FAQ’s Page
…ase get in touch and let us know how you would like to help. Will you come and record my band? We have a schedule and a plan for the next 3 or 4 field visits to East Africa, so any groups we record would have to be within designated areas where we plan to travel. We’d love to hear from anyone with new suggestions for field visits. Can I join you on your next recording trip? Please get in touch if you would like more information about where are tra…
Support Singing Wells Page
…day and your donation will mean that every music group is able to perform and their songs and dance will be recorded by our field team. Funds will be used to provide for two field-recording engineers from Ketebul Music, a non profit organisation in Nairobi and our project partners. Your donation will also provide for gratuity payments to the individual music groups, which they can use to help them continue practicing and performing in the future….
Watmon Cultural Group Group
…choli traditional dance which he had learnt when he was young, both from grandfather in his village and from watching dancers at village events. He went around his district in Kampala, telling people he would like to start a dance troupe, and was met with a positive reaction. Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, ma…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…to record directly to the laptop. All recording systems have their merits and demerits and our choice was no exception as it caused us some delays when the laptop overheated due to the hot tropical sun, resulting in drops in frame rates. We solved this problem simply by avoiding direct sunlight and staying in the shade. Due to the short period assigned for the completion of this project, we did not have time to conduct a recce and for that reason…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake w…
Day Four: 10 March 2022 (Rongo) Story
…cussive instrument and an accompaniment by a soloist. However, the nyatiti and the litungu played by the Luo and the Luhya, respectively, follow chord progressions, notes and keys. Ontiri came on stage at Treat House Resort at 5:30pm and true to the professional that he has become, gave an exemplary performance without any re-takes. By 7:00pm his session was completed and he was on his way back to Kisii County. The next group was Otacho Young Star…
The Revival of the Entongooli Page
…ss. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on that later… Simple but Effective Tools Having the right tools for the job doesn’t necessarily mean the most high-tech or complicated. As we show in this video here, the tools needed to continue shaping the base of the Entongooli are very simple, but remain incredibly effective….
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…were ‘secret songs’ and filled with metaphors that would explain about sex and love and all the wonderful and difficult parts of marriage. As this music moved from the secret rites to more public performance, you find the audience laughing at all the double meanings. To be more specific, the women are laughing and the men are scratching their heads. As we tried to identify the meanings of the lyrics of these songs, the women often laughed with…
Global Influences Project: Artist Submissions Page
…e Otacho Young Stars Shoe Shine Box loop to add some movement to the drums and arpeggio and I was really happy with how the rest of the elements came together in this piece.” To hear more work from Ng’at Maler, you can follow him at @ngatmaler MAKOSSIRI X ALOKA OHANGLA We love this brilliant submission from Kenyan techno artist, Makossiri. Describing herself as “A true rebel from the outerworld who defies boundaries through her genre bending sound…
Field Recording Report by Kahithe Kiiru Story
…led by locally famous musicians: Eric Shitakha and his Balozi Band on one hand and Benson Muhitsi’s isukuti group on the other. Shitakha’s Balozi band had basic Luhya instrumentation, notably using shirili fiddle and several idiophones (metal ring, rattles, etc.), while Muhitsi plays the isukuti drums in a style simultaneously authentic and original for his mastery and virtuosity on the drum. These two played a large number of popular Luhya folk s…
Day Five: January 22, 2019 Mwanza Continued Story
…nisters hosted a fund raiser for the Foundation and invited Singing Wells members as special guests. We were greatly honoured to be part of such an important evening and enjoyed the entertainment and the MC’s skill as a fundraiser! Meeting with Mizengo Kayanza Peter Pinda….
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…’s friend. Lyuwa Laloka: it is sunset and time to conclude whatever business and return home to your family https://youtu.be/J50cA94uhYk And…that was it! Our last group. From there we drove…and drove…and drove…and ended up back in Nairobi. Some of us stayed for an important Singing Wells trip to Zanzibar. And the London crew sadly flew home….
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Tarajazz Group
…akame, who studied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to…
Richard Sewanyana Group
…song of any of the ones they had been playing since he joined the palace. And he couldn’t. And they were very mad because he had taken a salary as a player and they felt he was a robber. So when my father realised he had been found out and that he wouldn’t replace his father there was a panic and a desire that I go to the palace to replace my grandfather. So I played in the place of my grandfather for about two months, but then there was suddenly…
Day Three: January 20th, 2019 Story
…ocal women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park…