The Boy with the Headphones Story
…Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we arrived, a group of women were gathered on a muddy terrace, washing their babies in a small plastic…
The origins of Singing Wells Story
…oject. We both knew we wanted to do something to preserve the music but it took us a while to define exactly what to do. Finally there was a eureka moment – the best thing we could do was to go the musicians, to their villages, to their homes and record them with their families. We would record them singing their songs to their children, three generations dancing together in their village. Andy Patterson, who helped design the mobile studio, noted…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…ough this line we lined up for Kenya airlines. We are our own queue and it took a while to check in our 23 bags and convince them to let us carry our 11 carry on bags… Once checked in we then waited in visa line. No issues. By this time the flight is calling for boarding… There’s another line at the gate to go through Kenya security. Big queue and one very angry mzungu who was fed up. We all had to take off our very dirty boots which was unpleasan…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…s of living as a soldier in the bush they didn’t expect him to run, and he took the chance as soon as the opportunity arose. Mostly, you were forced to walk in straight lines, with the abducted children in the middle line, so there was no way to escape. He also told us of how the rebels tried to train you into a soldier: to make you as angry as possible, alienating you, verbally and physically abusing you, to make you want to kill others. All they…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…kum, not far from Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watm…
An Evening with Mserego Mwatela Group News
…have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance and whether they feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance an…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…a group’s name, read their T shirts. 50% of the time their name is there (took us FAR TOO LONG to realize that). Remind everyone in the village it is okay for anyone in the audience to jump up and dance and sing. Too often the groups worry about that. We love it. And hens and goats are welcome to march across every sound stage. They help keep the music fresh. Never do a sound check on a mic until you’ve attached the mic to a cable. Steve had a ra…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…let them live and play music as neutrals. In 1992, the Uganda Army then re-took control of the area. One of their first acts was to go to each village and accuse them of collaborating, typically killing the men under the assumption that they must have fought with the rebels. For Joshua, this was a terrifying moment because the band was known to have played to the rebels. Again, a group of soldiers came into their village and again their mission wa…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…s near Acet.. Then there’s just everything else you can carry being hauled to and from the market on the heads of strong women and very strong little kids. It is illegal we suspect for a child of three and older to walk on the road without carrying at least one water jug on his/her head. You see in the distance yellow dots and you are guaranteed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying bask…
ATTA is following Singing Wells News
…their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…g we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters,…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…ing around then usual and the 150 kids around us had a great time. We then took the time to solo each instrument given the quality of the musicians. The started with the Rigi Rigi, where Owach Tartizio sang Obimo. We then featured the Adungu, with Okumu Jolly playing Lwangni. And finally, we recorded the Ndara with Omiya Charles playing Mbeta. We loved these musicians the fun of the traditional dances. You got mad at the stubborn girl, you got sca…
A day in the field with Singing Wells News
…st Hotel in Kisoro, Uganda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selec…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…e playing the ‘tuned’ their drums using fire (to dry them out) which was amazing to watch. They played: Wanencalo Munu Aciel Longo Luo Yee Luga Luga Kot Ngwer Cwe Here’s Wanencalo Munu: https://youtu.be/-vb_69xN7ZY Here’s Aciel Longo: https://youtu.be/A_iBiSJIrsQ Here’s Luo Yee: https://youtu.be/m-9CTn_zkKA Here’s Luga Luga: https://youtu.be/zTwZdHLQjUs And finally here’s Kot Ngwer Cwe: https://youtu.be/BVFzbppQ9Ig We loved their energy and record…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…