Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…ng the weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village th…
An Evening with Mserego Mwatela Group News
…feel the rhythms and I try to teach them what I’m doing, but I also adapt to how they feel the music. I let them take the music where they want to take it as long as it is rooted in our traditions. I just watch them dance and move and create the linkages. Q to the grandson: Why are you doing this? Are you viewed as cool by your friends, or somewhat ‘out of touch’? A: Maybe it’s the friends I pick, but I’m viewed as a role model by my friends. I p…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…e band’ played for the rebels and were visited by all the leaders. They refused, however, to play rebel songs or support the rebel side. They said over and over again the music was neutral and only had alligience to Uganda not to one side or the other in the war. There were lots of scary moments when rebels would try to force them to declare alligence or die. But by miracle the rebel leaders let them live and play music as neutrals. In 1992, the U…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…n his/her head. You see in the distance yellow dots and you are guaranteed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying baskets of nuts and spices, water jugs, charcoal, thatched bundles, etc…. This, of course, gives them a ram rod straight posture, giving them a majectic air and a very practical crown. Before talking about the markets, let’s now talk about the middle of the road, where the veh…
ATTA is following Singing Wells News
…their website under the ‘ATTA Likes’ banner! Thank you ATTA – we will keep you posted on our travels in East Africa with news, photos and wonderful music! Victoria…
Northern Uganda: Day 4 – night recording at Fort Murchison Story
…scrambling we managed to invite our second group of the day, Cieng Dwong, to travel to us from their village Alebtong. All well and good, but our poor travelers didn’t arrive with us until about 1900, by which time it was pretty dark – okay, very dark. The good news is we have good lighting equipment. The bad news, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size…
A day in the field with Singing Wells News
…ing us. Once we arrive in our location, we liaise with the local musicians to find the best space to record. If possible we will record more than one of groups in each location, as it reduces the setup and breakdown time and maximizes the time for recording. We decide on two or three different ‘backdrops’ for the performances and park vehicles in the centre so that we can easily rotate the setup while leaving the back end of the audio equipment se…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…kids, over our equipment and through performers Part of our routine now is to have Vicki on top of one of the vans to get a good 3rd angle (much of the Acholi dancing involves circling a drummer, meaning you can’t see said drummer unless from above…) The Music Groups Rubanga Kingom (Awach Boys) Our first group was Rubanga Kingom (Awach Boys), a full Likembe band. They formed thirty years ago and their goal is ‘Edu-Tainment’, helping African childr…
Northern Uganda: Day 2 – from Gulu to Acet Story
…) and the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drum…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…ue Foundation in 2011. They were keen on this new technique and trained me to use it for mapping health data in Ghana (example shown below). This was in collaboration with Harvard University. Following on that I spent some time working with the GIS department at Harvard in Boston specifically learning how to use the mapping software, and I also attended GIS classes given at Harvard. I then brought the idea to Singing Wells when I began work in the…
Northern Uganda: Day 1 – Entebbe to Gulu Story
…us stages of manufacturer (either drying or firing), pyramids of potatoes, tomatoes on patches of blankets under trees, tiny goats tethered near the road side to pick at a fresh patch of grass, bike rider riding with small loads or walking their bikes with large loads (this trips winner was a large door, but fails miserably to our Rift Valley coffin), bed frames in all shapes and sizes gathered in front of workshops, big steel gates leaning agains…
African Strings: The Nyatiti and The Adungu News
…ns made functional. The harp is constantly evolving, and while in the past tortoise shell was used to make it, it is now largely made out of wood. They come in a variety of different sizes and are often played as an ensemble: Tradition: Traditionally, the harpist was the only musician ever allowed to play in the room of the royal ladies, whilst there would often have been a harpist situated in the Kabaka’s palace (the chief of the Baganda tribe in…
Day 8: Ketebul Studios with the Otacho Young Stars Story
…cused our recording time on Mr Manager, their quite sincere thank you song to a factory manager that came to their factory and actually did a good job. We always found this song amazing – the group is deadly serious in their thank you to the manager. But in many ways, we kept thinking it is sad that they find it so rare for someone to essentially do his job that they need to write a song. Johnnie, Bishop and Eddie all joined in to support them in…
Day 6: Recording the Tugen & back to Nairobi Story
…about how he can’t live without her and he will travel as far as he needs to find her. ‘Chesaina’ : this is a person who can hold the hind leg of a donkey. This is highly unusual because a donkey kicks so hard, no one could hold his hind leg. ‘Arap Oloo’ : about a wife who thinks her husband is lost. She wants to look for him because she can’t be responsible for all her children and animals without him. ‘Chang’komen’ : about a woman who is marrie…
Day 5: Recording the Marakwet Story
…as a flat area and we stopped and 50 Cows announced ‘we’re here.’ We tried to find a recording site out of the burning sun but failed. We wanted the lovely 360 views and sacrificed shade for our art. The Music Groups Kasagat Traditional Dancers The first group was the Kas agat Traditional Dancers. Kathy talked to the tribal elder about them. They come from Tot, about 50km from where we were recording. They had walked here the night before and had…
Day 3 continued – an interview with Steve Kivutia Story
…llage and two groups stranded and wet. As we write this we are working out how to see them this week. Chelagat Lebo – ‘Chela’ Finally, we have been joined by Chela. She’s amazing and was there taking down the tent during the deluge. It should be noted that most of the Singing Wells crew were in the vans by this time. Chela is a professional documentary maker and Kathy interviewed her in detail. That’s it. We are spending our evening backing up fil…