Ayub Ogada Group
…he 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and playing in a foreign…
Kizazi Kipya Kidumbak Group
…A. He met us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus…
The Music of the Mijikenda Album
…ngwara – both recorded in the village of Sila. The next day saw 4 groups – and all are included here. Chechemeko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album…
The Kalenjin of Kenya Album
…onies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Pro…
Mr Bado Group
…and music for generations. He is the son of the legendary mwanzele singer and composer, Nyerere wa Konde. He was greatly influenced and inspired as a child by his father’s Mwanzele playing as well as by Maulid Juma’s Taarab, and Bhalo’s Chakacha. He started singing in 1994 while studying in Mombasa, and is now an accomplished music producer in his own right, and he runs his own studio in Watamu called Bado Records, where he records his own music…
Buganda Music Ensemble Group
…as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This is about twins Wasswa and Kato, and praising twins. “Anamwinganga”: This was a piece composed by Albert’s father in 1945 and recorded in the 1960’s. It talks about who will attack the kin…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…s and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Fundraiser for Matthew Watmon News
…ondition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon…
Ketebul Music presents Shades of Benga Online News
…, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by…
Singing Wells Approaches 5 Million Views News
…wing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
A quick summary of the Singing Wells Project News
…nd has returned to host villages of peace and music. We met the Macedonia band and the leader told us a long story, which I will do no justice to in a few words. During one of the rebel movements, the rebels came to his village. The typical mode of operation on these visits was to kill the adult males, seize the boys for fighters and hurt and abuse the women. The band leader tried to convince the leaders that he was a man of peace and music and hi…
73,603 views on YouTube News
…Is second place is a video from our field visit to Kisoro in south west Uganda where we met and recorded the wonderful Batwa people. The music is performed by Kamuntu ‘Tiny’ Moses accompanied by our Influences artist Winyo. And in first place with over 21,700 views is ’71 Hours to Monday’- a global track from Abubilla Music featuring musicians from Sao Paulo, Nairobi and London which was produced to support the launch of the Singing Wells pro…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…here’s a typically day of ‘file management.’ Nick starts by going ‘audio’ and Andy or Steve answers “rolling.” Then for some reason, due to Patrick’s strange way of talking, Nick then says ‘Camera 1?’ and Patrick answers “Camera 1 is speeding”. We have no idea why, but it means that Jimmy and Vicki have to respond with “Camera 2 (or 3) is speeding.” Now with all systems go Nick starts with ‘This is Macedonia with their fourth song Uganda Land of…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…o or a drum and all claimed they were members of Macedonia. The Macedonia band and the song Uganda, Land of Freedom was known by everyone and served dozens of times to spare someone a fast execution as a collaborator. We then arrived at Joshua’s village. It was the most beautiful we’ve seen with four-five small thatched huts, each painted with patterns. There was a large clay oven in the middle of the village and the whole grounds were landscaped…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…of cows, sheep, goats and chickens found along the road, somehow connected and protected by a distant owner. And then there are the bikes, generally falling into two categories. There’s the rideable load, where the bike is carrying simple things like doors, coffins, gates or water bottles and the bike rider is still able to pedal. Then there’s the un-rideable bike. Here the owner is more aggressive and the bike might be carrying a bed, a large gat…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…the case and it shouldn’t be surprising. Most good musicians play off the band and if you ask them to play the song just with their part find it all a bit strange. So too for African village groups. They don’t go into studios and ‘lay down their track’ in some great over-dubbing session. They perform with a troupe, and they feed off of and help drive the dancing and the other instruments. The song Apako Oranga had an amazing Ndara riff and we want…