The Kalenjin of Kenya Album
…onies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Pro…
Kizazi Kipya Kidumbak Group
…A. He met us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus…
Richard Sewanyana Group
…song of any of the ones they had been playing since he joined the palace. And he couldn’t. And they were very mad because he had taken a salary as a player and they felt he was a robber. So when my father realised he had been found out and that he wouldn’t replace his father there was a panic and a desire that I go to the palace to replace my grandfather. So I played in the place of my grandfather for about two months, but then there was suddenly…
Buganda Music Ensemble Group
Buganda Music Ensemble: founded in 2004 and led by Albert Bisaso Ssempeke Jr, son of the legendary Dr. Albert Ssempeke Senior. Music style: Kiganda Song Meanings “Ggangalwa”: A king servant tried to play with the princess. All women in the palace, however, are controlled and possessed by the king. He was punished by cutting off his fingers. His friends eventually found out due to all the rumors circulating the palace. They tried to ask him abo…
The Music of the Mijikenda Album
…ngwara – both recorded in the village of Sila. The next day saw 4 groups – and all are included here. Chechemeko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album…
Day Three: January 20th, 2019 Story
…ocal women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park…
Day Four: January 21 2019 Mwanza Story
…chele Sanaa Group: This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and h…
Mr Bado Group
…in the coast region, earning him a performance slot at Safaricom Live in 2010. He has performed internationally, including in the USA as part of the Smithsonian Folklife Festival 2014. He released his album Kama Kazi with Ketebul Music. He mixes an impressive combination of styles, and part of his mission is to help preserve styles such as Taarab which are fading on the modern music scene. To do this, he performs at cultural events with his fathe…
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Tarajazz Group
…rom Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the grou…
Ayub Ogada Group
…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…
Day 1: Saturday, 2017 February 18th Story
…Wells, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but we have been blown away by the richness of the traditional music in these two countries, so we kept going back. We are very excited now to start our work in Dar es Salaam and Bagamoyo on this trip but also recognize this is tip of the iceberg. We think we will be spending next 3-4 years coming back to T…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…s and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Fundraiser for Matthew Watmon News
…ndMe page: https://www.gofundme.com/f/support-mathew-watmon The donors of Abubilla Music Foundation, who support the Singing Wells project, will match these contributions up to £1000 so we greatly appreciate your support at this time. We are sending our prayers to Matthew and his family in this difficult time….
Ketebul Music presents Shades of Benga Online News
…de their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the it…
Our journey to the Royal Drums: in the words of James Isabirye Story
…are? This matter has concerned a circle of my friends deeply since around 2003 and we’ve all tried to deal with it. I have a circle I talk to all the time about this, including Julius Kyakuwa, Centurio Balikoowa, Haruna Walusimbi, Sarah Mukyala and Cornelius Mwima. We all understand that without intervention, somehow, all this music – all this culture will die. But we also know that the issue will always be resources: how do we bring new resources…