Day 1: Saturday, 2017 February 18th Story
…cers pulls it back by the tail just before it strikes. Breath-taking. This form of performance is new to us (but, of course not to Tanzanians) and we’ve not seen it in Kenya or Uganda. In fact, ‘clown’ acts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns…
A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News
…n music and instruments. We know that generations to come will be grateful for the work he has put in to continue these traditions. He has also written a report analysing how indigenous learning can inform modern schooling, in which Singing Well’s gets a featured mention as collaborators within his project. You can read more about that here: https://journals.sagepub.com/eprint/XGBCQ8EJIVZXHMMGUZ2V/full James Isabirye is a lecturer of music and mus…
Fundraiser for Matthew Watmon News
We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…
Our journey to the Royal Drums: in the words of James Isabirye Story
…itional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we are losing the myths, the dances, and the songs that define us. If you lose that sense of identity how can you know where you’re going as a society? If you don’t know your roots, how do you know who you are? This matter has concerned a circl…
Singing Wells Approaches 5 Million Views News
…s is a project worth showing people! We can’t wait to bring more songs and stories to the world. Keep an eye out on the Singing Wells Youtube channel for the footage and recordings from our field trip to Zanzibar and Pemba….
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…nd the music will die with me. We then gave the trumpeter the music of the International Library of African Music. They had assembled a CD for us of Hugh Tracy’s recordings of the palace musicians that he recorded in 1952. The trumpeter loved the picture of the trumpets on the cover and knew some of the players, but he was certain he was not on the recording. “I was still learning during this time and was not good enough,” he said. Ben Nsubuga Nta…
The Entenga Drums: Part 1 Story
…visit in November. We helped ‘mix’ as we listened to the drums formally performed for the first time in almost 50 years. So, over the course of several months, the team created the drums, the drummers and their music. And on November 30th, at Kyambogo University, they revealed the drums to the Singing Wells team and an audience that grew and grew as they played. Here are four things we learned about these drums on Day 1: There are 15 drums. 12 of…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…essages that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages….
The History Of Benga Music: A Report by Ketebul Music Story
…at have significantly stunted music sales by making reproduction quick and cheap for music pirates, Melodica remains in operation stocking numerous “zilizopendwa” golden oldies. Melodica’s precursor was known as Bonanza Music Store located on Luthuli Avenue. Founded by Mzee Daudia in 1963, the name was inspired by the American cowboy TV series of the time and it quickly became a Benga musician’s Mecca. The shop moved to its present location on Tom…
Interview: fusion band Ndoto Afrika News
…pace and what’s making it twice difficult is that you have to compete with international foreign brands who in most cases are the radio favourites. A brother has to dream on though, giving up is so ‘unAfrican’ they say. Anything else you want us to know? In the banks of these rivers, shoes of these great lakes, thickets of these forests and slopes of these mountains, there lies a sound so beautiful and pure that you can never find anywhere the wor…
Central Uganda: Day 5 – Jinja to Kampala Story
…r told him before he died. Ebibira: This song talks about the dangers of deforestation. The forest is where the spirits of the fore fathers can rest. If you destroy the forests, you destroy their homes so they will be loitering around and the living won’t have any peace. Omukazi Ow’omwano Tanoba: Tamenha Ibuga Nalufuka: This was an incredible dance number that ended with all the Singing Wells crew, and many of the hotel staff, jumping up and danci…
Central Uganda: Day 4 – Jinja Story
…e had two legends of Ugandan music visit us today) – Natha Matta Nyende performing for us with his band the Bakuseka Majja Matta Group. Nathan is 76 years old and has been blind since 1956. He formed his group in 1952. They play in the Kisoga style and are from Kasokoso in Iganga District. They are four members. Nathan plays the Endongo, which is the local name for the small thumb piano. Kirunda Awali sings and plays the Endere, which is a flute….
The repatriation of Kenya’s music heritage News
…which these songs were made in the 1950s by English ethnomusicologist, Hugh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells project. Read Bill Odidi’s article abo…
Music Depositories and Archives around the World News
…the contract, Smithsonian had to keep nearly all of the albums ‘in print’ forever, for posterity. It honours this through its custom order service: “Whether it sells 8,000 copies each year or only one copy every five years, every Folkways title remains available for purchase.” Their mission, which the legacy of Asch, is ‘to document “people’s music,” spoken word, instruction, and sounds from around the world’ and is committed to ‘to cultural dive…
Archiving Guidelines News
…Digital Storage Systems, is of particular use because it contains straightforward information for smaller would-be archives, such as those wishing to archive East African music, concerning both the digitisation of audio or the online storage of the data. It cites two viable options for open repository software, which are basically softwares that allow organisations to give access to their data. The first is DSpace, “very popular and widely adopte…
A History of Recording East African Music News
…om 1978. He is stated to have recorded hundreds of tribes and is commended for forming close relationships with them, which allowed him to gain permission to record their music. Mary K. Oyer, b. 1923 Mary Oyer graduated from Goshen College – a private Christian college, historically affiliated with the Mennonite Church – in 1945, but was soon to return as she was invited to teach the General Education course integrating the study of music and vi…