of the traditional dances….
A day in the field with Singing Wells News
…hallenges. For our next field recording trip to northern Uganda (December 2012), this is the list of everything we will be taking with us: 2 Apple 17″ MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matched Pair of AKG C414 XL Microphones 1 Matched Pair of Rode NT5 Microphones2 Rode professional boom pole 1…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…f a typical performance and please watch the videos. There are typically 8-10 thumb pianos in any performance, ranging from about 20 inches down to about 6 inches. For this band, the ‘bass’ Likembe is played directly onto an over turned ‘tub’ so it resonates the low bass notes (later, with the Macedonia band, the bass Likembe was huge and stood on its own). The bass player is joined by a percussionist who will also pound the tub for the kick drum…
Northern Uganda: Day 2 – from Gulu to Acet Story
…and a team of performers – 6 groups with 20 members in each – and another 100 children. By the end, these two teams were joined by another group of 100 adults from the surrounding village. Our backdrop became not the cement buildings, but the faces and shirts of our three teams – we guess they were 350 strong at the peak. The Music Groups The main theme of the day was dance. All groups featured wonderful female dancers and two ladies in particula…