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An Evening with Mserego Mwatela Group News

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…have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance an…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…

How music archives can help communities News

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…tylistic traditions of old. The Klaus Wachsmann collection is being repatriated to Uganda at the Makerere University in Kampala. The curator of the music archive is Dr. Sylvia Antonia Nannyonga-Tamusuza who we will be meeting while we are in Uganda next week. Click here to link to the Klaus Wachsmann Music Archive.   References Ethnomusicology in East Africa: Perspectives from Uganda and Beyond Published in 2012 by Fountain Publishers, Kampala. Ed…

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…ve trucks zooming by you, typically with one headlight so they can pretend to be motorcycles and disguise the fact that they are mostly in your lane. Everything that could happen in life is happening on the shoulder in pitch dark only to be revealed at the last second – roadside picnics, car repairs, haggling about goats, egg selling, drunken fighting and weaving… The only light is your own head lamp, which in the darkness can only seek out object…

Northern Uganda: Day 4 – night recording at Fort Murchison Story

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…scrambling we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size…

Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story

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…ing around then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okumu Jolly playing Lwangni. And finally, we recorded the Ndara with Omiya Charles playing Mbeta. We loved these musicians the fun of the traditional dances. You got mad at the stubborn girl, you got sca…

Reporting back on recording trip to Kisoro, SW Uganda News

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…more songs, and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in Uganda and we are doing this through our continuing relationship with UOBDU. We were delighted to receive this message from Henry Neza, UOBDU Capacity Building Officer and our liaison contact with…

A day in the field with Singing Wells News

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…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…

Northern Uganda: Day 2 – from Gulu to Acet Story

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…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…

UOBDU report on Singing Wells visit to the Batwa, Kisoro Uganda News

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…o Kisoro to record the music of the Batwa. Since then we have been pleased to hear news updates from our friends and hosts at UOBDU about the Batwa communities we visited. This week UOBDU Coordinator Zaninka Penninah sent a detailed report to us with feedback about all the music groups who performed for the Singing Wells project. The good news is that being involved in the project seems to have given the groups a new and added pride for their musi…

Northern Uganda: Day 1 – Entebbe to Gulu Story

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…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…

The Tribal and Musical Structure of East Africa – Worldmap Research News

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…ng the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekeeping’, ‘The Map Outline’, ‘Prepare Your Data’. I met with Rosie to talk about her experience using the map for the benefit of Singing Wells. How did you discover the mapping software? I am currently reading medicine at UCL, but during my gap year I spend time doing work experie…

African Strings: The Nyatiti and The Adungu News

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…ns made functional. The harp is constantly evolving, and while in the past tortoise shell was used to make it, it is now largely made out of wood. They come in a variety of different sizes and are often played as an ensemble: Tradition: Traditionally, the harpist was the only musician ever allowed to play in the room of the royal ladies, whilst there would often have been a harpist situated in the Kabaka’s palace (the chief of the Baganda tribe in…

Day 9: Ketebul Studios with Ben Kisinja Story

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…at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Singing Wells musicians into the studio. Hunter and Jimmy will board our flight at about 11PM and with a 12 midnight wheels up, we will officially end…

Day 7: In Nairobi – sponsors, blogs and strategy Story

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…ensure the music we discover and capture from the field is truly relevant to new generations. We discussed in detail the twin mission of Singing Wells and the conflict inherent in our two goals. On one hand, we are scientists, collecting fossils to be stored and re-discovered. Here our obligation is to be systematic in our field visits, to represent the breadth of East African styles, to record fairly, and to not judge whether any particular grou…