Tarajazz Group
…akame, who studied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to…
Super Phoenix Band Group
…about a girl that left her husband because he was too poor. She went away and earned lots of money and returned to him. He realized that she did love him but needed them to have more money so he was grateful on her return. Imbalekha: This is about very bad men who chase all the married young women from their village. They make life very difficult for the women and gossip all the time. Achitsa: About a father who was very proud of his daughter and…
Unyago Group
…i Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her there from all over. The other members included: Fatima Juma (dancer and singer), Raya Abdalla (drums), Fatima Hamza (drums) and Tatu Hamisi Amur (please note she was in all three groups). The drums include: the small squat drum (Fumi), a very t…
Kizazi Kipya Kidumbak Group
…A. He met us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dancers and chorus…
Richard Sewanyana Group
…song of any of the ones they had been playing since he joined the palace. And he couldn’t. And they were very mad because he had taken a salary as a player and they felt he was a robber. So when my father realised he had been found out and that he wouldn’t replace his father there was a panic and a desire that I go to the palace to replace my grandfather. So I played in the place of my grandfather for about two months, but then there was suddenly…
Aynu Traditional Group Group
…n earth by spirit (the creator of men). Spirit created a man (gboro-gboro) and a woman (meme), and then domestic livestock. Meme had wild animals in her womb so that after the gazelle had broken out all animals followed from her womb. Man was the last to come out. The first human beings are said to have been twins: Arube and O’duu. Arube was a boy while O’duu was a girl. These twins, unlike their parents Gboro-Gboro and Meme, were believed to have…
Day Four: January 21 2019 Mwanza Story
…as poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with ‘modern’ music on speakers. https://youtu.be/uRfFn7ZgUrU Group 2: Camera: Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlie…
Here for Research? Page
…hey are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into…
Ayub Ogada Group
…e spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued prac…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…s and Social Sciences, Kyambogo University, Uganda. His research interests include: social constructivist learning and teaching, decolonization of music and general education, and the roles of indigenous practices in those processes….
Fundraiser for Matthew Watmon News
…ondition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). If you are based elsewhere in the world, we have created a GoFundMe page: https://www.gofundme.com/f/support-mathew-watmon…
Ketebul Music presents Shades of Benga Online News
…, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from Ketebul Music Studios or place your order by…
Singing Wells Approaches 5 Million Views News
…wing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…identified a whole set of extraordinary musicians from our 2013 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the kingdoms of Uganda 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Mwiti. The group was in beautiful costume and so energetic – to be frank, and in contrast to Uganda, we don’t get a lot of young people in the groups in Kenya, and it is rarer still to have young men. It was a great pleasure to have such energetic dancers, taking us through the ritual dances of circumcision. The Ritual of Male Circumcision Before talking through the songs, let’s step back and talk through a ‘typical’ circumcision ritual. This is…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…0. It was great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the…