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…Music of the Luo Aluny Village, East Alego, Kenya Group Leader: Okumu K’Orengo…

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…Music of the Kalenjin Kapsokwony, Kenya  …

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…tel for over twenty years and teaches at the Dhow Countries Music Academy. For 50 years he’s taught music in Zanzibar and promotes other musicians. Other members of this group include: Ramadhan Muhidan (accordion), Ali Ibrahim Musa (Kanan or Qanun), Tatu Hamisi Amur (accordion), Asha Khemisi Amur (violin) and Malick Anas (fiddle). Malick is 75 and has played with the Professor since 1961. All songs were very Arab influenced by all the lyrics are S…

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…gative thing, evoking witch doctors and snake oil salesmen. Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw scho…

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…ge 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman Mwalim, Saidi Simai Mkanga, Vuai Juma Vua…

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Images from the Singing Wells trip to record the music of the Luo. We travelled by road from Nairobi to the shores of Lake Victoria and recorded different music groups from the Luo tribes.

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…is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming together for the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mo…

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…Images from the Singing Wells trip to the Coastal Region to record the music of the Mijikenda, a culturally related group of nine clans. Our recordings concentrated on the music of the Giriama and Digo clans – a music style renowned for rhythmic percussion, vocal solos and harmonies. We recorded 8 different music groups from the region….

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…y of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the alb…

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…Images from the Singing Wells trip to record the music of the Kalenjin tribes. The journey took us to Kitale, Mount Elgon, Kapenguria, Iten, Kapsowar and Lake Baringo where we recorded the music of traditional groups from different sub-tribes including Pokot, Marakwet, Tugen and Saboat….

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…et us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa)  Dancers and chorus (all…

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…mmunity. We were pleased to see a young group of musicians passionately performing their music for us. To visit the group page for Ker Kal Kwaro, click here: Ker Kal Kwaro. To listen to the album of music from our Northern Uganda trip, click here: The Music of the tribes of Northern Uganda Otacho Young Stars We recorded the Otacho Young Stars in Rongo, Nyanza, West Kenya as part of our field visit to record the music of the Luo. It had been a bad…

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…at some of the venues chosen for the recordings had no main power outlets. Fortunately and for a nominal fee, good neighbors always came to our rescue by allowing us to tap into their main power supply lines with our snake cable. When all the issues were sorted out, the rest of the recording went smoothly with Johnstone Mukabi and the Omutibo Stars coming on stage at 11:00am. Accompanied by Francis Massanga on vocals, they were joined by guest mus…

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…n a Dodo group led by Ogoya Nengo. We next move to Aluny Village – with performances from The Joginda Boys, Otieno Aloka and the late Okumu K’Orengo and his Nyatiti Group. The Kochia Traditional Dancers gave a very visual performance, and one of their tracks, recorded on the shores of Lake Victoria at the Homa Bay Hotel is also included. The final day of recording on the trip saw us head to Rongo – and the settings of Dinky’s Resort Club. The Otac…

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…don’t know: Fadhilee then taught the band to play his song, We Don’t Know. This is about politicians who pay lots of attention to voters when it is election time but then are never around to be accountable for anything once elected. It is about the frustration of so many people with their elected officials who do nothing for them. There were two versions: here’s the second: We Don’t Know….

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…was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica of the nyatiti (an eight stringed traditional lyre), which he calls okoddo and is modified to the pentatonic scale. Olith Ratego’s recording session went uninterrupted and was completed shortly before 6:00pm…

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