Northern Uganda: Day 2 – from Gulu to Acet Story
…ging Wells 2012 shirt! He also got one of our Polaroid pictures. This is a new innovation for us – every group gets to listen to their song back during their performance and we take a Polaroid photo of each person so they can take a photo home. Then a quick 50 kilometer ride back to Gulu (smile) taking photos the whole way home of great road scenes. We then bought some Ugandan instruments in Gulu and William, Akello and Hannah feasted on some gras…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…spend time doing work experience in preparation. I was introduced to this new way of displaying data when working for the Virtue Foundation in 2011. They were keen on this new technique and trained me to use it for mapping health data in Ghana (example shown below). This was in collaboration with Harvard University. Following on that I spent some time working with the GIS department at Harvard in Boston specifically learning how to use the mappin…
African Strings: The Nyatiti and The Adungu News
…f the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today, through The Influences Series. Some of my favourite prominent Benga musicians of today are Ogwang Lelo Okoth, Musa Juma (below) and Dola Kabarry (below). Instrument: The nyatiti has 8 strings and is usually played sitting down on a three-legged stool known as the ‘Orindi’, it can be as low as shi…
Day 9: Ketebul Studios with Ben Kisinja Story
…bal Remix, our 2012 fund raising song. We had Prasad Velankar, a wonderful Indian percussionist join us to put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rushed to the airport. The Ketebul crew continued to work in the studio, led by Jessie who loves bringing Si…
Day 7: In Nairobi – sponsors, blogs and strategy Story
…ting with contemporary studio musicians and sound engineers ready to bring new arrangements. The sponsors discussed that these missions are sometimes in conflict. If we spend too much of our time showing videos of more traditional tribes singing traditional songs, we might turn off the young audience we are trying to attract. Like kids everywhere, they tend to reject their parents’ and grandparents’ music, hoping to discover new music they can uni…
Day 6: Recording the Tugen & back to Nairobi Story
…The Music Elimu Cultural Promoters Our first group was the Elimu Cultural Promoters from the Tugan tribe. They are a collection of women from little villages scattered around the Kabarnet area and they want to promote good values of culture and education. They were all dressed in brown, almost terracotta, outfits looking like the red clay we love so much. They make all their own costumes and sew on all their own beadwork. They wear a belt of 5 ro…
Day 5: Recording the Marakwet Story
…bumped and jostled for about 80 kms. The land is tilled now, waiting for a new planting season, so we are surrounded by red. The red roads, the red tilled soil on either side, the red dust filling our eyes and lungs as cars pass us. We have the opportunity to interview Tabu in detail about his ancestry. The only issue was, the more animated he became, the slower we went. So we knew that the more interesting the trip the longer it would take and tr…
Day 3 continued – an interview with Steve Kivutia Story
…that same year he met Tabu through a friend who sang with Tabu’s band, He knew of Tabu because of his legendary status within Kenyan music. Tabu invited Steve into a meeting where he brought some songs he had worked on. Steve was still a big Hip Hop fan and loved R Kelley. He also liked Salif Keita, an afro-pop singer/songwriter from Mali, his only ‘African music’ influence. Steve’s first job at Ketebul was as an intern working with Jesse and Gabr…
Day 3: Kitale to Kapsokwony, Kenya Story
…– clearly taken from 50 Cent, but taking the Kalenjin love of cattle to a new level. 50 Cows is a local journalist and student at United States International University (USIU). The Music Groups Ben Kisinja First up for recording was Ben Kisinja, a wonderful guitarist in the typical Kalenjin style. Tabu describes this style as very traditional and the way of singing is very unique to the Sabaot clan of the Kalenjin. The guitar is called a burkandi…
Singing Wells – Origins News
…a few Skype calls, we agreed to start the Singing Wells project. We both knew we wanted to do something to preserve the music but it took us a while to define exactly what to do. Finally there was a eureka moment – the best thing we could do was to go the musicians, to their villages, to their homes and record them with their families. We would record them singing their songs to their children, three generations dancing together in their village….
Day 2: Nairobi to Kitale & an interview with Pato Story
…011 Jovah – Ye Warararaye by singingwells We asked Pato whether he always knew he would be involved in music. “No, but from high school I knew I was going to be working on videos. And music is my life. I started listening to Joseph Kamaru when I was growing up in the Ngara Estate, another part of Nairobi. He was the biggest Kikuyu artist around and would walk around our area with a guitar and play to all the little kids. My brothers all love salsa…
Day 1: In Nairobi, packing and talking to Tabu Story
…o use the new lighting kit (SW 4), but he was constantly distracted by the new Singing Wells Flip Camera. Nick focused on learning the Clapperboard. And Willie joined Jimmy in the studio with Johnnie, the guitarist, to lay down some guitar tracks for the new fund raising song, Missing – Global Remix. An interview with Tabu The the midst of all the packing chaos, Hunter and I had a chance to talk to Tabu, the head of Ketebul and a music producer wi…
How to Map 3: Prepare Your Data News
…o the country outline shapefile. Export the joined data and shapefile as a new shapefile. Display the data. Prepare the data To demonstrate I’ll be using some nonsense data about the number of unicorns in each county of Britain, but if you’ve been following along using a different country and your own data then carry on with that. If you want to make your own nonsense data then this site will generate you some random data. Select CSV (basically Ex…
How to Map 2: The Map Outline News
…al data at http://www.diva-gis.org/. To get your spatial data you click on Free Spatial Data in the top-right corner. On the Free Spatial Data page click on country level data. On the Download Data by Country page, select the country you need and make sure the Subject is Administrative areas. There is other data available for free download from this page, such as elevation and population density, but for our purposes we’re only interested in admin…
Victoria’s reflections on the music of the Batwa Story
…mfort zone’ and be shown life from a completely different angle. It puts a new perspective on your own life. Hopefully it prompts some positive action. Secondly, it was so good to meet the Ketebul team after many months of emailing. And now I understand much more clearly about the impact the Singing Wells project can have in East Africa. I can see that it’s so much more than a project to record and preserve the traditional music of the region. It’…
How To (Arc)Map News
…t more here. You can also check out their non-profit organisations’ scheme, which allows registered charities access to software for free. CLICK HERE TO GO TO THE FIRST POST…