Day Four: February 19, 2020 (Maruhabi Palace) Story
We drove back towards Stone Town and stopped at the Maruhubi Palace ruins. This palace was built by the third Sultan of Zanzibar from 1980-1982 for his secondary wives. It is now in ruins but you can still see the main buildings with baths inside, a massive overhead aqueduct that supplied water to the palace and circular ponds with lily pads. It’s set in a beautiful location along the coast surrounded by mango trees. We met the first group there…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…m, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass all local traditional forms of dancing, drumming and singing. There are literally hundreds of different ngo…
Albums Introduction Page
…ups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. CDs may also be available in the future. Join the mailing list to find out when…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…nd motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 y…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
Day Three: January 20th, 2019 Story
…! We recorded five performances: Busumabuno Kulima: A song about farming Watoto wakalime Freestyle on Kulima Magic Moment Busumabudo, focus on percussion https://youtu.be/dHeTdA5m5gQ Group 3: Awilo: The group, which is a comedy circus act, is from Ikungu lya nkoma and performs in the Bununguli style. They are from the Sukuma community and were formed in 1981. They played the Ng’oma and entertained the kids with circus acts involving fire, razor bl…
Day 1 – Saturday 1st July 2017 Story
…ield mission was originally reserved for travel, for the road from Nairobi to Kisumu City. However, as our schedule was going to be tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to…
Day Three: 9 March 2022 (Kisumu) Story
…ba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journey. Our location for recording that day was Dunga Hill Camp, right by the shores of Lake Victoria. After a quick survey, our camera crew settled for a spot indoors, next to the fireplace. Lined up were three musical acts and the first to arrive was Peter Akwa…
Day Four: 10 March 2022 (Rongo) Story
…eing that most of the musicians we interacted with were immediately trying to put into practice some of the suggestions we made to them on ways of improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to…
2. Naizungwe Drums – progress report 1 Story
…aking comprises 24 drums of big, small, medium and small sizes. We decided to make many because we would like to have enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizung…
Day 2: Sunday, 2017 February 19th Story
…songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing. We learned about the Bi Kidude and Unyago style. Throughout this trip we will enco…
Day 1: Saturday, 2017 February 18th Story
…reating a specific post for him, so he could continue drumming for all visitors to the government. Because he was blind, he was invited to perform with specific women groups, of songs for women by women, of songs that no males could see. Every day we will tell more about Mzee Morris and his music (see picture below). We will also talk about his legacy and the attempts of his family and fans to keep his name and his music alive. Like all Singing We…
Our journey to the Royal Drums: in the words of James Isabirye Story
…ents, build new instruments, build new groups, find opportunities for them to perform. From my conversations with Singing Wells, we are now calling this the ‘Bigwala Model’, although that sounds a bit grand, and sounds like we had a perfect grand plan. Of course, things evolved more organically. You’ll remember in 2013, Singing Wells came to Uganda and we started to discuss the issue of the royal instruments. At the Kampala Museum, Singing Wells,…
Ketebul Music presents Shades of Benga Online News
…into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from K…
Singing Wells Approaches 5 Million Views News
…traditional music of East Africa to a wider audience. It amazing to see the Youtube algorithm agreeing that this is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…my village life. When we gathered for big celebrations, the entire village took to the road to walk for miles to a central location. We walked all night. And we sang all night. The old people walking with the children, all of us singing. And now we have a nice road that probably gets us to that site in 20 minutes by car. But what have we lost? We’ve lost the connection that comes with all generations singing together, with laughter and joy. We san…