Day Four: 10 March 2022 (Rongo) Story
…hows at the venue. By 9:30pm we concluded the recordings with Otacho Stars and formally ended Travel to Stream! DAY 4: Thursday, 10 March 2022 Act One: Ontitri Bikundo Genre : Obukano Location: Treat House Resort – Rongo Profile: Ontiri Bikundo Ronald Ontiri Onchuru Bikundo is a versatile obukano player who was born in 1974 in Kisii. Ontiri started playing music in 1985 and recorded his first song ‘Bikundo Obaba mbono’ in 1994 and from then on he…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…or the completion of this project, we did not have time to conduct a recce and for that reason we came to realize rather late that some of the venues chosen for the recordings had no main power outlets. Fortunately and for a nominal fee, good neighbors always came to our rescue by allowing us to tap into their main power supply lines with our snake cable. When all the issues were sorted out, the rest of the recording went smoothly with Johnstone M…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…a base for traders between the African great lakes, the Arabian Peninsula and India. In 1698 it came under the control of the Sultan of Oman. Areas were developed to grow spices and this area, which includes Pemba, became known as the Spice Islands. The main trading was in spices, ivory and slaves to the Arab countries. In 1890 Zanzibar became a British Protectorate and slavery was outlawed. This happened in fits and starts. The death of one…
The Revival of the Entongooli Page
…rument in the hopes of continuing it’s legacy. Below you will find footage and information about the Entongooli and how the project is working to restore this instrument back to it’s former glory. Skip ahead to your preferred section… A Musical Education Finding the Materials Simple but Effective Tools Getting things Dung! Meet the Students From Embaire to Entongooli Part 1 From Embaire to Entongooli Part 2 Creating the Base Part 1 Creating the…
Global Influences Project: Artist Submissions Page
…imple bass drum beat to support the percussion. The shaker pushes the pace forward and accentuates the percussion. Other than defining the groove, the bass is also the lead instrument in this particular arrangement. The piano and gaara add more depth to the chorus parts and pull us away from the shakers’ high pace forcing us to lay back some more. I think the end result leans more towards dodo, at least to my ears.” We love what Stefano has done t…
Field Recording Report by Kahithe Kiiru Story
…led by locally famous musicians: Eric Shitakha and his Balozi Band on one hand and Benson Muhitsi’s isukuti group on the other. Shitakha’s Balozi band had basic Luhya instrumentation, notably using shirili fiddle and several idiophones (metal ring, rattles, etc.), while Muhitsi plays the isukuti drums in a style simultaneously authentic and original for his mastery and virtuosity on the drum. These two played a large number of popular Luhya folk s…
Here for Research? Page
…nts that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken…
Toroka Uje Group
…e tuning their drums, by fire, as we arrived and we quickly interviewed a band member, Steven Jonas about drum names. Steven is also known as “Tomato”, a name given to him because he fits so well in any band he joins, like a tomato works with any sauce or salad. The drums were from smallest to largest: Chaavo Ndogo – small drum The Kinganga (Makonpe) or Kidalidali (Zaramo) – smaller drum Chapuo Kubwa – big drum. Boi – long drum, one sided Ndungula…
The Kalenjin of Kenya Album
…onies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Pro…
Day Four: January 21 2019 Mwanza Story
…ele Sanaa Group: This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and har…
Mr Bado Group
…very musical family, who have been singing and performing Mijikenda dance and music for generations. He is the son of the legendary mwanzele singer and composer, Nyerere wa Konde. He was greatly influenced and inspired as a child by his father’s Mwanzele playing as well as by Maulid Juma’s Taarab, and Bhalo’s Chakacha. He started singing in 1994 while studying in Mombasa, and is now an accomplished music producer in his own right, and he runs his…
Day Five: January 22, 2019 Mwanza Continued Story
…era Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eats al…
Aynu Traditional Group Group
…group are from the Lugbara tribe and play the adungu, the ari (log drums) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They…
Here for the Music? Page
…ebul Studios in Nairobi. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet a…
Mohamed Uthman Kidumbak Group Group
…usical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000…
Watmon Cultural Group Group
…Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, many people were looking for an escape, and the troupe presented just such an opportunity. The group performed for President George Bush during a state visit to Uganda. They were also recorded in 2012 for the BBC’s World Routes album, presented by ethnomusicologist Lucy Duran. T…