Tracey Instrument Collection News
…he Elgon Ngoma Troupe, who are part of the Bagisu people. Here they are performing their pre-circumsicion ritual – something that the Bagisu people are known for. Endingidi bowed lute This lute is slightly smaller and of the Ganda people. It has only one string, made of twisted fibre. The first and second version are more decorative; the tufts of what looks like hair that can be seen on the peg side is the fur of the colobus monkey. Here is the Bu…
James Isabirye and Tabu Osusa Discuss East African Music News
…for aspiring to be an English man, not a Ugandan. She only wanted what is best for me, but this is part of a larger problem we have today. I’ve taught for 20 years now and my concern is that our entire system is training us to be like a white person from England or America, not to be Ugandan. The English and Americans don’t want to know me because I am like them – they know I am not. They want to know me because I am Ugandan, because I am differe…
SWP Uganda 2013 – our proposed itinerary News
…hrow Down Your Heart: Tales from the Acoustic Planet’ won the Grammy Award for Best Contemporary World Music Album. Day 7 & 8: Music of the Baganda and ‘Influences’ After five days travelling in the field we will head back to the city for our final two days of recording which will focus on the music of the Baganda and also the recording of new newly arranged songs for our Influences series. First, our Baganda musicians. We will be recording Albert…
The Key to Sustainable Aid in Africa? Perhaps we should follow the music. News
…ities. And most leading thinkers concerned with African development, argue for efforts to maintain village life, to work with people in a village, with all the support that entails, rather than to work with folks who are already displaced, on the move, entering the big cities for the first time (see the Millennium Village Project and some recent commentary about it – and here) The village is the preferred conduit for aid and support. With good wat…
What people say about Singing Wells News
…the world. I’m also the music editor for our films and now while searching for tracks for our Ugandan film. I’ve found your website – lots of respect for this work!” Josh Courter, Director, The Last Hunger Season “Hi Victoria, a friend, of a friend, of a friend, brought the Singing Wells project to my attention and I decided to reach out. We are producing a documentary film called The Last Hunger Season about 4 Kenyan farmers who are growing their…
Kampala traffic jam Story
We go to great lengths to plan the itinerary for our field recording trips so that we make the best use of the limited time we have. Steve K from Ketebul Music is our Africa Project Manager and he does an amazing job in the weeks prior to the trip, contacting music groups, booking local accommodation and arranging vehicles and drivers to transport us to some very remote destinations. But even Steve’s meticulous planning could not help us avoid…
A quick summary of the Singing Wells Project News
…is music to the next generation, to inspire them to look to their heritage for inspiration before they look elsewhere. We do this with ‘Influences’ artists… Like Winyo, an unbelievable Kenyan musician that was blown away by the music of the Batwa and couldn’t help but joining Jovah in song: 5. Singing Wells is about bringing together tribal music and wonderfully talented young performers like Akello from Uganda… We brought Akello to Northern Ugand…
The origins of Singing Wells Story
…been invited to a local town for a simple recording. Singing Wells allows for the whole group to perform, singing and dancing in front of ten microphones and three digital cameras.’ Video engineer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of music, bringing these talented musicians to my Nairobi friends.’ In ad…
Day 9 (AM): Ketebul Studio – Influences session for Cheri Story
…me Nyerere Wa Konde wrote a new part requiring a different bass and guitar for part of the song. They rushed into the control booth to offer something (remember, the leader is someone we discovered in the coast and recorded for the first time in March 2011 and now he is re-writing bass and guitar lines in Pro Tools). Their words are mainly about love so strong that they are willing to give her anything. They see her and want to give her the clothe…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…ration. Every village had a group of young musicians and dancers. Some the best percussionists were 12-15 years old. Most of the best dancers were teenagers. You felt the next generation is passionate about the music and it is not just ‘a thing your grandparents did.’ This is really important. The key is that the traditional songs are taught to the children in the villages and then that the traditional music permiates into popular music. Northern…
Promotion of Batwa cultural music: UOBDU report March 2013 News
…l Music Since April 2012, UOBDU started implementing a project responsible for promotion of Batwa cultural heritage, supporting the performance of music and drama to local audience and to allow UOBDU to monitor and update the performance of the groups visited by The Abubilla Music Foundation. During the visit the members met six Batwa dancing groups from different communities which includes among others Birara, Mperwa, Kanyabukungu. Mikingo, Gater…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…rd. Jimmy and Pato have had this happen too often. Always set up the truck for Vicki before you arrange seating for children. This is a new practice. We’ve found that setting up camera 3 on top of one of our vans gives us a very good new ‘context’ perspective. Equally, it involves solving a rather elaborate puzzle of guiding a truck through a maze of equipment and children, while ensuring it doesn’t end up in ‘the shot.’ Assume two trucks with 11…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…y their blood lust against the next village where 20 men were slaughtered. For three years, the ‘village band’ played for the rebels and were visited by all the leaders. They refused, however, to play rebel songs or support the rebel side. They said over and over again the music was neutral and only had alligience to Uganda not to one side or the other in the war. There were lots of scary moments when rebels would try to force them to declare alli…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…as a chicken to sell you and the poor creature is swung around by its feet for hours and days before being sold. Every ninth person is selling nuts or grasshoppers from a bucket or woven basket. Every seventh person is selling fruit of some type from a woven basket,. Every fifth person is sitting next to a blanket that is laid out to display their wares. You get a lot of blankets with eggs, but sometimes sunglasses, nails, electic sockets, rusty t…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…the fire light, and the flickering flames add mystery and drama to the performance. For some of the music, and we thought about Oramba yesterday, the song are fireside songs. Oramba is a hunter and the song is about the village wondering whether he will come back with a kill. Oramba is fierce, running around with a spear, lunging at the audience. Think about what that would be like for the children as Oramba drifts into the shadows only to fly ou…
Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story
…Omiya Charles playing Mbeta. We loved these musicians the fun of the traditional dances. You got mad at the stubborn girl, you got scared when the hunter returned and you celebrated for the new chief. On the way to Fort Murchison where we were staying, we saw some spectacular stormy scenes as we crossed the River Nile:…