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From African Twist to Benga News

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…ders of Benga, the African Twist, Luhyia ‘Omutibo’ and the ‘Yoddeling’ sound adapted by the Kikuyu musicians of the ’60s. We dedicated six days of studio time at Ketebul Music in Nairobi to record this set of legendary musical artistes, all of whom are now in their 60s and 70s and are critical to Kenyan music history. We are very proud of this unique album and hope you enjoy listening to the ‘old masters’. Our recordings are particularly poignant…

From the streets of Kisoro Uganda to a professional recording session… Story

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…Tiny Moses, backed by Winyo, plays guitar and sings in the Ketebul Studios in Nairobi. We discovered Tiny Moses during our visit to Kisoro Uganda to record the Batwa trips. Along with Francis and his wives and Jovah, we brought Tiny Moses and his team back to Nairobi to record them in a professional studio. Johnny and Bishop, on guitar and bass respectfully, joined Winyo to help Tiny Moses. Go here to listen to the result.  …

The repatriation of Kenya’s music heritage News

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Published in: News & Views

…being returned to the communities in which these songs were made in the 1950s by English ethnomusicologist, Hugh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells pr…

The lovely painted faces of the Marakwet tribes in the Rift Valley Story

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…This is one of the beautiful singers from the Sagat Traditional Dancers; we recorded them on March 7, 2012 during our trip through the Rift Valley, Kenya. Her white dots represent the soil and the harvest; their beads are traditionally given to them after female circumcision. These dancers had walked over 50 kms the night before to make sure they arrived in time for the recording….

Current Leading Figures News

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Published in: News & Views

…ol services, annual university graduation ceremonies to a crowd of over 40,000 people, and perform every Wednesday to each other during a recital hour. However, when asked if they record their own music, James says “We lack good equipment to record the music professionally but it is an idea that requires serious and immediate consideration. ” NACOFU, which he is a member of, is attempting to address this problem – to document folk music – but is c…

Music Depositories and Archives around the World News

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Published in: News & Views

…nd Andrew Tracey Collections available for online access. There are over 12000 30 second recordings from the 1930s, 40s and 50s. The archive grants access to anyone who is interested and is not restricted to academic or research purposes. The physical archive at Rhodes University is open normal business hours, unless special arrangements are made. 2. Global Music Archive This archive is housed within the Anne Potter Wilson Music Library in Vanderb…

A History of Recording East African Music News

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Published in: News & Views

…Fellowship grant to study South Rhodesian music, with which he made over 600 recordings, and inspiring traditional English musicians, Ralph Vaughn Williams and Gustav Holst, at the Royal Academy of Music, who urged him to “discover every chord” of traditional African music, Tracey ran out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realise…

ILAM, Repatriation and Jimmie Rodgers/Chemirocha News

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…zens of influences on village life, from rites of passage that trace back 100’s of years, to record albums accidentally left behind by passers through. That doesn’t ‘dilute’ the music, it makes it abundantly more rich and interesting. We live in a world of musical circles. There is no doubt that Jimmie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. W…

James Isabirye and Tabu Osusa Discuss East African Music News

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…other issue. Part of the problem we have is our ‘everything now’ culture. 50 years ago, if you got a job, you knew that if you worked hard and stayed with the job and got promoted you could buy a home for your family, or a car. Or help your children to be educated. Once you got a job, you knew not to lose it. Now people work for a little bit and then quit and they complain about how hard life is. I tell them, “Why did you stop the job? You just lo…

Ketebul Music: A Year in Review News

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…ur people a sense of history. Our partners are Hivos, Phat Magazine, Kiss 100 (every Sunday they host two artists from us and talk about the music, etc..) etc… and we will be the main stand, talking about music through a set of panels. Everyone wants to be involved. One major project we still need to finish is Kenya at 50, both a documentary and coffee table book – which presents 50 years of music. We still need to finish this. A gentlemen named A…

Report from Womex 2013 News

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Published in: News & Views

…particular suprise here – in a population of 1.2 billion, 50 % are under 30 and consuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Ver…

The Birara Batwa Community Story

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…he Birara Dancers did not end in Kisoro. We left Uganda and headed back to Kenya for a second week of field recordings (Music of the Luo) but we could not forget the beautiful voices of the Batwa music groups. So we decided to invite a group to the Ketebul Music studios in Nairobi to record more Batwa songs and others for the the Influences series. Since our visit to Kisoro we have been in regular contact with the local NGO the United Organisation…

Group of the Month – Otacho Young Stars News

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…ncountered the group on our trip to record the music of the Luo in Western Kenya in December 2011. Up to that point, we had had a bad day – which included Andy taking the collected rainfall of the past hour, in the face from the roof of the tent…. We then moved from our original recording location to the DRC – not the Democratic Republic of Congo, but Dinky’s Resort Club, down the road in Rongo. We set up the recording gear at the back of what loo…

The Key to Sustainable Aid in Africa? Perhaps we should follow the music. News

…a Host of More Urgent Problems: When Tabu and I started Singing Wells in 2008, we were passionate about its mission: to record, archive and share the traditional music of East Africa. Our twin goals were to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences. The last five years has only re-enforced our commitment. On our first goal, we only have to rem…

What people say about Singing Wells News

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…fferent ethnic groups and cultures.” Christine Kamau, Afro-Jazz trumpeter, Kenya: “Thanks for getting in touch! I have checked out your project…it’s great that you are dedicated to keeping indigenous music alive. Very best wishes and I hope we can keep in touch.” Scott Mathews, Music Producer, California: “…what you are doing as a non-profit is very special and soulful. I firstly want to congratulate you on your efforts and achievements and second…