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Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story

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…Part One: Drum Making The Singing Wells team was joined by James Isabirye today as we travelled to Mukono, to visit Ssebengwa Drum Makers (P.O. Box Mukono near Colline Hotel, Jinja Highway, opposite the Pork Joint). The shop is run by Abass Mirimu, a gentleman from the famous village of Mpambire which is known for its drum makers. Abass was the maker of some of the Entenga drums (the royal drums of the Buganda King). Above: Abass Mirimu To be spe…

Central and Eastern Uganda: Day 2 – Kampala to Jinja Story

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December 1, 2015: Checking the progress of the Bigwala trumpets Today, we travelled 3 hours from Kampala to Jinja, to the village of Bukakaire, to listen to the Bukakaire Bigwala Players, led by the last surviving trumpeter from the Busoga Kingdom, James Lugolole. A woman playing the Bigwala First, why are we here? Well, there’s the obvious: at Singing Wells, we record and share the great music of East African villages. But, there’s another, equa…

Singing Wells Youtube Channel hits 2.5Million views News

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…med back in 2011, on the very first day of the Singing Wells pilot trip to Kenya. Seeing the generations of Nyerere’s family performing together was a special moment (his son Mr Bado is also a musician). We captured a great fusion of old and new  https://youtu.be/-MU13FLg_io You also need to check out the Elgon Ngoma Troupe, performing a traditional circumcision ritual dance. Please keep following our channel – with new videos going up there’s alw…

Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story

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…time at the palace. In terms of the music, we recorded the following songs today: Ganga Alula Omusango gw’abalere Mubandusa Ekyuuma kya Bboola Veneneka Olugambo olubuulire Sekanyolya The Drummers In terms of the moment, let’s stress a few things: These drums are magnificent. They are actually 15 drums, 12 of which are tuned to the notes of a xylophone and thus we are hearing a full song – percussion, bass, rhythms and melodies across the six playe…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…n two cars chasing after it, trying to capture as much as we can. But as a Kenyan I am frightened that we are devoting so little to this. Where is the supply of talent to help us go further and deeper? Where are the funds? And where is the demand? This is not as easily digestible – there are not a lot of people ready to consume it. You have to care, you have to want to know the music. SW: Why isn’t there more focus on this? GT: I don’t know and it…

The History Of Benga Music: A Report by Ketebul Music Story

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…venties were the era in which Oluoch Kanindo, a former technician with the Kenya News Agency and the Voice of Kenya (KBC) grew into a massive music production guru whose dominance and supreme authority over Benga generated many controversies. One of the first big benga bands of that decade, Victoria Kings, was Kanindo’s brainchild and it grew into a key pillar of the Kanindo stable. Victoria Kings eventually split into sub groups, most of them wit…

Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story

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…cal artists – all of them in their late 60’s-70’s, all of them critical to Kenyan music history. These artists were: Ochieng’ Nelly Mengo Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. The guitar came to Kenya after WWII and inspired a lot of young men who were steeped in village music. One of these was Ocheieng’ Nelly who got his first guitar in 1961 and his playing was shaped by the Luo Nyatiti and a new musical style being…

Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story

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…ritual in their local villages. [Note: There are many forms of this and in Kenya, a tribe that takes it most seriously is the Tiriki, where they a) still use the circumciser (a medically un-trained village elder that often performs the circumcision on 10-12 boys in a line with the same knife) and b) will severely punish and ostracise boys that don’t perform well in the ritual.] At about 14, the boys are selected to go through the rite of passage –…

Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story

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…00 session in Kangema. Here’s our map: Our first joy was the site of Mount Kenya as we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording 4 separate groups, all of whom stayed for the day. The 80 or so band…

Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story

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…ls and that we hope will be useful to others setting up a similar project. Today we focus on roles/responsibilities of the core team. On arrival at the site, we divide into three teams: Interview Team This team is typically Tabu Osusa, who acts as the on-site Singing Wells representative, formally meeting the band and handling all their questions about the project and their role in it. Tabu is typically joined by our local music expert, in this ca…

A Tanzanian Effort to Salvage the Music of the Past News

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…to Rebecca Corey, who started the project in 2010 and still coordinates it today. “They started phasing out all foreign music from the local stations” in the 1960s, she told us. “So to fill up that airtime they would send out recording safaris to various rural villages to record these ngoma dances and drumming sessions.” This traditional village music was combined by state-funded bands with the Cuban-flavored rhumba coming in from the Congo. The r…

Central Uganda: Day 7 – A Magic Day in Entebbe Story

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…hank them now for their patience with us. It is also important to say that today will be more unstructured. We have one formal new group, which we’ll describe below, but we have also invited artists from two of our trips to join us and create new music. For part of the session we were joined by Brad Gibbs from The Mara Group, who had sponsored part of this trip and wanted to see how things were going. Brad was joined by a colleague, Nicolas Farah,…

Kenya’s Amazing Musical Instruments News

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…mportant instrument in Luo music (though we also encountered it in central Kenya, where it’s called the Wandindi). When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu i…