Field Recording Report by Kahithe Kiiru Story
…nal relations for a year. However, by then he felt he was already too deep into music – rehearsing, gigging, teaching private guitar lessons, song writing, etc. His parents disapproved him dropping out, but he persisted and felt that he was reaching more people through his music. In 2008, he auditioned for the Spotlight on Kenyan Music project and met Ketebul for the first time. By that point, he had not identified with any musical style. He start…
Global Influences Project: Artist Submissions Page
…on the programming of this song. I added a few Techno elements still maintaining the Afro House percussion and groove to compliment the sample. The chord progression was the last touch as it also gave the record color and vibe.” You can follow Shona on Twitter (@afroshona), Instagram (@officialshonasa) and on Facebook (https://www.facebook.com/afroshona) AMZI ODEK X ALOKA OHANGLA//NYATITI GROUP We really enjoyed this submission from Trombonist and…
2. Naizungwe Drums – progress report 1 Story
…We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video docum…
Day 2: Sunday, 2017 February 19th Story
…how to behave as a wife, and how to be a mother. The women invited Sophie into one of the huts to watch their dance in private. In Uganda and Kenya we have a lot of recordings of rites of passage, mostly around male and female circumcision rituals – happily the songs survive but not the rituals in the places we visited! But we have far less on the theme of ‘women for women’ songs of instruction, or the rites of passages of women preparing for adu…
Day 1: Saturday, 2017 February 18th Story
…. This is our first trip to Tanzania. For those of you that have followed Singing Wells, you will know that we’ve been working for seven years now in Kenya and Uganda. We thought we would have covered more countries by now, but we have been blown away by the richness of the traditional music in these two countries, so we kept going back. We are very excited now to start our work in Dar es Salaam and Bagamoyo on this trip but also recognize this is…
Our journey to the Royal Drums: in the words of James Isabirye Story
…: James Isabirye, Left: Tabu (Ketebul), Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we ar…
Ketebul Music presents Shades of Benga Online News
…ebsite here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the…
Singing Wells Approaches 5 Million Views News
…now approaching 5 million total views across our videos. When we started Singing Wells almost ten years ago, we set an aim to bring the traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…of interviews on the trip and did a fantastic job. We had the opportunity to interview him during our days recording in Nairobi. SW: What was the most surprising thing about the trip? GT: To know that this tribal music is available out in the villages. There were people singing and dancing to preserve the music – this is real life and largely in Nairobi we are cut off from the reality of real life, the soul. To still realize that it is available…
The History Of Benga Music: A Report by Ketebul Music Story
…the Rift Valley to the slopes of the imposing 5,199 metre Mount Kenya and into the plains of eastern Kenya. From a genre that was previously considered low class, it has managed to establish its hold as a definite Kenyan style and beat. Sprinklings of it are to be found in DR Congo. It has been borrowed, repackaged and found a new form in Zimbabwe. From its humble rural beginnings, this music has been nurtured into a club circuit affair in numero…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…c… In this context, the knife is cutting away his old life and forcing him into a new life. Ruuji rukuru, led by John Gitoriga, means ‘old water’ and is a song to prepare a boy for manhood. Water is a cleanser so the water cleanses the boy and moves him from childhood to a new life. The boy is taken to one of the old rivers and hot mushrooming spring. Hence ‘old water.’ Remember that in all cases the boys are led to a river, covered in mud, and th…
Central Uganda: Day 5 – Jinja to Kampala Story
…Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: She is a senior member of Nile Beat Artists and is vice president of the cultural association in my university. During her school life she was best dancer in 2007 and 2010 in high school, and best dancer in her university in 2010 and 2011. Musoke Meddy: He is a senior me…
Central Uganda: Day 4 – Jinja Story
…hen of one of our cottage rooms and have the groups either perform on our dining patio or our porch. We had three groups today and the drivers were sent out to round them up from the surrounding areas. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala, the big Ugandan trumpet, to Ugandan musical culture. According to our local musical expert, James Isabirye, it was close to dead, but a Unesco project has hel…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
Report from Womex 2013 News
…is year in Cardiff. The festival lasted from Wednesday 23rd to the 27th of October. The trade fair and conferences were held at the Motorpoint arena, with the evening showcases and events held at the Millennium Centre in Cardiff Bay. For our first visit to Womex, we booked a stand at the trade fair, with the main intentions being to spread the word of the project and the work we are doing in partnership with Ketebul Music. Ketebul have attended Wo…
SWP Uganda 2013 – our proposed itinerary News
…proceeded straight to the headquarters of Elgon Ngoma Troupe. As we drove into the centre’s compound, we were surprised to find a large group of teenagers playing an assortment of brass instruments and drums in a marching band format! Elgon Ngoma Troupe is an interesting group led by a very charismatic director called Wolimbwa Julius. Most of them are former street kids and, apart from learning music and performance at the centre, they also live…