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Day 1 & 2: Preparing to leave for Kisoro, Uganda Story

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…c. Chief Sound Engineer: Commands the audio team and is in charge of input for all sessions and for completing all finished audio for that day. Assistant Engineer: In charge of set up/breakdown of set and assisting Chief Sound Engineer on day Trainee: Supports Assistant Engineer and takes tutorial from Chief Engineer during session. Chief Video Engineer: In charge of Stationary Camera and placement of Roving Camera 2 Roving Camera 1: In charge of…

Kenya (Coast): Day 4 – the road back to Nairobi Story

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…vocalists and instruments. We did an amazing job of archiving the full performance, in video and audio way. Going forward, we should work to use our second studio to capture individual sounds. On the video side, we need a main crew focused on the performance and a secondary crew focused on Selling Wells, archiving the stories of the music and the artists. TO: The pilot was a success and proved we were right – take the studio to the talent not the…

Kenya (Coast): Day 2 continued…. Story

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…n… Katana bin Kalama, with beautiful costume of shells… The Group prepares for their performance…   Sengenya The most energetic group by far, brought the house down, with wonderful dancing. Led by Munyaka Chimega, they danced in the style of Sengenya (which bears their name). Non-stop dancing, multiple songs and they didn’t want to stop (but we ran out of video!). Fantastic energetic dancers that we’ve only captured on video…. …and all the kids jo…

Day 1: The very first field recording day for Singing Wells Story

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…probably two dozen little kids watching. At close of day we were invited to some coconuts to celebrate the music Winyo with Coconuts Maddo, Chairman of Ketebul during our coconut break That’s it for now. This is only Day 1 of recording… we look forward to the next two days, 6 more groups, 3 more villages and of course 600 kilometres back to Nairobi. Jimmy  …

On the eve of our very first field recording trip….. Story

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…ing studio to record most of the concert. We’ll post this later. In the meantime, a couple of pictures: Winyo warms up with the Swiss Bone Guitar The Legendary Ayub Ogado …and his legendary goatee …and his legendary Nyatiti From left to right, Joyce, Alfred and Tabu. Joyce is from the Ford Foundation and supports Ketebul. Alfred helped introduce Ketebul and Abubilla This was an evening to represent everything Ketebul is about – bringing new East A…

Global song released to support SWP News

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Published in: News on funding

…Abubilla Music have released a truly global remix of an original song from their first album Six Months of Saturdays – it’s called 71 Hours to Monday and combines musicians and vocalists from Sao Paulo in Brazil, Nairobi and London. All profits from the sale of the track will be donated to The Abubilla Music Foundation to support the The Singing Wells Project.   Take a look and find out the story behind the song and the SWP:    …

Reflections on the pilot phase by Pato News

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…perform live and they did not disappoint. Later they were joined by Winyo for a performance which in simple words was icing on the cake The second group of the day was Zaire Ndidigwa led by Fundi bin Kalale. Their group had fewer members but their music was good and we enjoyed it. Just as we were winding up my friend Bado asked if he could do some of his own music. Backed by his dad and Winyo, the song they came up with was simply amazing. We wer…

Testing the mobile recording equipment News

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Published in: About Singing Wells

…ring the tour of the villages. And as I write this, it’s already in use in Brazil. Jimmy Allen and Mike Park (Abubilla percussionist) have paid a flying visit to Meninos do Morumbi, another project supported by The Abubilla Music Foundation. At the weekend, they recorded Samba percussion on the streets of Sao Paulo for the new, global version of the Abubilla Music song, 71 Hours to Monday. Check out Jimmy’s blog on their progress: Quick report fro…