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Day 1 – Saturday 1st July 2017 Story

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…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

2. Naizungwe Drums – progress report 1 Story

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…the left of the video above). He comes from a famous family of drum makers from Kalalu village, Buyanga sub country, Bugweri County in Iganga district. Muhamudu was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the t…

Day 2: Sunday, 2017 February 19th Story

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…If you mix it, you will drink it. Kiingereza (English) This is Leo’s song from his album, Bangili (bangles) This was a wonderful day of recording for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo…

Day 1: Saturday, 2017 February 18th Story

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…stics, clown faces and general mayhem, until eventually the snake emerges. From then on, the dance is about how close the pair can get to being bitten or strangled by the snake without getting hurt. Occasionally the snake is set upon the audience but one of the dancers pulls it back by the tail just before it strikes. Breath-taking. This form of performance is new to us (but, of course not to Tanzanians) and we’ve not seen it in Kenya or Uganda. I…

Ketebul Music presents Shades of Benga Online News

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…into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the Benga playing a dominant role. Currently, you can get advance copies from K…

Our journey to the Royal Drums: in the words of James Isabirye Story

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…rted to practice. We didn’t have drums at first, we just worked on the xylophone that uses much of the same structure. And over time the professor, Musisi, and the students gradually developed a great relationship and are so committed to each other. Then I had to order the drums. I ordered them from Mpambire, a village where all great drums are made. We sent Albert Ssempeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira,…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…

The History Of Benga Music: A Report by Ketebul Music Story

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…y, and has remained there since. It is at Chandarana’s studios that a vast number of musicians from western Kenya first put their work on spool tapes. Chandarana’s business acumen was in large part responsible for the replication of the Benga sound by singers from the mid-Rift Valley region. His shop and recording premises in the town are still in operation, though he has retreated into reclusive old age and is hardly keen on granting media interv…

Central Uganda: Day 5 – Jinja to Kampala Story

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…the Kampala Imperial Hotel and some of us were delighted to find a English football match on the TV (Arsenal vs. Southampton). And we were greeted by Air Conditioning which is most welcome by those of us from the North but feared and mistrusted by those of us from Nairobi. We look forward to recording tomorrow in Kampala. Apparently there is a marathon. We shall provide the soundtrack….

Central Uganda: Day 4 – Jinja Story

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…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…

Meeting Ketebul: an interview with Tabu News

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Published in: News & Views

…lay a very important part of bridging the gap between young Kenyans in the city who don’t go to the villages and might never hear the traditional music of Kenya, and old musicians don’t come to the city. We can only make traditional music popular with access to it. But why is this so important to you, specifically? I care deeply about culture. You cannot do without music in this world. Everything is tied to music, it’s important! We want to celebr…

Music Depositories and Archives around the World News

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Published in: News & Views

…tises recordings on a daily basis. There are several folk music recordings from Uganda and Kenya that are housed at the Archive. It is located on the Bloomington Campus of Indiana University and is open for listening from Monday-Friday: 10am-12pm then 1pm-5pm, except during the Summer when it is only open 1pm-5pm. 9. Centre de Recherche en Ethnomusicologie CREM (Research Centre for Ethnomusicology) is a French institution in Paris, which houses an…

Singing Wells in Numbers…. News

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Published in: About Singing Wells

…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes.  …

Report from Womex 2013 News

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…illion, 50 % are under 30 and consuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is…