Kenya (Coast): Day 4 – the road back to Nairobi Story
…ditional music and new music. And this is going to kill our traditions. In South Africa and West Africa, the best modern artists are completely rooted in the heritage of their country. Their music is fresh and relevant, but the traditions are completely built into the song. You can hear the instruments, the rhythms, the harmonies, the melodies. Our young artists want to sound like 50 Cent. They seem almost embarrassed by the village music. This te…
Kathy’s reflections on her Singing Wells experience News
…ease. It would also be useful to have a debrief afterwards to see how they felt it went and if they have any comments. I hope to go back to other areas of East Africa to hear their stories and music but especially to meet the people. Kathy Allen March 2012…
Kenya (Coast): Day 2 continued…. Story
…realised all our fears were misplaced … another wonderful village of East Africa, simply loving their music. Supaki Kalazi Our first group was Supaki Kalazi led by Katana bin Kalama playing in the Mwenzele style. Wonderful dancing, costumes and percussion… Katana bin Kalama, with beautiful costume of shells… The Group prepares for their performance… Sengenya The most energetic group by far, brought the house down, with wonderful dancing. Led by…
Day 1: The very first field recording day for Singing Wells Story
…ssion then is to help create an East African musical identity to rival the South and West African successes. We had a taste of what this could be on March 29th in Sati, when Winyo joined Bado and his father, Nyerere wa Konde, to do a new song. Bado participates in his dad’s group, but separately records his own music. Bado’s music is great, propelled by his wonderful voice, but it’s American-sounding and could have been produced in LA. We asked hi…
Mufu Ndosi-Luvai – Crave Music News
…“I’m glad I came across Singing Wells. The production team goes all out to unearth East African traditional music, giving account of the people’s past and present through music. The recordings are a valuable treasure, since a lot of traditional African music often goes un-notated. Singing Wells is the much needed portal for ethnomusicology research in East Africa.” Publisher, Crave [music] Magazine. …
The Kalenjin & Kenya’s elite athletes News
…sn’t cool’ to listen to it otherwise! She started appreciating traditional African music from Western Africa. Now she is much more interested in learning about traditional Eastern African music and her roots. She has been following the Spotlight series produced by Ketebul Music and first met Tabu in September 2011. She is interested in using traditional music from the Kalenjin tribes for her documentary about Kenyan runners. She says that other fi…
Best of Singing Wells 2011 News
…formances to YouTube (so far). Every performance was unique and special – we loved them all – so picking just 10 songs for a ‘Best of’ album was not easy. Here are our final choices….it’s just a small reflection of what was an extraordinary year of recording music in East Africa. We hope you enjoy listening. Please get in touch and let us know what you think. Just send us an email – we’d love to hear from you. Email Victoria You can see and hear m…
Why “Singing Wells”? News
…life of the Samburu tribes people. We think that ‘Singing Wells’ is a very good name for our project which aims to preserve, celebrate and share the unique music traditions and heritage of East Africa. More on Kenya’s singing wells BBC World Service video on how the singing wells in the village of Daaba have changed the life of the local community: …
A Year in Review March 2011 – March 2012 News
…eld recordings (up to 8 microphones and 3 digital cameras) throughout East Africa. PROJECT BENEFITS TO EAST AFRICA : We are on a journey. When we started, we knew the critical importance of capturing the cultural legacy of East Africa with tribal music, before it was lost to all of us forever. We were reminded of the importance of this in December, when one of the most extraordinary musicians we’ve recorded, Okumu K’Orengo, died only weeks after o…
Guy Morley – No Nation News
…Guy Morley is music programmer for the Big Chill festival – one of the highlights of the UK’s cultural calendar, and is the founder of No Nation, an independent arts programming, production and promotion company. No Nation has developed links across East Africa and has recently worked on a project for Sound and Music looking at the influence of early American country music in Africa. …
AMF receive grant to fund Batwa recordings News
…identify, record, preserve and promote the cultural music heritage of East Africa. In taking the project to Uganda to document and record the traditional music and dance of the Batwa, we can help to stem the tide which is threatening to obscure the music traditions of this ethnic group. The SWP will ensure that the unique sights and sounds of the Batwa are fully and professionally documented, preserved for the future and promoted to a wide audienc…
Recording music & dance of the Batwa News
…identify, record, preserve and promote the cultural music heritage of East Africa. In taking the project to Uganda to document and record the traditional music and dance of the Batwa, we can help to stem the tide which is threatening to obscure the music traditions of this ethnic group. The SWP will ensure that the unique sights and sounds of the Batwa are fully and professionally documented, preserved for the future and promoted to a wide audienc…
May 2011 – Jimmy reports back on the pilot phase News
…ders have their successes deeply embedded in the music of their ancestors. Southern, Central and Western African nations have their modern music genres deeply rooted in the rhythms, harmonies and melodies of their past resulting in an incredibly strong cultural identity on the world map. Countries that have turned their backs on their roots have a struggling music stage where musicians are caught in a warp trying to experiment with styles that the…
Reflections on the pilot phase by Pato News
…gy not witnessed in all the previous groups recorded before. DAY 5: Kwale, South Coast We woke up to a beautiful surrounding of the Indian Ocean Beach Resort, it turned to be as beautiful as we had seen on the internet, pictures can sometimes deceive you. Breakfast was so good and we took our time especially Willy Bembe, I think by this time he had added like five kilos to his body. The distance between the hotel which was in Diani, and our set in…
Discovering music roots with SWP News
…cherish the end result. Jimmy and Andy are amazing. The latter’s grasp of African traditional music and how to digitally emblazon the stuff was remarkable considering that this young gentleman from the north of Britain was on his second visit to the African continent. Jimmy is a sheer professional. We irked him earlier on in Nairobi with our team turning up late for introductory sessions. And that’s one of the lessons we learnt; time and its mana…
More Ketebul voices…Steve reports from the field News
…the set and hit the road for Diani. We stopped for lunch at a place called African Pot that Maddo had spotted on our way to Kwale. The food was particularly good, and served as the perfect ending for the day. Tuskers at the African Pot At the hotel, we quickly set up on the beach just outside Jimmy’s cottage, for a recording with Winyo and Andy. Pato and I then drove Winyo to hospital in Diani to have his tooth checked. He had knocked himself on t…