Northern Uganda: Day 2 – from Gulu to Acet Story
…and a team of performers – 6 groups with 20 members in each – and another 100 children. By the end, these two teams were joined by another group of 100 adults from the surrounding village. Our backdrop became not the cement buildings, but the faces and shirts of our three teams – we guess they were 350 strong at the peak. The Music Groups The main theme of the day was dance. All groups featured wonderful female dancers and two ladies in particular…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…ked lunch. We drove. We drove. And we raced faster and faster to make it to Gulu before DARK, our true horrible enemy on drives. Darkness just fell as we hit Gulu, which was fine, as we slowed right down and joined the chaos of the Gulu city center. We pulled into our hotel at around 1910, only 10 minutes or so after our target time. We pulled into the Acholi Inn, unloaded all the equipment to our rooms and quickly feel into a dinner of Nile Speci…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…e changing, however. Since the Female Genital Mutiliation or ‘FGM’ Act in 2009 the practice has been on decline, but this year in particular Pokot men have come to women’s aid by rejecting the practice. There were reports in February of this year of men demonstrating with large placards against FGM. One man, Mr Lotolim, a resident of Jumbe village in Amudat District, reported that Pokot men often only resort to polygamy because their first wives h…
African Strings: The Nyatiti and The Adungu News
…arly around the valley) you can find many instruments that date back over 5000 years, many, like the nyatiti, are also found in Egyptian hieroglyphs (right). The Luo people are related to the Acholi people of Uganda, a tribe we will come across in our next field visit. They play a similar instrument called the Adungu. Style: As music is mainly functional for the Luo, traditionally a nyatiti player is called upon to play at weddings or funerals, as…
Day 9: Ketebul Studios with Ben Kisinja Story
…writing blogs, organising strategy through 2014, sorting through about 10,000 receipts of expenses (we run a very tight shop, thanks to Steve’s leadership), we welcome Ben into the studio to record. The Otacho Young Stars stayed the morning as well. We had a full crew to support Ben – Johnnie and Bishop on guitar, Nina and Winyo on vocals. Watch this space. We also continued our work to capture new artists for Missing – Global Remix, our 2012 fun…
Day 7: In Nairobi – sponsors, blogs and strategy Story
…nd will be a key issue we address as we put forward the next draft of our 2012-2014 Strategy. We worked the afternoon on writing blogs for all the interviews and field visits, including all our song translations. Kathy brought back a full work book of notes. We have realised the growing importance of our ‘field interviewer’ who now spends as much time with the groups before and after their recording sessions as we spend with them recording. We are…
Lugbara Tribe Profile – Music of Northern Uganda News
…ing our fieldtrip in the towns of Arua and Pakwach) Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances…
Day 6: Recording the Tugen & back to Nairobi Story
…yre. This moved our departure time from the two hotels (Eldoret Club and Pine Tree) from 8am to about 9.30am. The tyre had a damaged tube that just wore out. We reassembled and headed off for a spectacular trip from an altitude of 2,800m down to 1,114m at one of the floors of the Great Rift Valley. The roads were more winding and steeper than on our trip to Rwanda last November but there was no rain and there were guard rails on the roadside which…
Day 5: Recording the Marakwet Story
…it has become the legendary source of great long distance runners. Over 1,000 Kenyan runners train here and the roads are filled with athletes training for London 2012. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters)…
Day 3 continued – an interview with Steve Kivutia Story
…e was born in Mata Hospital and sent to Maseno Highschool, graduating in 2000. During school he loved Alpha Blondy, a reggae artist from the Ivory Coast, but also loved Hip Hop. He took a gap year and the joined a university to take computer classes in 2002-3. He tried to join the Air Force but his mother wouldn’t let him sign up so he joined Creative Edge a graphics design firm, and then Smoke and Mirrors a multi-media company in 2003-2004. In 20…
Day 3: Kitale to Kapsokwony, Kenya Story
…ally two sticks on the ground played by two sticks. Tabu first met Ben in 2007, when working on Spotlight on Kenya Music Vol.4. He sang a song called ‘Kiseete’ on the album. (Interestingly, our second group today, Chebonet, played Kiseete, which is clearly a communal song of this community). Ben recorded 8 tracks with us, including a fantastic Influences track with Eddie Grey, a musician who joined Ketebul Music in 2011. https://youtu.be/ot3xNHqm7…
Singing Wells – Origins News
…ic labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons I can’t fully explain, contemporary East African music has lost touch with its tribal roots. Our most popular musicians find far more inspiration in western music than they do with East African music. I worr…
Day 2: Nairobi to Kitale & an interview with Pato Story
…ough Nakuru and Eldoret on the way. Last night, we agreed a late fee of 1,000 bob a minute for anyone arriving at the studio after 9 am. Money talks and the whole crew were there by 09.00. Everyone. That‘s the good news. The bad news was no one brought a key for the studio, forcing Tabu to have to drive home and back. We left an hour later. Drive good, but long (roughly 400 kms) with a few little thunder storms and the normal fun with roadworks an…
Day 1: In Nairobi, packing and talking to Tabu Story
…The plan tomorrow is to travel up the Great Rift Valley to Kitale, about 400 km northwest of Nairobi. In Kitale we’ll record the Sabaot. The next day we will drive to Kapenguira to record the Pokot. After that we go to Eldoret then onto Iten and Kapsowar to record the Marakwet and Keiyo. The last day to go to L Baringo to record the Tugen. Tabu is not sure what to expect of the tribal music in the villages we are visiting but he is always surpris…
How to Map 3: Prepare Your Data News
…we downloaded three shapefiles of different administrative levels, called 0, 1 and 2. Administrative level 0 is the outline of the whole of the UK. Administrative level 1 is the outline of the countries within the UK – England, Scotland, Wales and Northern Ireland. Administrative level 2 is the outline of the counties of those four countries. To keep things clear, ‘counties’ will now be referred to as adm_level2. Our data is going to be regarding…
Victoria’s reflections on the music of the Batwa Story
…s like Jimmy suffered the biggest attack) and the studio is set-up for a 9.00am start. Things run a little late (we’re becoming accustomed to delays) as we wait for people to arrive and when they do we start another full day of recording. As we are at the hotel, some of the other guests gather to see what’s going on outside under the verandah where we have set up the ‘studio’. They can hardly believe their eyes – and ears – and are delighted to wi…