Mohamed Uthman Kidumbak Group Group
…usical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000…
Ayub Ogada Group
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Mr Bado Group
…very musical family, who have been singing and performing Mijikenda dance and music for generations. He is the son of the legendary mwanzele singer and composer, Nyerere wa Konde. He was greatly influenced and inspired as a child by his father’s Mwanzele playing as well as by Maulid Juma’s Taarab, and Bhalo’s Chakacha. He started singing in 1994 while studying in Mombasa, and is now an accomplished music producer in his own right, and he runs his…
Day Three: January 20th, 2019 Story
…/youtu.be/4PxbBqqxuUQ Group 2: Biluli dutwa: This group was formed in 1984 and performs in the Busumabudo style. Lake the Snake Dances we recorded during our last trip, this group is part music, part circus, part acrobatics. A wonderful crowd pleaser! We recorded five performances: Busumabuno Kulima: A song about farming Watoto wakalime Freestyle on Kulima Magic Moment Busumabudo, focus on percussion https://youtu.be/dHeTdA5m5gQ Group 3: Awilo: Th…
Aynu Traditional Group Group
…group are from the Lugbara tribe and play the adungu, the ari (log drums) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They…
Chibite Group
…Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: Streamlined. Malugaro: And a Magic Moment with Grace playing the Zeze (large stringed instrument). Throughout, they played stringed instruments, thumb pianos and drums – all four could play each instrument and sing. The instruments were: Zeze: The stringed instrument made fr…
Day Five: January 22, 2019 Mwanza Continued Story
…era Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eats al…
Here for the Music? Page
…ebul Studios in Nairobi. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet a…
Page
…, taken from our field recordings across East Africa over the last decade, and are looking to commission several artists, producers, dancers, videographers and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…r website here. We are very grateful to be partnered with such a visionary for the future, and protector of traditional East african music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can rea…
Fundraiser for Matthew Watmon News
…ondition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon…
Ketebul Music presents Shades of Benga Online News
…, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by…
Singing Wells Approaches 5 Million Views News
…s is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the kingdoms of Uganda 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…mother’s hut, etc… In this context, the knife is cutting away his old life and forcing him into a new life. Ruuji rukuru, led by John Gitoriga, means ‘old water’ and is a song to prepare a boy for manhood. Water is a cleanser so the water cleanses the boy and moves him from childhood to a new life. The boy is taken to one of the old rivers and hot mushrooming spring. Hence ‘old water.’ Remember that in all cases the boys are led to a river, covere…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…house with a Nile Special (and their daily supply of one Pringles can) in hand before midnight. It felt good to be back on Ugandan soil in the familiar environment of the Airport Guesthouse. An early start the next day meant not staying up long on arrival – little did we know that a thunderstorm of biblical proportions was on its way….. A Note About Our Sponsors We are very grateful to have two sponsors for this recording trip. Firstly, The Mara G…