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Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…e carved into a hill, with rows and rows of streets below us, and an equal number of streets and houses piled up above us. There were cars, motorbikes and taxi’s driving past and planes flying overhead. Everything was for sale by everyone who walked by. No sleeping cattle. No flower beds. But, as always, there was wonderful music. The first group was the Adungu Cultural Troupe, masters of the Adungu. We had interviewed their leader on our ‘recce’…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…up the truck for Vicki before you arrange seating for children. This is a new practice. We’ve found that setting up camera 3 on top of one of our vans gives us a very good new ‘context’ perspective. Equally, it involves solving a rather elaborate puzzle of guiding a truck through a maze of equipment and children, while ensuring it doesn’t end up in ‘the shot.’ Assume two trucks with 11 people drive on average at 50 kilometers an hour. This follow…

An Evening with Mserego Mwatela Group News

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…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa :   Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…

How music archives can help communities News

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…uel Kahunde, a Ugandan student whose doctoral thesis centred on issues of preservation and musical change. Kahunde accessed the recordings of Klaus Wachsmann which had been made in Uganda in the early 50’s and were archived at the British Library. He used the recordings to research how musical performance had changed over the years. He focussed on the music of the Buganda Royal Court which had not been heard for a generation after the Buganda King…

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…ched bundles are then sold at the market to businesses that are working on new thatched roofs or those needing repairs. A thatched roof lasts for between five and ten years. Then there are the charcoal makers and sellers. The thatch ladies ensure that the roads are dotted with thatch pillars. The charcoal makers burn the charcoal and then fill five foot high white bags of charcoal that line the roads in groups of 4-5. We often mistake them for nun…

Northern Uganda: Day 4 – night recording at Fort Murchison Story

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…okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters, from very big grasshoppers to fairly intimidating beetles. Our recording sessions were part Singing Wells and part BBC wildlife documentary. We reassured ourselves that at least the bugs that whacked into you were unlikely to…

ATTA is following Singing Wells News

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…guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our field recording trips. I met Nigel Vere Nicoll, Chief Executive of the African Travel & Tourism Association and explained a little about Singing Wells and our aims to record and celebrate the cultural music heritage of East Africa. It se…

Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story

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…y NGO’s and typically campaigning for things like HIV Awareness, Cultural preservation, etc… Except for the fact they wear clothes under their animal skins, they work very hard to be as traditional as possible. The performers are picked from the top villages around the area. Their leader is Cwinyaai Atya, Richard. Their first song was Tambara, in the Osegu style. It is all about a stubborn girl who doesn’t want to marry early. Here they are, danci…

Reporting back on recording trip to Kisoro, SW Uganda News

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…and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting benefit for the Batwa community in Uganda and we are doing this through our continuing relationship with UOBDU. We were delighted to receive this message from Henry Neza, UOBDU Capacity Building Officer and our liaison contact with the Batwa c…

A day in the field with Singing Wells News

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…to our equipment lists all of the time as we refine our methods and learn new techniques and face new challenges. For our next field recording trip to northern Uganda (December 2012), this is the list of everything we will be taking with us: 2 Apple 17″ MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matche…

Northern Uganda: Day 2 – from Gulu to Acet Story

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…ging Wells 2012 shirt! He also got one of our Polaroid pictures. This is a new innovation for us – every group gets to listen to their song back during their performance and we take a Polaroid photo of each person so they can take a photo home. Then a quick 50 kilometer ride back to Gulu (smile) taking photos the whole way home of great road scenes. We then bought some Ugandan instruments in Gulu and William, Akello and Hannah feasted on some gras…

UOBDU report on Singing Wells visit to the Batwa, Kisoro Uganda News

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…all the music groups who performed for the Singing Wells project. The good news is that being involved in the project seems to have given the groups a new and added pride for their music and has inspired them to practice their dances so that they can confidently perform to more audiences. It is also clear that the financial contribution made to UOBDU by the Abubilla Music Foundation has gone a long way to improve the quality of life for the Batwa…

The Tribal and Musical Structure of East Africa – Worldmap Research News

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…ata when working for the Virtue Foundation in 2011. They were keen on this new technique and trained me to use it for mapping health data in Ghana (example shown below). This was in collaboration with Harvard University. Following on that I spent some time working with the GIS department at Harvard in Boston specifically learning how to use the mapping software, and I also attended GIS classes given at Harvard. I then brought the idea to Singing W…

African Strings: The Nyatiti and The Adungu News

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…f the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today, through The Influences Series. Some of my favourite prominent Benga musicians of today are Ogwang Lelo Okoth, Musa Juma (below) and Dola Kabarry (below). Instrument: The nyatiti has 8 strings and is usually played sitting down on a three-legged stool known as the ‘Orindi’, it can be as low as shi…

Day 9: Ketebul Studios with Ben Kisinja Story

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…d Winyo on vocals. Watch this space. We also continued our work to capture new artists for Missing – Global Remix, our 2012 fund raising song. We had Prasad Velankar, a wonderful Indian percussionist join us to put on new percussion. He plays the Tabla at the speed of light and transformed the song. He was so good, we decided to put together a magic moment. Watch this space for videos. We recorded right through to 9PM and the ‘northern folks’ rush…

Day 7: In Nairobi – sponsors, blogs and strategy Story

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…ting with contemporary studio musicians and sound engineers ready to bring new arrangements. The sponsors discussed that these missions are sometimes in conflict. If we spend too much of our time showing videos of more traditional tribes singing traditional songs, we might turn off the young audience we are trying to attract. Like kids everywhere, they tend to reject their parents’ and grandparents’ music, hoping to discover new music they can uni…