The Entenga Drums: Part 1 Story
…visit in November. We helped ‘mix’ as we listened to the drums formally performed for the first time in almost 50 years. So, over the course of several months, the team created the drums, the drummers and their music. And on November 30th, at Kyambogo University, they revealed the drums to the Singing Wells team and an audience that grew and grew as they played. Here are four things we learned about these drums on Day 1: There are 15 drums. 12 of…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…gathered for big celebrations, the entire village took to the road to walk for miles to a central location. We walked all night. And we sang all night. The old people walking with the children, all of us singing. And now we have a nice road that probably gets us to that site in 20 minutes by car. But what have we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We sang every song we knew. We…
The History Of Benga Music: A Report by Ketebul Music Story
…Boys, Peter Mwambi and the current sensation, Ken wa Maria, among others. For the central region, the key shaper is undoubtedly D K Mwai. CDM Kiratu was another success in this genre. Joseph Kamaru’s experimentation with Benga was not as successful as his dalliance with mwomboko. D.K. influenced latter-day musicians like Albert Gacheru, John De Mathew, Timona Mburu, Wamumbe, and Peter Kigia. In Kisii, the most successful artiste was Christopher M…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s. We recorded six songs with him. Muhanna Mulando Obuyanzi Kali Munda Olubo Mary Queen John Nzanze One of the founders of “African Twist”, John enjoyed a major hit with ‘Angelique Twist’ in 1961. Born in 1940, he started playing his father’s guitar at 12. His band, Air Fiesta Matata, achieved fame, having come in third in the 1968…
Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story
…ied to an educated man. This song challenges the woman to get an education in order to be at par with the prospective spouse. We then wrapped up and took lots of final pictures, including of three children, practically our only children from the trip! We packed for a final time and departed for Nairobi. We made pretty good time to Ketebul music, where we unloaded our gear. Then we headed for the Fairview, a 20 minute drive that took about 90 minut…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…cation in a hut built specifically for the ritual. There they are isolated for seven days before the circumcision itself. The boys are then led by 3-4 men, their ‘God Fathers’ who are assigned to look after them through the ritual. In Lewis’s case, he had one God Father, who played a supportive role throughout. In Steve’s case, there were three men, who took on a ‘good cop’ and ‘bad cop’ role – one always helping and reassuring the boys, and the o…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…d musical styles. While this is being done, the video team picks the site (for best visual impact, performance area, quietness) and then audio and video set up as a single team. Song Recording The interview team then gives the gives ‘Mr Clapperboard’ the song list and introduce the group to the audio/video team. Mr Clapperboard then confirms each song with the group leader, writes down all group/song/take information, and kicks of song. In order,…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ambani District. 12 women and 2 men, formed in the 80’s and inspired to perform at political forum. The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga Kumbaka Asee The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…to our Field Reports. We spent our Saturday packing and preparing the vans for the trip. Let’s remind you of our team – we cheated and took photos from the trip that follows: Tabu Osusa STEVE KIVUTIA & PATRICK ONDIEK NICK ABONYO GREGG TWENDA LEWIS KOOME RALPH SIPALLA JONAH KEGAH KENNETH KIPSANG Message from Abubilla Music Foundation Team For this trip, we are Jimmy Allen (Video 2) and Andy Paterson (Audio 1). We spent our Saturday travelling from…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…ep and about hard working women. Unlike those days when women used to wait for men to provide for everything, nowadays, they wake up early and go to work. Olugend’olw’ebukakkata: He went to visit a village called Bukakkata. He found a girl who was seeing two men who didn’t know each other. She was still in her parents’ home so she was not allowed to be seeing men. One day, the parents found a man peeping through the window and canned him because h…
A Tanzanian Effort to Salvage the Music of the Past News
…it just about Tanzania; Benson also has a bigger point to prove about East African music. “Many people think that the only place where you can find really good African music is in West Africa”, he says. “We can say to people, hey, it’s not all about Kilimanjaro and the national parks. We also have cool music.” We wish them all the best, and hope one day to take a trip to Tanzania for a few recording sessions of our own! Check out the Tanzania Heri…
Central Uganda: Day 6: Kampala to Entebbe Story
…nda. Dr Albert Ssempeke, father of Junior was a legend. He was a palace performer for the King. Albert Jr’s grandfather was a palace gatekeeper and flute player in the palace. Albert Junior started to play at 10 years old and his father taught him all the main instruments – he plays the Enanga (harp, where there are only 3 master players) and the endongo (Bow Lyre). His best moment was playing for Ronald Mwenda Mutebi’s wedding in 1998. The band m…
Kenya’s Amazing Musical Instruments News
…d most important instrument in Luo music (though we also encountered it in central Kenya, where it’s called the Wandindi). When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the…
Interview: fusion band Ndoto Afrika News
…Why is the group called Ndoto Afrika? We represent a dream. A dream every African youth aspires to achieve. We represent the African Dream. Ndoto means ‘dream’ in Swahili, a local African language and Afrika is the Swahili way of spelling Africa. Why are you interested in branching from purely urban music to a traditional/ urban mix? The love for our motherland. There is a popular saying that ‘others call it the ‘Dark Continent’ but to us it’s ju…
Central Uganda: Day 5 – Jinja to Kampala Story
…r told him before he died. Ebibira: This song talks about the dangers of deforestation. The forest is where the spirits of the fore fathers can rest. If you destroy the forests, you destroy their homes so they will be loitering around and the living won’t have any peace. Omukazi Ow’omwano Tanoba: Tamenha Ibuga Nalufuka: This was an incredible dance number that ended with all the Singing Wells crew, and many of the hotel staff, jumping up and danci…
Central Uganda: Day 4 – Jinja Story
…e had two legends of Ugandan music visit us today) – Natha Matta Nyende performing for us with his band the Bakuseka Majja Matta Group. Nathan is 76 years old and has been blind since 1956. He formed his group in 1952. They play in the Kisoga style and are from Kasokoso in Iganga District. They are four members. Nathan plays the Endongo, which is the local name for the small thumb piano. Kirunda Awali sings and plays the Endere, which is a flute….